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Parels | ||||
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File:K3 Parels.jpg | ||||
Studio album by K3 | ||||
Released | 1999 | |||
Recorded | 1999 | |||
Genre | Pop | |||
Length | K3 Parels.jpg | |||
Label | Sony BMG | |||
Producer | Miquel Wiels | |||
K3 chronology | ||||
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Alternative Cover | ||||
2000 Release of Parels
2000 Release of Parels
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New Edition | ||||
2008 Edition
2008 Edition
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Singles from Parels | ||||
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Parels is the very first album by the Flemish girlgroup K3. The album wasn't a very big hit, and the first single wasn't too. But when the girls released their second single Heyah Mama, what was their song for the Eurovision Songcontest, it was a big hit. The song reached nr. 1 in Holland and Belgium. The third single was called Yeke Yeke and was also a hit in Belgium. The fourth single also, what was called I Love You Baby. Op elkaar was the fift single and was released from the Limited Edition.
Standard edition #1014692 | ||||||||||
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No. | Title | Writer(s) | Length | |||||||
1. | "Yeke Yeke" | M. Wiels, A. Putte, P. Gillis | 3:26 | |||||||
2. | "Wat ik wil" | M. Wiels, A. Putte, P. Gillis | 3:38 | |||||||
3. | "Heyah Mama" | M. Wiels, A. Putte, P. Gillis | 3:21 | |||||||
4. | "Op elkaar" | M. Wiels, A. Putte, P. Gillis | 3:56 | |||||||
5. | "Parels" | M. Wiels, A. Putte, P. Gillis | 4:10 | |||||||
6. | "I Love You Baby" | M. Wiels, A. Putte, P. Gillis | 3:41 | |||||||
7. | "Ik kom tot leven (Bij jou)" | M. Wiels, A. Putte, P. Gillis | 3:50 | |||||||
8. | "Altijd van je dromen" | M. Wiels, A. Putte, P. Gillis | 3:44 | |||||||
9. | "Geen tweede keer" | M. Wiels, A. Putte, P. Gillis | 4:13 | |||||||
10. | "Zonder jou" | M. Wiels, A. Putte, P. Gillis | 3:46 | |||||||
11. | "Oh Ja" | M. Wiels, A. Putte, P. Gillis | 3:46 |
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This 1990s pop album-related article is a stub. You can help Wikipedia by expanding it. |
! is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records. The band's original drummer, Steve Cummings, played on this album but left shortly after its release.
The following people were involved in the making of !:
"@" is a studio album by John Zorn and Thurston Moore. It is the first collaborative album by the duo and was recorded in New York City in February, 2013 and released by Tzadik Records in September 2013. The album consists of improvised music by Zorn and Moore that was recorded in the studio in real time with no edits or overdubs.
Allmusic said "@ finds two of New York City's longest-running fringe dwellers churning out sheets of collaborative sounds that conjoin their respective and distinct states of constant freak-out... These seven improvisations sound inspired without feeling at all heavy-handed or urgent. More so, @ succeeds with the type of conversational playing that could only be achieved by two masters so deep into their craft that it probably feels a lot like breathing to them by now".
All compositions by John Zorn and Thurston Moore
Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.
An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.