Outside (Staind song)

"Outside" is a single by the alternative metal band Staind. It is the second single released off their 2001 album Break the Cycle.

Background

"Outside" was originally performed live during the 1999 Family Values Tour in Biloxi, Mississippi, with Aaron Lewis (vocals/guitar) on the stage by himself and Limp Bizkit's Fred Durst providing backing vocals. Lewis was asked to perform a song solo and he decided at the last moment to play a song he had been working on since the early days of Staind. He finished the lyrics to "Outside" on the spot while singing the song live.

"It's really an accidental phenomenon," Lewis explains. "I've been playing it for quite some time. In the early days of the band, any money we made went back into the band, so two or three times a week I played acoustically to make money to live off. 'Outside' was one of the songs I played, but it wasn't really finished, so I made up different words every time. We almost put it on Dysfunction. Then, one night on the Family Values Tour, ten minutes before going onstage, we decided to do it. There was never any thought of releasing it this way."

Outside (jazz)

In jazz improvisation, outside playing, describes an approach where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, and polytonality.

Side-slipping

The term side-slipping or side-stepping has been used to describe several similar yet distinct methods of playing outside. In one version, one plays only the five "'wrong'" non-scale notes for the given chord and none of the seven scale or three to four chord tones, given that there are twelve notes in the equal tempered scale and heptatonic scales are generally used. Another technique described as sideslipping is the addition of distant ii-V relationships, such as a half-step above the original ii-V. This increases chromatic tension as it first moves away and then towards the tonic. Lastly, side-slipping can be described as playing in a scale a half-step above or below a given chord, before resolving, creating tension and release.

Outside (David Bowie album)

Outside (sometimes referred to as 1.Outside) is a concept album first released 26 September 1995 by David Bowie on Virgin Records, and Bowie's nineteenth studio album. The album was Bowie's reunion with Brian Eno, whom Bowie had worked with most famously on his Berlin Trilogy in the 1970s. Subtitled "the Ritual Art-Murder of Baby Grace Blue: A non-linear Gothic Drama Hyper-Cycle", Outside centres on the characters of a dystopian world on the eve of the 21st century. The album put Bowie back into the mainstream scene of rock music with its singles "The Hearts Filthy Lesson", "Strangers When We Meet", and "Hallo Spaceboy" (remixed by the Pet Shop Boys).

History and development

Tops

Tops may refer to:

TOPS may refer to:

Topsæ

Topsæ is a lake in the municipality of Bygland in Aust-Agder county, Norway. It is located 3 kilometres (1.9 mi) east of lake Hovatn, about 10 kilometres (6.2 mi) northeast of the village of Åraksbø. The Topsæfossen waterfall is located at the north end of the lake at the primary inflow.

See also

References

Four Tops

The Four Tops are an American vocal quartet from Detroit, Michigan who helped to define the city's Motown sound of the 1960s. The group's repertoire has included soul music, R&B, disco, adult contemporary, doo-wop, jazz, and show tunes.

Founded as The Four Aims, lead singer Levi Stubbs, and groupmates Abdul "Duke" Fakir, Renaldo "Obie" Benson and Lawrence Payton remained together for over four decades, having gone from 1953 until 1997 without a change in personnel.

The Four Tops were among a number of groups, including The Miracles, The Marvelettes, Martha and the Vandellas, The Temptations, and The Supremes, who established the Motown Sound around the world during the 1960s. They were notable for having Stubbs, a baritone, as their lead singer, whereas most male/mixed vocal groups of the time were fronted by a tenor.

The group was the main male vocal group for the highly successful songwriting and production team of Holland–Dozier–Holland, who crafted a stream of hit singles on Motown. These included two Billboard Hot 100 number-one hits for the Tops: "I Can't Help Myself (Sugar Pie Honey Bunch)" in 1965 and "Reach Out I'll Be There" in 1966. After Holland-Dozier-Holland left Motown in 1967, the Four Tops were assigned to a number of producers, primarily Frank Wilson, but generally with less success.