In music, the conclusion is the ending of a composition and may take the form of a coda or outro.
Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected digressions just as a work is drawing to its close, followed by a return...to a consequently more emphatic confirmation of the structural relations implied in the body of the work."[1]
For example:
- The slow movement of Bach's Brandenburg Concerto No. 2, where a "diminished-7th chord progression interrupts the final cadence.[1]
- The slow movement of Symphony No. 5 by Beethoven, where, "echoing afterthoughts," follow the initial statements of the first theme and only return expanded in the coda.[1]
- Varèse's Density 21.5, where partitioning of the chromatic scale into (two) whole tone scales provides the missing tritone of b implied in the previously exclusive partitioning by (three) diminished seventh chords.[1]
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Coda [link]
Coda (Italian for "tail", plural code) is a term used in music in a number of different senses, primarily to designate a passage which brings a piece (or one movement thereof) to a conclusion.
Outro [link]
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An outro (sometimes "outtro", also "extro") is the opposite of an intro. "Outro" is a blend or portmanteau as it replaces the element "in" of the "intro" with its opposite, to create a new word. The word was used facetiously by The Bonzo Dog Doo-Dah Band for the 1967 track "The Intro and the Outro".[citation needed]
The term is typically used only in the realm of pop music. It can refer to the concluding track of an album (such as Snoop Doggy Dogg's Tha Doggfather) or to an outro-solo, an instrumental solo (usually a guitar solo) played as the song fades out or until it stops. For outro-solo examples see Led Zeppelin's "Black Dog",[citation needed] Vanessa Carlton's "Home" (piano solo),[citation needed] Eric Clapton's "Layla" (piano, guitar and slide guitar solos composed with Jim Gordon),[citation needed] Pink Floyd' "Comfortably Numb",[citation needed] Eagles' "Hotel California",[citation needed] Metallica's "Fade to Black" and "Astronomy" (Blue Öyster Cult cover),[citation needed] Tenacious D's "The Metal",[citation needed] Dire Straits' "Tunnel of Love",[citation needed] Rush's "Working Man",[citation needed] Blur's "To the End (La Comedie)",[citation needed] and T34's "Hbabi".[citation needed]
Repeat and fade [link]
Repeat and fade is a musical direction used in sheet music as a notational shortcut to more formal notations such as Dal Segno.[2] The direction is to be taken literally: while repeating the chord progression and/or leit motif indicated prior to the section annotated "repeat and fade", the player(s) should continue to play/repeat, and the mixer or player(s) should fade the volume while the player(s) repeat the appropriate musical segments, until the song has been faded out (usually by faders on the mixing board)
Examples [link]
Repeat and fade endings are rarely found in live performances, but are often used in studio recordings.[2] Examples include:
- "America" as recorded by Simon and Garfunkel[citation needed]
- "Fool on the Hill" as recorded by The Beatles[citation needed]
- "Funeral for a Friend/Love Lies Bleeding" as recorded by Elton John[citation needed]
- "Karma Police" as recorded by Radiohead[citation needed]
- "King of the Road" as recorded by Roger Miller[citation needed]
- "Time and a Word" as recorded by Yes[3]
See also [link]
Sources [link]
- ^ a b c d Perle, George (1990). The Listening Composer. California: University of California Press. ISBN 0-520-06991-9.
- ^ a b Perricone, Jack (2000). Melody in Songwriting: Tools and Techniques for Writing Hit Songs. Berklee Press. pp. 6. ISBN 0-634-00638-X.
- ^ {{cite book
- "Paradise City" as recorded by [Guns N Roses]]
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press.
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https://wn.com/Conclusion_(music)
Psyence Fiction
Psyence Fiction is the debut album by the group Unkle, released in 1998 for Mo'Wax.
Notes
"Unreal" is an instrumental version of the song "Be There" (featuring Ian Brown), which was released a year later as a single. On some early presses of the album, instrumental versions of "Guns Blazing" and "The Knock" were added as tracks 13 and 14. On some re-releases of this album, "Be There" was added as track 13. Some versions (mainly the Japanese release, but also the US promotional copy) contain the hidden track "Intro (optional)" as "track zero", which is actually the pre-gap (index 0) of track 1. This can be accessed by "rewinding" the first track on some CD players.
"Lonely Soul" was featured in an Assassin's Creed trailer for PS3, Xbox 360, and PC. It was also featured on the soundtrack to the film The Beach, in the first episode of Misfits and in the Person of Interest episode "Matsya Nyaya".
Psyence Fiction reached #4 on the UK album charts, and #107 on US Billboard 200. It also debuted at #15 in Australia.
