An outro (sometimes "outtro", also "extro") is the conclusion or epilogue to a piece of music, work of literature, television program, or video game. It is the opposite of an intro. "Outro" is a blend or portmanteau as it replaces the element "in" of the "intro" with its opposite, to create a new word. The word was used facetiously by The Bonzo Dog Doo-Dah Band for the 1967 track "The Intro and the Outro".[citation needed]

Music [link]

The term is typically used only in the realm of pop music. It can refer to the concluding track of an album (such as Snoop Doggy Dogg's Tha Doggfather) or to an outro-solo, an instrumental solo (usually a guitar solo) played as the song fades out or until it stops. For outro-solo examples see Led Zeppelin's "Black Dog",[citation needed] Vanessa Carlton's "Home" (piano solo),[citation needed] Eric Clapton's "Layla" (piano, guitar and slide guitar solo composed with Jim Gordon),[citation needed] Pink Floyd' "Comfortably Numb",[citation needed] Eagles' "Hotel California",[citation needed] Metallica's "Fade to Black" and "Astronomy" (Blue Öyster Cult cover),[citation needed] Tenacious D's "The Metal",[citation needed] Guilherme Arantes' "Amanhã",[citation needed] Dire Straits' "Tunnel of Love",[citation needed] Rush's "Working Man",[citation needed] Blur's "To the End (La Comedie)",[citation needed] and T34's "Hbabi".[citation needed]

Television [link]

In contemporary television, an outro is theme music present over closing credits or played at the end of a program (common in news programs or game shows when the lights go down and the camera angle is wide).

Video games [link]

In video games, the outro is the end sequence. The term usually refers to the cut scene presented to the player on completion of the game. Credits can be rolled at this time, including Editors, Story Developers, ect.


https://wn.com/Outro

Conclusion (music)

In music, the conclusion is the ending of a composition and may take the form of a coda or outro.

Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected digressions just as a work is drawing to its close, followed by a return...to a consequently more emphatic confirmation of the structural relations implied in the body of the work."

For example:

  • The slow movement of Bach's Brandenburg Concerto No. 2, where a "diminished-7th chord progression interrupts the final cadence."
  • The slow movement of Symphony No. 5 by Beethoven, where, "echoing afterthoughts", follow the initial statements of the first theme and only return expanded in the coda.
  • Varèse's Density 21.5, where partitioning of the chromatic scale into (two) whole tone scales provides the missing tritone of b implied in the previously exclusive partitioning by (three) diminished seventh chords.
  • Outro (album)

    Outro is a 2002 album by Jair Oliveira. Jair’s second album blends jazz, samba, soul and MPB. Most of Outro's songs were co-written by fellow Brazilian singer and composer Ed Motta.

    Track listing

  • "Instrucoes" (Vinheta 1) - 03:36
  • "Bom Dia, Anjo" - 04:55
  • "Sou Teu Nego" (Todas as Letras)- 04:06
  • "Falso Amor" - 04:38
  • "Amor E Saudade" - 07:23 (duet with Ed Motta)
  • "Dor De Ressaca" - 04:07
  • "Frio Pra Bem Longe" - 05:23
  • "Minuto De Silencio" - 05:46
  • "Sorriso Pra Te Dar" - 05:52
  • "Vai E Volta" - 04:57
  • "São Paulo, Fim Do Dia" - 03:41
  • "Uma Outra Beleza" - 03:11
  • "Local Proibido" - 03:30
  • "Ficar No Escuro" - 12:28

  • Moloch

    Moloch, also known as Molech, Molekh, Molok, Molek, Moloc, Melech, Milcom, or Molcom (representing Semitic מלך ملك m-l-k, a Semitic root meaning "king") is the name of an ancient type of sacrifice or a god, who was first worshiped in Ammon. Moloch was either practised (as a sacrifice) or worshipped (as a god) by the Canaanites, Phoenicians, and related cultures in North Africa and the Levant.

    As a god worshiped by the Phoenicians and Canaanites, Moloch had associations with a particular kind of propitiatory child sacrifice by parents. Moloch figures in the Book of Deuteronomy and in the Book of Leviticus as a forbidden form of idolatry (Leviticus 18:21: "And thou shalt not let any of thy seeds (children) pass through the fire to Moloch"). In the Old Testament, Gehenna was a valley by Jerusalem, where followers of various Baalim and Canaanite gods, including Moloch, sacrificed their children by fire (2 Chr. 28:3, 33:6; Jer. 7:31, 19:2–6).

    Moloch has been used figuratively in English literature from John Milton's Paradise Lost (1667) to Allen Ginsberg's "Howl" (1955), to refer to a person or thing demanding or requiring a very costly sacrifice.

    List of Mortal Kombat characters

    This is a list of playable characters from the Mortal Kombat fighting game series and the games in which they appear. The series takes place in a fictional universe composed of six realms, which were created by the Elder Gods. The Elder Gods created a fighting tournament called Mortal Kombat to reduce the wars between the realms. The first Mortal Kombat game introduces a tournament in which Earthrealm can be destroyed if it loses once again.

    The Earthrealm warriors manage to defeat the champion Goro and tournament host Shang Tsung, but this leads Tsung to search for other ways to destroy Earthrealm. Since then, every game features a new mortal who wishes to conquer the realms, therefore violating the rules of Mortal Kombat. By Mortal Kombat: Deception, most of the main characters had been killed by Shang Tsung and Quan Chi (neither of whom were playable in the game), but by Mortal Kombat: Armageddon all of them return.

    Character overview

    Appearances in the fighting games in the series:

    I, Robot... You, Jane

    "I, Robot...You, Jane" is the eighth episode of season 1 of the television series Buffy the Vampire Slayer. The episode was written by staff writers Ashley Gable and Thomas A. Swyden, and directed by Stephen Posey.

    In this episode, Willow accidentally releases the demon Moloch onto the internet. There he wreaks havoc and gains a following.

    Plot

    In Cortona, Italy, in 1418. Carlo, a young Italian man, looks at a horned demon: Moloch "the Corruptor", his master. Moloch coaxingly promises Carlo everything if he gives Moloch his love, and as Carlo promises his love, Moloch kills him by breaking his neck. In a monastery, a circle of priests trap Moloch in a book using a magic ritual. The book is sealed in a box, with the head priest expressing his hope that the book will not be read, lest the demon Moloch be released upon the world.

    In the present, Buffy finds the book in its box, and Giles tells her to add it to a heap that Willow has been scanning into a computer. Ms. Calendar and Giles trade jibes about the need for modern technology.

    Podcasts:

    PLAYLIST TIME:

    Dethroned In Shame

    by: Adramelch

    Let the second Crusade leave, Damascus must be caught
    Ready we are, come on and lets go
    Now that Christs shield and power every treasure must be taken
    Gott mit uns and victory is shown
    Stealing and killing with a cross on their hearts
    Sack of the town with no mercy at all
    Yet the battle is on and theres fight down in the streets
    Still some quarters on fire, smoke raises high
    Still the clang of the swords, but we have no time to loose
    Lets divide the city here and now
    Suddenly attacked and already expelled
    Its the Muslim Arab that regains the town
    So the second crusade sorrowfully close the door
    Won and expelled, shame and dishonor
    Led by thirst for power more than faith and dethroned in shame
    No cross no shield have been worthy nooooo
    Rough Europes craven kings go back, go home!
    Empty hands, heavy hearts and the red river flows and grows and grows




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