Coordinates: 51°28′53″N 0°07′11″W / 51.4813°N 0.1197°W
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It has been suggested that Oval (ward) be merged into this article or section. (Discuss) Proposed since August 2010. |
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Oval is a geographically small area of Kennington, South London, in the London Borough of Lambeth. It is situated 2.1 miles (3.38 km) to the south-east of Charing Cross. Oval straddles the border of south-west London and south-east London, and is where the postcode SE11 converges with the postcodes SW8 and SW9. Oval is best known for The Oval cricket ground, the home-ground of Surrey County Cricket Club.
Oval is within the borough constituency of Vauxhall. The Member of Parliament for the area is Kate Hoey of the Labour Party.
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The land here was, from the seventeenth century, used for a market garden. The name "Oval" emerged from a street layout which was originated in 1790 but never completely built. The Montpelier Cricket Club leased ten acres of land from the Duchy of Cornwall in 1844, and Surrey County Cricket Club was formed soon thereafter at a meeting at the Horns Tavern (since demolished) on Kennington Park Road.
Oval ward is a constituent ward of Lambeth LBC. In 2001, the National Census recorded a population of 11,983 for Oval.
The nearest tube stations are Oval and Vauxhall station.
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Mini-Cons are a human-sized race and faction of power-enhancing transforming robots first introduced in various Transformers series. Pioneered for the Transformers: Armada toy line, Mini-Cons have since been sold under the Transformers: Energon, Transformers: Universe, Transformers: Cybertron and Transformers: Classic lines. In some cases, the word may also be spelled "Minicon" and they are known as "Microns" in Japan.
Mini-Cons are a race of small, roughly human-sized Transformers capable of powerlinxing with a larger Transformer to impart extra abilities or greatly increase their strength. Their origins vary depending on the continuity in which they appear. Sometimes, they are creations of Unicron and other times they are creations of the Last Autobot or the descendants of Micronus Prime. However, there are times where their origins are not explained and are portrayed in different characterizations.
Throughout the different incarnations of the Transformers franchise, the Mini-Cons origins, characteristics and personalities vary, depending on continuity. For example, in the original Armada cartoon, Unicron created the Mini-Cons to be mindless tools, sent to Cybertron as an agitating element to the Transformers' civil war. The power-enhancing "smart tools" would be unleashed upon the populace, who would snap them up and bond with them, and the war would only get more destructive, as Unicron drank in the negative psychic energies from the death and destruction. As the Mini-Cons had been designed to form mental bonds with other life forms, when the human Rad touched the Mini-Con who he knew from the future as High Wire, High Wire apparently formed his bond then, with Rad and through the Mini-Cons' shared "soul dimension", the Linkage, sentience and free will spread throughout the Mini-Cons, forming "souls", and crippling Unicron's plans drastically. Most Mini-Cons had limited verbal capabilities, causing much controversy among fandom.
A panorama (formed from Greek πᾶν "all" + ὅραμα "sight"), is any wide-angle view or representation of a physical space, whether in painting, drawing, photography, film, seismic images or a three-dimensional model. The word was originally coined in the 18th century by the English (Irish descent) painter Robert Barker to describe his panoramic paintings of Edinburgh and London. The motion-picture term panning is derived from panorama.
A panoramic view is also proposed for multi-media, cross-scale applications to outline overview (from a distance) along and across repositories. This so-called "cognitive panorama" is a panoramic view over, and a combination of, cognitive spaces used to capture the larger scale.
In the mid-19th century, panoramic paintings and models became a very popular way to represent landscapes and historical events. Audiences of Europe in this period were thrilled by the aspect of illusion, immersed in a winding 360 degree panorama and given the impression of standing in a new environment. The panorama was a 360-degree visual medium patented by the artist Robert Barker in 1787. He created a picture spectacle, shown on a cylindrical surface and viewed from the inside, giving viewers a vantage point encompassing the entire circle of the horizon, rendering the original scene with high fidelity. The inaugural exhibition, a "View of Edinburgh", was first shown in that city in 1788, then transported to London in 1789. By 1793, Barker had built "The Panorama" rotunda at the center of London's entertainment district in Leicester Square, where it remained until closed in 1863.
Panorama is an annual music competition of steelbands from Trinidad and Tobago. It is usually held around Carnival time.
The first Trinidad Panorama was first held during Carnival celebrations in 1963. A popular Calypso is arranged into a piece for steelpan orchestra with introductions and variations over the theme. "Panorama" steelband competitions are also staged at Carnival time in other Caribbean communities. The first Antiguan Panorama was held in 1949 and was won by Hell's Gate Orchestra.In 1979, Panorama was not held due to Rudolph Charles' fight for higher recognition of pannists.
As part of the International Conference on Pan (ICP) in August 2015, Trinidad will host the International Panorama Competition. The Panorama will be held over a two-day period, 8-9 August 2015. The competition will bring together participants from the approximately thirty-eight (38) steelband-playing countries from around the world to compete against each other for the title of ICP Champions 2015
Relief, formerly known as Panorama, is a public affairs newsmagazine series in Canada, airing nightly in Ontario on TFO, the Franco-Ontarian public television network.
The series is hosted by Gisèle Quenneville. Reporters associated with the series include Melanie Routhier-Boudreau, Isabelle Brunet, Marie Duchesneau, Luce Gauthier, Frédéric Projean and Chantal Racine. Longtime host Pierre Granger retired from the series in 2009. The series was renamed RelieF in fall 2010.
The show airs seven nights a week at 7 p.m. From Monday to Thursday, it airs news and public affairs. On Fridays, the program airs documentary programming. On Saturdays, it airs a "week in review" edition, and on Sundays it airs an arts and culture magazine.