Poi may refer to:
POI may refer to:
Poi (Tamil: பொய் English: Lie) is a 2006 Tamil film, directed by K. Balachander. The film was K. Balachander's 101st and final film as director.
Valluvanar (Avinash) is an upright political leader in Tamil Nadu much respected for his honesty and uprightness. And he refuses to compromise on this trait even when his only son Kamban (Uday Kiran) finds himself in jail for no fault of his.
The opposition party takes advantage of the situation and bails out Kamban, who joins this party much to his father's embarrassment. The media laps it up sensationalizing it further. Then Kamban decides to leave the country until things cool down. Only his mother Vasuki with whom he is close is aware of this plan.
Kamban arrives at Sri Lanka where he be-friend's Banerjee, a Bengali and Kamban stays with him. One day he finds a Tamil literary book on the beach which he traces to Shilpa the owner of the book. Shilpa (Vimala) is a college student preparing for the civil services examination.
The film juggles between reality and fiction, where Theepori, the fictitious father image of Kamban advises him to fall in love. That sets in rolling the love story as Kamban persists in wooing Shilpa.
Fire performance is a group of performance arts or disciplines that involve manipulation of fire. Fire performance typically involves tools or other objects made with one or more wicks, which are designed to sustain a flame without being consumed.
Fire performance includes skills based on juggling, baton twirling, poi spinning, and other forms of object manipulation. It also includes skills such as fire breathing, fire eating, and body burning; sometimes called fakir skills. Fire performance has various styles of performance including fire dancing; the use of fire as a finalé in an otherwise non-fire performance; and the use of fire skills as 'dangerous' stunts. Performances can be done as choreographed routines to music (this type being related to dance or rhythmic gymnastics); as freestyle (performed to music or not) performances; or performed with vocal interaction with the audience. Some aspect of fire performance can be found in a wide variety of cultural traditions and rituals from around the world.
Tomorrow's coming 'round
A hair-pin curve in the road
She's got a run in her stocking
And she's missing the heel of her shoe
Got up this morning rolled out of bed
I spilled a diet coke
Called my mother said, "Hi"
What I meant to say was, "Why is your life a joke?"
Then, I went down to that ugly bar and
I clicked my heels three times just like you said
And I climbed that road to your empty house
The anticipation was a turn on
But you let me down
'Coz, I stood on that empty street alone
I said, "I'm ready for my close up now, Mr. Demille"
I waited for the light, but it never shone
Well I wonder what you do with that expensive piece of land
That overlooks a billion years of history
I have a sneaking suspicion, you will never understand
Hey maybe I'll see you down by the Rocky and Bullwinkle
And we can talk to that charlatan psychic
And she can paint a prettier picture of your future
'Coz that day in my life, that day in my life
I dreamt tomorrow, had a prettier face
I dreamt tomorrow, would have better things to say
Than, "You look like shit, what's your problem, bitch?
You're legs feel like sandpaper, you can't do anything right"
'Coz that day, never should have taken place
'Coz this day, in my life still cannot explain
Why I listened in the first place to you?
Oh yeah, something else
I hope one day you call up your father
And you have the guts to tell him, how he hurt you
And he made you hurt another