Beat or beats may refer to:
Beats is a rhythm-based video game for the Sony PlayStation Portable handheld gaming system. It was released in 2007 at the PlayStation Store.
In addition to downloading music from the Internet, users may also use their own music to play along to in the My Music Challenge mode. Beats automatically loads the track titles and artist names of the songs it finds on the user's PSP. However, the game will only read up to 127 tracks for the user to choose from. There is as yet no explanation from Sony for this limitation, nor is it obvious how the game determines which 127 tracks are loaded from the library. (What is known is that the game loads the same set of tracks from the user's /MUSIC directory each time.)
During the game, three stationary targets, or landing points, (just one in Novice mode) are spaced evenly at the center of the screen. Symbols appear from off the screen and glide towards these targets in rhythm with the music. The symbols represent notes that players are meant to synchronize their button presses to and are identified by the four PlayStation face buttons: circle, "x", square, and triangle. These notes are generated based on the rhythm of the music using a beat tracking algorithm. While often occurring on the beat, notes can also occur off the beat at times. Tracks with greater emphasis on rhythm, especially techno songs with a strong, well-defined beat or powerful bass lines, generate the best in-game beat patterns.
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the mensural level (or beat level). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, beat can refer to a variety of related concepts including: tempo, meter, specific rhythms, and groove.
Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications.
Metric levels faster than the beat level are division levels, and slower levels are multiple levels. See Meter (music)#Metric structure. Beat has always been an important part of music.
The downbeat is the first beat of the bar, i.e. number 1. The upbeat is the last beat in the previous bar which immediately precedes, and hence anticipates, the downbeat. Both terms correspond to the direction taken by the hand of a conductor.
A paradox is a statement that apparently contradicts itself and yet might be true (or wrong at the same time). Some logical paradoxes are known to be invalid arguments but are still valuable in promoting critical thinking.
Some paradoxes have revealed errors in definitions assumed to be rigorous, and have caused axioms of mathematics and logic to be re-examined. One example is Russell's paradox, which questions whether a "list of all lists that do not contain themselves" would include itself, and showed that attempts to found set theory on the identification of sets with properties or predicates were flawed. Others, such as Curry's paradox, are not yet resolved.
Examples outside logic include the Ship of Theseus from philosophy (questioning whether a ship repaired over time by replacing each of its wooden parts would remain the same ship). Paradoxes can also take the form of images or other media. For example, M.C. Escher featured perspective-based paradoxes in many of his drawings, with walls that are regarded as floors from other points of view, and staircases that appear to climb endlessly.
Paradox (1882–1890) was a British Thoroughbred racehorse and sire. In a career that lasted from October 1884 until October 1885 he ran eight times and won six races. Despite running only twice in 1884, he proved himself to be one of the best two-year-olds of his generation by winning the Dewhurst Plate. In the following year he won five of his six races including the 2,000 Guineas, the Grand Prix de Paris, the Sussex Stakes and the Champion Stakes. His only defeat came when he was narrowly beaten by Melton in the Epsom Derby.
The final phase of the colt's racing career was marked by controversy and recrimination following his withdrawal from the Cambridgeshire Handicap in the autumn of 1885 and he was retired from racing in 1886. Paradox had little opportunity to establish himself at stud, dying in 1890 at the age of eight.
Paradox was a strongly-built bay horse bred by the Graham brothers at the Yardley Stud near Birmingham. He was sired by the 2,000 Guineas runner-up Sterling out of Casuistry, an undistinguished racehorse who had been sold cheaply at the end of her racing career by Lord Rosebery. Casuistry became an important broodmare, being the direct female ancestor of notable thoroughbreds such as Humorist, Royal Palace and Spend a Buck. As a yearling Paradox was bought for 700 guineas by the trainer John Porter on behalf of his associate, Captain Bowling. Porter trained the colt at his stable at Kingsclere.
Paradox is a mini-album released by the Japanese horror punk band Balzac.
Here my hands are tied to you
Forever and ever I'm stuck with you
I can't play now
'Cause the stars are out and so cool
And I can't go home
On my wall now
There's not a space for you
Here I turn and burn all night
Within there's a river and it roars and it screams
It rages with lust and fear and time
I'm stuck with you and I can't explain
I can't play now
'Cause the stars are out and so cool
And I can't go home
On my wall now
There's not a space for you
Now I whisper the words of truth
I'm stuck with you and it fucks me up
I can't play now
'Cause the stars are out and so cool
And I can't go home
On my wall now
There's not a space for you