PAK is a New York City based band. They are signed to John Zorn's Tzadik label.
PAK was originally formed by Ron Anderson in 2000, after he spent some time with The Molecules. The original line-up consisted of Anderson, Jesse Krakow, Will Redmond, and Race Age. This line-up released the album 100% Human Hair. In 2003, Race Age was replaced by Keith Abrams, Redmond left the group, and that version released Motel, which was well received. This version of the group also performed at the Bowery Poetry Club with Jac Berrocal.
In 2007, Anderson reconfigured the group, switching from guitar to bass, and recruiting Tim Byrnes on various instruments. This version of the group toured Europe (as a duo, with Abrams and Anderson along with occasional guest musicians), and is currently working on their next release. The band played shows in 2012 with Nonoko Yoshida.
Norwegian publication Tarkus Magazine described PAK as a combination of Otis Redding, Captain Beefheart, Gentle Giant and The Talking Heads. Glenn Astaria of Jazz Review described Motel as a tangled web of complexities complete with off-kilter ostinatos, driving bass lines and peppery horns.Alex Lozupone described a 2008 show at The Stone as "varying amounts of frantic, synchronized playing ... more ambient noise pieces ... some nice established grooves ... chess references, keyboard sounds that brought back memories of Mr Bungle's first album, some synchronized sax and trumpet playing, a nigh-hardcore song in Spanish, an amazing drum solo in a time signature that felt like it might be 29/16 or 31/16, and equipment emitting an interesting plastic smoky smell (that) made for a memorable night.".
+/-, or Plus/Minus, is an American indietronic band formed in 2001. The band makes use of both electronic and traditional instruments, and has sought to use electronics to recreate traditional indie rock song forms and instrumental structures. The group has released two albums on each of the American indie labels Teenbeat Records and Absolutely Kosher, and their track "All I do" was prominently featured in the soundtrack for the major film Wicker Park. The group has developed a devoted following in Japan and Taiwan, and has toured there frequently. Although many artists append bonus tracks onto the end of Japanese album releases to discourage purchasers from buying cheaper US import versions, the overseas versions of +/- albums are usually quite different from the US versions - tracklists can be rearranged, artwork with noticeable changes is used, and tracks from the US version can be replaced as well as augmented by bonus tracks.
Bandō may refer to:
!!! is a dance-punk band that formed in Sacramento, California, in 1996 by lead singer Nic Offer. Its name is most commonly pronounced "Chk Chk Chk" ([/tʃk.tʃk.tʃk/]). Members of !!! came from other local bands such as The Yah Mos, Black Liquorice and Popesmashers. They are currently based in New York City, Sacramento, and Portland, Oregon. The band's sixth full-length album, As If, was released in October 2015.
!!! is an American band formed in the summer of 1995 by the merger of part of the group Black Liquorice and Popesmashers. After a successful joint tour, these two teams decided to mix the disco-funk with more aggressive sounds and integrate the hardcore singer Nic Offer from the The Yah Mos. The band's name was inspired by the subtitles of the movie The Gods Must Be Crazy, in which the clicking sounds of the Bushmens' Khoisan language were represented as "!". However, as the bandmembers themselves say, !!! is pronounced by repeating thrice any monosyllabic sound. "Chk Chk Chk" is the most common pronunciation, which the URL of their official website and the title of their Myspace page suggest is the preferred pronunciation.
Pak or PAK may refer to:
Anti-tank warfare arose as a result of the need to develop technology and tactics to destroy tanks during the First World War. Since the first tanks were developed by the allies in 1916 but not principally used till 1917 the first anti-tank weapon was developed by Germany. It was a scaled-up bolt-action rifle designated the Mauser Tank-Gewehr Model 1918 that fired a 13mm cartridge with a solid bullet that could penetrate the thin armor of tanks of the time and destroy the engine or ricochet inside killing occupants. Because tanks represent an enemy's greatest force projection (aside from nuclear artillery and tank vs. tank engagements), anti-tank warfare has been incorporated into the doctrine of nearly every combat service since. The predominant anti-tank weapons at the start of the Second World War were the tank-mounted gun, limbered (towed) anti-tank guns and anti-tank grenades used by the infantry as well as ground-attack aircraft such as the Junkers Ju 87 Stuka.
Anti-tank warfare evolved rapidly, particularly on the Eastern Front, to include new infantry and infantry support weapons such as the bazooka, anti-tank combat engineering, specialized anti-tank aircraft and self-propelled anti-tank guns (tank destroyers). Both the Soviet Red Army and the German Army developed methods of combating tank-led offensives, including deployment of static anti-tank weapons embedded in in-depth defensive positions, protected by anti-tank obstacles and minefields, and supported by mobile anti-tank reserves and ground attack aircraft.
After the second World War, Switzerland sought to retrofit it's armed forces, their anti tank guns at the time were mostly older German 75mm guns that were not sufficient for their needs. The Pak 57 and Pak 50 designs were the first domestic designs intended to replace them. The Pak 57, though slightly heavier than the Pak 50, had a very short barrel for an anti-tank gun and was much lighter than foreign designs such as the 90 mm Gun M1/M2/M3.
The Pak 57 was not accepted into service with the Swiss military and no examples exist today