Doro may refer to:
Doro is a listed Swedish company focusing on the development, marketing and sales of telecommunication and consumer electronics products and as well as more recently software adapted to the growing worldwide population of senior and elderly citizens. The company's headquarters is based in Lund, Sweden. Doro has over 38 years' experience within the telecoms sector. Doro products are now widely available in more than 30 countries across five continents. Doro had revenues of SEK SEK 837.5 million in 2012. The company is quoted on the OMX Stockholm, Nordic list, Small companies. The company's CEO is Jérôme Arnaud.
Up until 2008-2009, the company primarily sold desktop- and home-telephones for business and consumers. However, since then the company has completely changed its focus, ceasing to sell the home phones and instead solely focusing on the design, development, marketing and sales of their telecommunications products that are customized to fit the needs of senior citizens. The financial performance of Doro has improved substantially after the re-focus on elderly customers. After marketing its products all over the world, Doro phones and products can now be found in North America, Europe, South America, Asia and Oceania. In 2013 the company launched its smartphone, the Liberto 810 which aims to enable people to do more, connect more and share more.
DoRo Produktion Ges.mbH aka DoRo Productions is a film company based in Vienna, Austria. DoRo was named after the surnames of founders Rudi Dolezal and Hannes Rossacher.
Dolezal and Rossacher, also known as "Torpedo Twins", first started producing television series for Austrian and German stations ORF, ARD and ZDF. Dolezal and Rossacher gained international acclaim and won several awards for their music videos for artists such as Queen, The Rolling Stones, David Bowie, Miles Davis, Michael Jackson, Bon Jovi, Whitney Houston, Bruce Springsteen, Falco and Frank Zappa, as well as several German and Austrian acts such as Trio, Marius Müller-Westernhagen, and Herbert Grönemeyer. Furthermore, DoRo produced numerous acclaimed documentaries, mostly on musicians, bands and similarly music-related topics.
DoRo Productions spawned numerous subsidiaries (German MTV competitor VIVA was partly founded and conceived by DoRo). However, in late 2002 the economical downturn in the music business in general and the music video business in particular resulted in the closure of most of these companies, including the company base in Vienna.
Pain is a distressing feeling often caused by intense or damaging stimuli, such as stubbing a toe, burning a finger, putting alcohol on a cut, and bumping the "funny bone". Because it is a complex, subjective phenomenon, defining pain has been a challenge. The International Association for the Study of Pain's widely used definition states: "Pain is an unpleasant sensory and emotional experience associated with actual or potential tissue damage, or described in terms of such damage." In medical diagnosis, pain is a symptom.
Pain motivates the individual to withdraw from damaging situations, to protect a damaged body part while it heals, and to avoid similar experiences in the future. Most pain resolves once the noxious stimulus is removed and the body has healed, but it may persist despite removal of the stimulus and apparent healing of the body. Sometimes pain arises in the absence of any detectable stimulus, damage or disease. Simple pain medications are useful in 20% to 70% of cases.
Philosophy of pain may be about suffering in general or more specifically about physical pain. The experience of pain is, due to its seeming universality, a very good portal through which to view various aspects of human life. Discussions in philosophy of mind concerning qualia has given rise to a body of knowledge called philosophy of pain, which is about pain in the narrow sense of physical pain, and which must be distinguished from philosophical works concerning pain in the broad sense of suffering. This article covers both topics.
Two near contemporaries in the 18th and 19th centuries, Jeremy Bentham and the Marquis de Sade had very different views on these matters. Bentham saw pain and pleasure as objective phenomena, and defined utilitarianism on that principle. However the Marquis de Sade offered a wholly different view - which is that pain itself has an ethics, and that pursuit of pain, or imposing it, may be as useful and just as pleasurable, and that this indeed is the purpose of the state - to indulge the desire to inflict pain in revenge, for instance, via the law (in his time most punishment was in fact the dealing out of pain). The 19th-century view in Europe was that Bentham's view had to be promoted, de Sade's (which it found painful) suppressed so intensely that it - as de Sade predicted - became a pleasure in itself to indulge. The Victorian culture is often cited as the best example of this hypocrisy.
I wake up in the morning
in a cold sweat
when I think of your loving
you're holding back
I know I'm waiting
but it's all in vain
I sit here dying
just to breathe again
can't go on
can't get enough
when I miss you
I'm so alone
without you, without you
I'm walking on the border
of wrong and right
screaming for you baby
to ease my mind
no one is here who can get me through
all I need is a word from you
I know I'm waiting
but it's all in vain
I sit here dying to feel love again
can't go on
can't get enough
when I miss you
I'm so alone
In pain
time and time again
it's running through my veins
oh take away this pain
the darkness in my heart
let me breathe again
take away this pain
I'm talking to the shadow
on the wall
waiting for an answer
before I fall
am I dreaming
or are you near
were you calling
just to ease my fear
Am I waiting all in vain
I sit here dying
to feel loved again
I can't go on
can't get enough
cos' I miss you
I miss your love
I'm in pain
time and time again
it's running through my veins
oh can you free my heart
the darkness in my head
let me breathe again
take away this pain