Pusher may refer to:
In tennis, a pusher is a defensive player who "pushes" back any shot they can chase down, without deliberately hitting a winner. They can angle shots, aim deep, as well as produce effective lobs. Pushers are extremely quick and consistent, rarely making errors. This style of play, similar to a "human backboard", often tires and frustrates more offensive opponents. They will try to win games by eliciting unforced errors from the opponent, i.e. by waiting for them to make the first mistake and losing the point. Pushers love to "dink" balls back with sidespin or backspin, placing their shots at disadvantageous locations for their opponents. The pusher's strategy also tends to involve a fair amount of psychological warfare.
Playing pushers, especially in the lower levels of competition, can be difficult for players unaccustomed to their style. However, there are several counter-strategies players use to defeat pushers.
Bringing pushers to the net is a good way to move them out of their comfort zones. Players use drop shots or chip and charge tactics to accomplish this. Volleying from the net can also be effective against pushers. Hitting the ball at the net cuts down on the time that the ball takes to reach other side, making it harder for the pushers to run down the ball. Even if they do reach it, chances are that their return shot will be an easy put-away. Varying the placements of volleys, so they do not become predictable, is also a good tactic.
The Pusher films by Danish film director Nicolas Winding Refn illustrate and explore the criminal underworld of Copenhagen.
The first film follows Frank for a week, a mid-level drug dealer who becomes indebted to his supplier, Milo. It depicts his depravity and how his actions force him further and further out on thin ice while revealing the bittersweet relationship he has with his girlfriend, Vic.
The movie was a success, not only in Denmark, but internationally. It was also the movie that launched both Refn's and Mads Mikkelsen's careers.
The second film follows Frank's low-level criminal sidekick, Tonny. It illustrates how Tonny is rooted in an evil spiral of crime and drugs, his relationship towards his notorious, cynical father and how he adapts to the consequence of being a father himself.
The third film depicts a day in the life of Serbian drug lord Milo. Milo, who was a feared and respected man in the first two movies, has since aged. He does not have the same grip on the underworld that he used to and is now slowly losing the battle against a younger generation of immigrants, who now want a piece of the action. The film shows Milo's downfall and his desperate attempt to reclaim the throne.
Pad or PAD may refer to:
Padáň (Hungarian: Padány, Hungarian pronunciation:[ˈpɒdaːɲ]) is a village and municipality in the Dunajská Streda District in the Trnava Region of south-west Slovakia.
The village was first recorded in 1254 as Padan, an old Pecheneg settlement. On the territory of the village, there used be Petény village as well, which was mentioned in 1298 as the appurtenance of Pressburg Castle. Until the end of World War I, it was part of Hungary and fell within the Dunaszerdahely district of Pozsony County. After the Austro-Hungarian army disintegrated in November 1918, Czechoslovakian troops occupied the area. After the Treaty of Trianon of 1920, the village became officially part of Czechoslovakia. In November 1938, the First Vienna Award granted the area to Hungary and it was held by Hungary until 1945. After Soviet occupation in 1945, Czechoslovakian administration returned and the village became officially part of Czechoslovakia in 1947.
In 1910, the village had 637, for the most part, Hungarian inhabitants. At the 2001 Census the recorded population of the village was 863 while an end-2008 estimate by the Statistical Office had the villages's population as 873. As of 2001, 94,44 per cent of its population was Hungarian while 5,21 per cent was Slovakian. 50% of the inhabitants profess Protestantism, while adherents of Roman Catholicism number 41,95% of the total population.
The Π pad (pi pad) is a specific type of attenuator circuit in electronics whereby the topology of the circuit is formed in the shape of the Greek letter "Π".
Attenuators are used in electronics to reduce the level of a signal. They are also referred to as pads due to their effect of padding down a signal by analogy with acoustics. Attenuators have a flat frequency response attenuating all frequencies equally in the band they are intended to operate. The attenuator has the opposite task of an amplifier. The topology of an attenuator circuit will usually follow one of the simple filter sections. However, there is no need for more complex circuitry, as there is with filters, due to the simplicity of the frequency response required.
Circuits are required to be balanced or unbalanced depending on the geometry of the transmission lines they are to be used with. For radio frequency applications, the format is often unbalanced, such as coaxial. For audio and telecommunications, balanced circuits are usually required, such as with the twisted pair format. The Π pad is intrinsically an unbalanced circuit. However, it can be converted to a balanced circuit by placing half the series resistance in the return path. Such a circuit is called a box section because the circuit is formed in the shape of a box.