The High

The High were an English rock group from Manchester, who were generally regarded as part of the Madchester scene.

History

The band was formed in 1989 by former Turning Blue singer John Matthews, along with former Buzzcocks F.O.C. members Andy Couzens (guitar, also formerly of The Stone Roses and pre-Roses bands The Patrol and Waterfront), Simon Davies (bass), and drummer Chris Goodwin (also formerly of Inspiral Carpets), when Steve Diggle left Buzzcocks F.O.C. to reform the Buzzcocks.

They were signed by London Records and had three minor UK Singles Chart hits in 1990 before breaking into the top 30 in 1991 with a revamped version of their debut single, the Martin Hannett-produced "Box Set Go". The band's debut album, Somewhere Soon, peaked at number 59 in the UK Album Chart.

With the Madchester scene losing favour with the critics, the band's later releases failed to chart, the band splitting up in 1993. John Matthews and Chris Goodwin went on to form the Manchester group 'One Summer' with local musicians Stephen Fitzpatrick (guitar) and Carl Wolstenholme (bass). One Summer worked with Factory Records group A Certain Ratio and recorded a demo for the label before it went into administration.

The High (comics)

The High (John Cumberland) is a fictional character, a superhero in the Wildstorm Universe. He first appears in Stormwatch #46 and was created by Warren Ellis and Tom Raney.

Publication history

The High plays a major part in the Stormwatch story arc "Change or Die." The character was later revived for the series Number of the Beast and would become a key part of the line-wide storyline "World's End".

Fictional character biography

The High came from an alternate reality. He fought as a superhero alongside Jenny Sparks in the 1930s, but became frustrated and left the crime-fighting occupation long before she did. After years detached from society (including a decade spent seated atop a throne of stone in the Rocky Mountains, contemplating his plan) he was left with a somewhat naive apprehension of others, their motives and ability shrinking in the face of his noble plan. He was overly trusting of his cohorts, quick to mistrust anyone who stepped in their way, and eager to force the world to change and be done with it - and he ultimately learned, as Jenny Sparks said, that people only want change on their own terms. His emblem was five arrows in a circle, much like the symbol for recycling - he wore this on his costume's belt and on a t-shirt he wore when out of costume.

PW

PW may refer to:

Transport

Media and entertainment

Computing

Politics

Other uses

P&W

P&W may refer to:

Free-to-play

Free-to-play (F2P) refers to video games which give players access to a significant portion of their content without paying. There are several kinds of free-to-play games, but the most common is based on the freemium software model. For freemium games, users are granted access to a fully functional game, but must pay microtransactions to access additional content. Free-to-play can be contrasted with pay-to-play, in which payment is required before using a service for the first time.

The model was first popularly used in early massively multiplayer online games targeted towards casual gamers, before finding wider adoption among games released by major video game publishers to combat video game piracy and high system requirements. Without up front payment, publishers may charge money for in-game items or integrate advertisements into the game.

Categories

There are several kinds of free-to-play games: