Parklife is the third studio album by the English rock band Blur, released in April 1994 on Food Records. After disappointing sales for their previous album Modern Life Is Rubbish (1993), Parklife returned Blur to prominence in the UK, helped by its four hit singles: "Girls & Boys", "End of a Century", "Parklife" and "To the End".
Certified four times platinum in the United Kingdom, in the year following its release the album came to define the emerging Britpop scene, along with the album Definitely Maybe by rivals Oasis. Britpop in turn would form the backbone of the broader Cool Britannia movement. Parklife therefore has attained a cultural significance above and beyond its considerable sales and critical acclaim, cementing its status as a landmark in British rock music. It has sold over five million copies worldwide.
After the completion of recording sessions for Blur's previous album, Modern Life Is Rubbish, Damon Albarn, the band's vocalist, began to write prolifically. Blur demoed Albarn's new songs in groups of twos and threes. Due to their precarious financial position at the time, Blur quickly went back into the studio with producer Stephen Street to record their third album. Blur met at the Maison Rouge recording studio in August 1993 to record their next album. The recording was a relatively fast process, apart from the song "This Is a Low".
"Parklife" is the title track from Blur's 1994 album Parklife. When released as the album's third single, "Parklife" reached number 10 in the UK singles chart. The song has spoken verses, narrated by actor Phil Daniels, who also appears in the song's music video and the choruses are sung by frontman Damon Albarn.
The song won Best British Single and Best Video at the 1995 BRIT Awards and was also performed at the 2012 BRIT Awards. The song is one of the defining tracks of Britpop, and features in the 2003 compilation album Live Forever: The Rise and Fall of Brit Pop.
A number of newspaper articles about the young middle classes' adoption of Estuary English appeared during the single's chart run, including one in The Sunday Times on the day the song entered the singles chart (although Daniels' accent is more obviously Cockney).
The song played a part in Blur's supposed feud with fellow Britpop band Oasis at the 1996 BRIT Awards when the Gallagher brothers, Liam and Noel, taunted Blur by singing a drunk rendition of "Parklife" (with Liam changing the lyrics to "Shite-life" and Noel shouting "Marmite") when the members of Oasis were collecting the "Best British Album" award, which both bands had been nominated for.
Parklife is an album by Blur.
It may also refer to:
Confidence is a preference for the habitual voyeur
Of what is known as
(Parklife)
And morning soup can be avoided
If you take a route straight through what is known as
(Parklife)
John's got brewers droop he gets intimidated
By the dirty pigeons, they love a bit of him
(Parklife)
Who's that gut lord marching?
You should cut down on your parklife mate, get some exercise
All the people
So many people
They all go hand in hand
Hand in hand through their parklife
Know what I mean?
I get up when I want except on Wednesdays
When I get rudely awakened by the dustmen
(Parklife)
I put my trousers on, have a cup of tea
And I think about leaving the house
(Parklife)
I feed the pigeons I sometimes feed the sparrows too
It gives me a sense of enormous well-being
(Parklife)
And then I'm happy for the rest of the day safe in the knowledge
There will always be a bit of my heart devoted to it
All the people
So many people
And they all go hand in hand
Hand in hand through their parklife
Parklife
(Parklife)
Parklife
(Parklife)
It's got nothing to do with
Vorsprung durch technique you know
(Parklife)
And it's not about you joggers
Who go round and round and round
(Parklife)
All the people
So many people
And they all go hand in hand
Hand in hand through their parklife
All the people
So many people
And they all go hand in hand
Hand in hand through their parklife