Aqualung may refer to:
Aqualung is the eponymous debut album by Aqualung, released on 30 September 2002 on the B-Unique label. It reached #15 in the UK albums chart and went gold in December 2002.
The first single from the album, "Strange & Beautiful (I'll Put A Spell On You)", was released on September 16, 2002 and reached #7 on the CIN chart.
The second single from the album, "Good Times Gonna Come", was released on December 2, 2002 and reached #71 on the UK singles chart. The single version of "Good Times Gonna Come" was mixed by Matt Hales and Marius De Vries. The song is played in the background in the British Television programme Skins, in Sketch's first episode.
According to the sleeve notes, the album was recorded entirely in Matt Hales' hallway. On its release, the album was promoted on the back of the use of "Strange And Beautiful (I'll Put A Spell On You)" as the soundtrack to an advert for the new Volkswagen Beetle.
Aqualung is a free and open-source audio player originally targeted at the GNU/Linux operating system, but also running on FreeBSD, OpenBSD, Mac OS X and Microsoft Windows. It plays audio CDs, internet radio streams and podcasts as well as soundfiles in just about any audio format and has the feature of inserting no gaps between adjacent tracks.
In the U.S. state of Alaska, Outside refers to any non-Alaska location. Though commonly used by Alaskans to refer to other U.S. states, it may also refer to international locations including Canada and Russia. The term has been in use since at least the beginning of the 20th century and is believed to be an adaptation of a similar Canadian term used in the northern portion of that country and referring to southern Canada. The expression is typically used in an adverbial phrase following some form of the word "go", but it is also used as a simple noun.
An early usage of the term is in Through the Yukon Gold Diggings, by Josiah Spurr, published in Boston in 1900. Usage continues today, particularly in publications away from Southcentral Alaska and Anchorage. The inverse of the term ("Inside") is infrequently used.
"Outside" is a single by the alternative metal band Staind. It is the second single released off their 2001 album Break the Cycle.
"Outside" was originally performed live during the 1999 Family Values Tour in Biloxi, Mississippi, with Aaron Lewis (vocals/guitar) on the stage by himself and Limp Bizkit's Fred Durst providing backing vocals. Lewis was asked to perform a song solo and he decided at the last moment to play a song he had been working on since the early days of Staind. He finished the lyrics to "Outside" on the spot while singing the song live.
"It's really an accidental phenomenon," Lewis explains. "I've been playing it for quite some time. In the early days of the band, any money we made went back into the band, so two or three times a week I played acoustically to make money to live off. 'Outside' was one of the songs I played, but it wasn't really finished, so I made up different words every time. We almost put it on Dysfunction. Then, one night on the Family Values Tour, ten minutes before going onstage, we decided to do it. There was never any thought of releasing it this way."
In jazz improvisation, outside playing, describes an approach where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to playing outside, that include side-stepping or side-slipping, superimposition of Coltrane changes, and polytonality.
The term side-slipping or side-stepping has been used to describe several similar yet distinct methods of playing outside. In one version, one plays only the five "'wrong'" non-scale notes for the given chord and none of the seven scale or three to four chord tones, given that there are twelve notes in the equal tempered scale and heptatonic scales are generally used. Another technique described as sideslipping is the addition of distant ii-V relationships, such as a half-step above the original ii-V. This increases chromatic tension as it first moves away and then towards the tonic. Lastly, side-slipping can be described as playing in a scale a half-step above or below a given chord, before resolving, creating tension and release.
He wants to give but he'll give himself away
She wants to take but she's taking all she can
They've got it all figured out
He wants to listen but there so much more to say
She wants to shout it out loud but she doesn't
She doesn't open her mouth
Had enough of crying
When she's happy and smiling when she sad
Had enough of wondering
What became of all the dreams he had
Are they out there somewhere
Baby don't you stay there on the inside
Together we can make it on the outside
You and me on the outside
Can you remember the way it used to feel
We'd run as fast and as far as we wanted to go
But then the walls closed in
And I was one step forward and two steps back
Two steps forward and three steps back
Oh it's all too much
So take my hand we'll jump together
Baby I won't leave you on the inside
Together we can make it on the outside
You and me on the outside
You and me on the outside
On the outside
Shine your light on me and I'll shine my light on you
Shine my light on you if you shine your light on me
Shine your light on me and I'll shine my light on you
On the outside
On the outside
On the outside
Baby I won't leave you on the inside
Together we can make it on the outside
You and me on the outside
You and me on the out (yeah)