An outro (sometimes "outtro", also "extro") is the conclusion or epilogue to a piece of music, work of literature, television program, or video game. It is the opposite of an intro. "Outro" is a blend or portmanteau as it replaces the element "in" of the "intro" with its opposite, to create a new word. The word was used facetiously by The Bonzo Dog Doo-Dah Band for the 1967 track "The Intro and the Outro".[citation needed]
The term is typically used only in the realm of pop music. It can refer to the concluding track of an album (such as Snoop Doggy Dogg's Tha Doggfather) or to an outro-solo, an instrumental solo (usually a guitar solo) played as the song fades out or until it stops. For outro-solo examples see Led Zeppelin's "Black Dog",[citation needed] Vanessa Carlton's "Home" (piano solo),[citation needed] Eric Clapton's "Layla" (piano, guitar and slide guitar solo composed with Jim Gordon),[citation needed] Pink Floyd' "Comfortably Numb",[citation needed] Eagles' "Hotel California",[citation needed] Metallica's "Fade to Black" and "Astronomy" (Blue Öyster Cult cover),[citation needed] Tenacious D's "The Metal",[citation needed] Guilherme Arantes' "Amanhã",[citation needed] Dire Straits' "Tunnel of Love",[citation needed] Rush's "Working Man",[citation needed] Blur's "To the End (La Comedie)",[citation needed] and T34's "Hbabi".[citation needed]
In contemporary television, an outro is theme music present over closing credits or played at the end of a program (common in news programs or game shows when the lights go down and the camera angle is wide).
In video games, the outro is the end sequence. The term usually refers to the cut scene presented to the player on completion of the game. Credits can be rolled at this time, including Editors, Story Developers, ect.
In music, the conclusion is the ending of a composition and may take the form of a coda or outro.
Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected digressions just as a work is drawing to its close, followed by a return...to a consequently more emphatic confirmation of the structural relations implied in the body of the work."
For example:
Outro is a 2002 album by Jair Oliveira. Jair’s second album blends jazz, samba, soul and MPB. Most of Outro's songs were co-written by fellow Brazilian singer and composer Ed Motta.
Moloch, also known as Molech, Molekh, Molok, Molek, Moloc, Melech, Milcom, or Molcom (representing Semitic מלך ملك m-l-k, a Semitic root meaning "king") is the name of an ancient type of sacrifice or a god, who was first worshiped in Ammon. Moloch was either practised (as a sacrifice) or worshipped (as a god) by the Canaanites, Phoenicians, and related cultures in North Africa and the Levant.
As a god worshiped by the Phoenicians and Canaanites, Moloch had associations with a particular kind of propitiatory child sacrifice by parents. Moloch figures in the Book of Deuteronomy and in the Book of Leviticus as a forbidden form of idolatry (Leviticus 18:21: "And thou shalt not let any of thy seeds (children) pass through the fire to Moloch"). In the Old Testament, Gehenna was a valley by Jerusalem, where followers of various Baalim and Canaanite gods, including Moloch, sacrificed their children by fire (2 Chr. 28:3, 33:6; Jer. 7:31, 19:2–6).
Moloch has been used figuratively in English literature from John Milton's Paradise Lost (1667) to Allen Ginsberg's "Howl" (1955), to refer to a person or thing demanding or requiring a very costly sacrifice.
This is a list of playable characters from the Mortal Kombat fighting game series and the games in which they appear. The series takes place in a fictional universe composed of six realms, which were created by the Elder Gods. The Elder Gods created a fighting tournament called Mortal Kombat to reduce the wars between the realms. The first Mortal Kombat game introduces a tournament in which Earthrealm can be destroyed if it loses once again.
The Earthrealm warriors manage to defeat the champion Goro and tournament host Shang Tsung, but this leads Tsung to search for other ways to destroy Earthrealm. Since then, every game features a new mortal who wishes to conquer the realms, therefore violating the rules of Mortal Kombat. By Mortal Kombat: Deception, most of the main characters had been killed by Shang Tsung and Quan Chi (neither of whom were playable in the game), but by Mortal Kombat: Armageddon all of them return.
Appearances in the fighting games in the series:
"I, Robot...You, Jane" is the eighth episode of season 1 of the television series Buffy the Vampire Slayer. The episode was written by staff writers Ashley Gable and Thomas A. Swyden, and directed by Stephen Posey.
In this episode, Willow accidentally releases the demon Moloch onto the internet. There he wreaks havoc and gains a following.
In Cortona, Italy, in 1418. Carlo, a young Italian man, looks at a horned demon: Moloch "the Corruptor", his master. Moloch coaxingly promises Carlo everything if he gives Moloch his love, and as Carlo promises his love, Moloch kills him by breaking his neck. In a monastery, a circle of priests trap Moloch in a book using a magic ritual. The book is sealed in a box, with the head priest expressing his hope that the book will not be read, lest the demon Moloch be released upon the world.
In the present, Buffy finds the book in its box, and Giles tells her to add it to a heap that Willow has been scanning into a computer. Ms. Calendar and Giles trade jibes about the need for modern technology.
Let the second Crusade leave, Damascus must be caught
Ready we are, come on and lets go
Now that Christs shield and power every treasure must be taken
Gott mit uns and victory is shown
Stealing and killing with a cross on their hearts
Sack of the town with no mercy at all
Yet the battle is on and theres fight down in the streets
Still some quarters on fire, smoke raises high
Still the clang of the swords, but we have no time to loose
Lets divide the city here and now
Suddenly attacked and already expelled
Its the Muslim Arab that regains the town
So the second crusade sorrowfully close the door
Won and expelled, shame and dishonor
Led by thirst for power more than faith and dethroned in shame
No cross no shield have been worthy nooooo
Rough Europes craven kings go back, go home!
Empty hands, heavy hearts and the red river flows and grows and grows