Pain

Pain is a distressing feeling often caused by intense or damaging stimuli, such as stubbing a toe, burning a finger, putting alcohol on a cut, and bumping the "funny bone". Because it is a complex, subjective phenomenon, defining pain has been a challenge. The International Association for the Study of Pain's widely used definition states: "Pain is an unpleasant sensory and emotional experience associated with actual or potential tissue damage, or described in terms of such damage." In medical diagnosis, pain is a symptom.

Pain motivates the individual to withdraw from damaging situations, to protect a damaged body part while it heals, and to avoid similar experiences in the future. Most pain resolves once the noxious stimulus is removed and the body has healed, but it may persist despite removal of the stimulus and apparent healing of the body. Sometimes pain arises in the absence of any detectable stimulus, damage or disease. Simple pain medications are useful in 20% to 70% of cases.

Pain (philosophy)

Philosophy of pain may be about suffering in general or more specifically about physical pain. The experience of pain is, due to its seeming universality, a very good portal through which to view various aspects of human life. Discussions in philosophy of mind concerning qualia has given rise to a body of knowledge called philosophy of pain, which is about pain in the narrow sense of physical pain, and which must be distinguished from philosophical works concerning pain in the broad sense of suffering. This article covers both topics.

Historical views of pain

Two near contemporaries in the 18th and 19th centuries, Jeremy Bentham and the Marquis de Sade had very different views on these matters. Bentham saw pain and pleasure as objective phenomena, and defined utilitarianism on that principle. However the Marquis de Sade offered a wholly different view - which is that pain itself has an ethics, and that pursuit of pain, or imposing it, may be as useful and just as pleasurable, and that this indeed is the purpose of the state - to indulge the desire to inflict pain in revenge, for instance, via the law (in his time most punishment was in fact the dealing out of pain). The 19th-century view in Europe was that Bentham's view had to be promoted, de Sade's (which it found painful) suppressed so intensely that it - as de Sade predicted - became a pleasure in itself to indulge. The Victorian culture is often cited as the best example of this hypocrisy.

King of da Ghetto

King of da Ghetto is the third solo album by southern rapper Z-Ro.

Track listing

Sad (sura)

Sūrat Ṣād (Arabic: سورة ص‎, "The Letter Sad") is the 38th sura of the Qur'an with 88 ayat and 1 sajdah (39:24). Sad (ص) is the name of the eighteenth letter in the Arabic alphabet.

Saad was sent to Muhammad by God while he was coping with rejection from his tribe, the Quraysh, and struggling to keep his own faith. It recounts stories of previous prophets, describes the splendors of heaven, and warns of the monstrosities of hell. The sura dates to the 2nd Meccan Period, meaning it was revealed only five or six years into the development of Islam.

Historical context

Sura 38 substantiates Muhammad's role as Prophet through concrete examples of previous messengers of God and the evils that have befallen the people who did not heed sacred messages. Angelika Neurwirth terms these “retribution legends” (McAuliffe, 105). They “prove that divine justice is at work in history, the unjustly harassed being rewarded with salvation, the transgressors and unbelievers punished by annihilation” (McAuliffe, 106). Through regular reference to biblical characters and a self-assertive tone praising both Muhammad and God, the reader can attribute this sura to the 2nd Meccan Period, according to Noldeke’s chronology . The coherent text builds up to descriptions of both heaven and hell on the Day of Judgment. The wide scope of historical figures—ranging from Old Testament characters such as David, Solomon, and Job, to the devil of Islam, Iblis—were designed to resonate with a wide audience in the face of the disbelief among the Quaryash, Muhammad’s clan; as Ernst poignantly states, Muhammad was likely dealing with “religiously well-informed skeptics” . Like many contemporary passages, Sura 38 attempts to convert the reader to a monotheistic religion honoring Muhammad as Prophet by promising salvation for true believers on the Day of Judgment.

Sad (Maroon 5 song)

"Sad" is the ninth track from American band Maroon 5's fourth studio album Overexposed (2012). It was written by Adam Levine and James Valentine; they produced the song together with Noah "Mailbox" Passovoy. Valentine started composing the song on his home piano, before introducing the melody to Levine, who wrote the lyrics and called the song his most personal track on the album. "Sad" is a piano ballad that is similar to the works by British singer-songwriter Adele. It received generally mixed reviews from music critics; some of them called it a standout track on Overexposed, however, others criticized Levine's voice on the song. Following the release of the album, due to strong digital downloads, the song peaked at number 12 on the singles chart in South Korea.

Background and production

It was kinda cool and like the chords to the verse and I just sang that melody. I sang that melody and there weren't any words; it was just kind of a melody. I recorded it on my phone and didn't even think about it.

Tsade

Ṣade (also spelled Ṣādē, Tsade, Ṣaddi, Ṣad, Tzadi, Sadhe, Tzaddik) is the eighteenth letter of the Semitic abjads, including Phoenician Çādē , Hebrew ˈṢādi צ, Aramaic Ṣādhē , Syriac Ṣāḏē ܨ, and Arabic Ṣād ص. Its oldest sound value is probably /sˤ/, although there is a variety of pronunciation in different modern Semitic languages and their dialects. It represents the coalescence of three Proto-Semitic "emphatic consonants" in Canaanite. Arabic, which kept the phonemes separate, introduced variants of ṣād and ṭāʾ to express the three (see ḍād, ẓāʾ). In Aramaic, these emphatic consonants coalesced instead with ʿayin and ṭēt, respectively, thus Hebrew ereẓ ארץ (earth) is araʿ ארע in Aramaic.

The Phoenician letter is continued in the Greek San (Ϻ) and possibly Sampi (Ϡ), and in Etruscan 𐌑 Ś. It may have inspired the form of the letter Tse in the Glagolitic and Cyrillic alphabet.

The corresponding letter of the Ugaritic alphabet is 𐎕 ṣade.

The letter is known as "tsadik" in Yiddish, and Hebrew speakers often give it that name as well. This name for the letter probably originated from a fast recitation of the alphabet (i.e., "tsadi, qoph" -> "tsadiq, qoph"), influenced by the Hebrew word tzadik, meaning 'righteous person'.