Swoon

Swoon may refer to: Fainting

Music

Swoon (Prefab Sprout album)

Swoon is the debut studio album by English pop band Prefab Sprout, released in March 1984. It has a markedly different, and less accessible, musical feel than their later works, featuring intricate guitar-based compositions that drew comparisons with Steely Dan and Aztec Camera.

Critical reception

Stephen Thomas Erlewine of AllMusic felt that Paddy McAloon had not yet achieved the distinctiveness that marked Prefab Sprout's subsequent works on Swoon, writing that "the problem is that he does too many things at once — the lyrics are overstuffed, and the music has too many chord changes and weird juxtapositions, as he tries to put white-funk beats to carefully crafted melodies" and as a result the album is "primarily of interest as a historical item, since it only suggests the promise the band later filled." A review for Q was more positive, calling the album "one of the decade's great debuts" thanks to McAloon's "ingenuity and lyrical flight."

Track listing

All tracks written by Paddy McAloon.

Pain (philosophy)

Philosophy of pain may be about suffering in general or more specifically about physical pain. The experience of pain is, due to its seeming universality, a very good portal through which to view various aspects of human life. Discussions in philosophy of mind concerning qualia has given rise to a body of knowledge called philosophy of pain, which is about pain in the narrow sense of physical pain, and which must be distinguished from philosophical works concerning pain in the broad sense of suffering. This article covers both topics.

Historical views of pain

Two near contemporaries in the 18th and 19th centuries, Jeremy Bentham and the Marquis de Sade had very different views on these matters. Bentham saw pain and pleasure as objective phenomena, and defined utilitarianism on that principle. However the Marquis de Sade offered a wholly different view - which is that pain itself has an ethics, and that pursuit of pain, or imposing it, may be as useful and just as pleasurable, and that this indeed is the purpose of the state - to indulge the desire to inflict pain in revenge, for instance, via the law (in his time most punishment was in fact the dealing out of pain). The 19th-century view in Europe was that Bentham's view had to be promoted, de Sade's (which it found painful) suppressed so intensely that it - as de Sade predicted - became a pleasure in itself to indulge. The Victorian culture is often cited as the best example of this hypocrisy.

Pain (musical project)

Pain (typeset as PAIN) is a musical project from Sweden that mix heavy metal with influences from electronic music and techno. The project started out as a hobby project for front man Peter Tägtgren, whose idea was to fuse heavy metal with 1980s-inspired electro-industrial and techno influences. Tägtgren, who is also the vocalist/guitarist of Hypocrisy and producer of his own The Abyss studios, is the only current member.

Pain's self-titled debut was released in 1997, and since then Pain has released six more albums and a DVD. Starting with their second, all of Pain's albums have made the Swedish charts, thanks in large part to hit singles such as "End of the Line", "Shut Your Mouth", and "Same Old Song". In early February 2006, Blabbermouth.net reported that Pain had signed with Roadrunner Records. Currently, Pain is under the Nuclear Blast Records banner.

In 2008, Pain was on tour as a supporting performer for the Finnish symphonic power metal band Nightwish. During this tour singer Peter Tägtgren, drummer David Wallin, and bassist Johan Husgafvel were assaulted by a gang in Leipzig. Tägtgren received 10 stitches in his face, Wallin suffered a concussion and stitches to his head, and Husgafvel had his nose broken.

Pain (Rhino Bucket album)

PAIN was released on 1 June 1994 by Rhino Bucket. It is their first effort with Simon Wright (formerly of AC/DC) as drummer.

Track listing

Personnel

Park West, Dublin

Park West (Irish: Páirc an Iarthair) is a large business campus within greater Ballyfermot, notably Cherry Orchard, Dublin, Ireland, with some residential development.

There are over 300 companies with 10,000 employees.

Location and content

Located just inside the M50 orbital motorway in west Dublin, the development comprises several million square metres of office and retail space, along with an Aspect hotel, a private hospital, and three apartment complexes.

Park West is in the administration of Dublin City Council, and Dublin postal districts Dublin 10 and Dublin 12, chiefly the latter.

Art

Park West is home to Europe's tallest wind and water mobile sculpture, Wave by Angela Conner. It is a 39.3 metre (129 feet) tall sculpture made of polystyrene covered with layers of carbon resin. It is fixed into a 7.6 metre (25 foot) pit filed with 9.5 tonnes of lead.

Transport

The campus is accessible by road (primarily the (New) Nangor Road, as well as Killeen Road and Cloverhill), bus (routes 79A and 151) and rail at the Park West and Cherry Orchard railway station. At a moderate distance to the south is the Kylemore stop on the Luas red line.

Wave (Antonio Carlos Jobim album)

Wave is the third album by Antônio Carlos Jobim, released in 1967 on A&M Records. It is known as Jobim's most successful album to date (# 5 US JAZZ ALBUMS 1967,# 114 US ALBUMS 1968), and it was listed by Rolling Stone Brazil as one of the 100 best Brazilian albums in history.

Track listing

Personnel

Strings