Closing credits
Closing credits or end credits are added at the very ending of a motion picture, television program, or video game to list the cast and crew involved in the production. They usually appear as a list of names in small type, which either flip very quickly from page to page, or move smoothly across the background or a black screen. Credits may crawl either right-to-left (which is common in U.K. and some Latin American television programs) or bottom-to-top (which is common in films and U.S. television). The term credit roll comes from the early production days when the names were literally printed on a roll of paper and wound past the camera lens. Sometimes, post-credits scenes or bloopers are added to the end of films along with the closing credits.
History
The use of closing credits in film to list complete production crew and cast was not firmly established in American film until the 1970s. Before this decade, most movies were released with no closing credits at all. Films generally had opening credits only, which consisted of just major cast and crew, although sometimes the names of the cast and the characters they played would be shown at the end, as in The Wizard of Oz, Citizen Kane, Mary Poppins, Oliver! and the 1964 Fail Safe. Two of the first major films to contain extensive closing credits – but almost no opening credits – were the blockbusters Around the World in 80 Days (1956) and West Side Story (1961). West Side Story showed only the title at the beginning of the film, and Around the World in 80 Days, like many films today, had no opening credits at all.
Lady (D'Angelo song)
"Lady" is a song co-written, co-produced and performed by American neo soul singer D'Angelo, issued as the third single from his debut studio album Brown Sugar. A remixed version of the song (titled the Clean Street Version) was also released, featuring vocals from American hip hop musician AZ. Separate music videos were created for both versions of the song.
"Lady" is D'Angelo's biggest hit single to date in the United States, peaking at #10 on the Billboard Hot 100 in 1996. It was certified gold by the RIAA on June 4, 1996. The song was also nominated for a Grammy Award for Best Male R&B Vocal Performance in 1997, but lost to "Your Secret Love" by Luther Vandross.
The Game's 2013 single "All That (Lady)" uses a clear vocal sample of "Lady".
Music videos
The official music video for the original version of the song was directed by Hype Williams. The video for the remix version was directed by Brett Ratner. In addition to AZ, the remix video features appearances from singers Faith Evans and Joi; as well as Erykah Badu in her first music video appearance.
Lady (Styx song)
"Lady" is a 1973 rock ballad written and performed by the rock band Styx. It was first released on Styx II and was a local hit in the band's native Chicago, but initially failed to chart nationally. The song gained success shortly after Styx left Wooden Nickel Records to move to A&M Records in 1974 as it began picking up airplay nationwide, eventually peaking at #6 on the Billboard Top 40 in March 1975. The track was later re-recorded for the 1995 Styx compilation Greatest Hits due to a contractual dispute between A&M and Wooden Nickel.
Background
"Lady" was written by Dennis DeYoung for his wife, Suzanne Feusi, the first song he ever wrote for her. DeYoung recounted to Contemporary Keyboard magazine for the January 1981 issue that the first time he ever played acoustic piano was when the band arrived at the recording studio to record "Lady" and saw the piano in the studio; DeYoung had written the song on an electric piano, but decided to try it out on the piano instead, and liked the sound so much that he switched to the piano for the recorded version. It didn't get much promotion and went nowhere until a DJ named Jeff Davis on WLS in Chicago rediscovered the song when he heard it on a jukebox at a pizza place on the north side of Chicago. Determined to make it a hit, Davis convinced management to let him play the song on his Saturday Night show, which had an audience in 38 states and a few foreign countries.
Lady (You Bring Me Up)
"Lady (You Bring Me Up)" is a 1981 Top 10 hit single by The Commodores. It reached #8 on the U.S. Billboard Hot 100 chart and also reached the Top 10 of the Billboard R&B Chart, peaking at #5. It was also a hit in England, reaching # 56 on the UK Chart.
It was written by Commodores member William King, his wife, Shirley, and Harold Hudson, a member of the Commodores' backing group, The Mean Machine. Lionel Richie sang the lead vocal, and it was one of the group's last big hits before he left the group for a solo career.
Track listings
7" single
Charts
References
External links
Lugar, East Ayrshire
Lugar is a small village in East Ayrshire, southwest Scotland. Lugar is in Auchinleck Parish, Kyle District, Ayrshire. It is 1.5 miles (2.4 km) ENE of Cumnock, and about 1-mile (1.6 km) from Cronberry and 2 miles (3.2 km) from Gasswater. Lugar is a station on the Mauchline and Muirkirk branch of the Glasgow and South Western Railway. Lugar is about 16.5 miles (26.6 km) SE of Kilmarnock.
Lugar was once dominated by a large ironworks with several blast furnaces. Like the mining industry in nearby areas, though, the iron industry has been decimated by economic decline. The Lugar ironworks closed long ago.
Lugar was built to accommodate the workers at the ironworks around 1845. They were houses in "miners' raws" (sic). On the 1860 Ordnance Survey Map the rows included Peesweip Row, Craigstonholm Row, Store Row, Back Row and Hollowholm Row.(This map also shows a Curling Pond). Other maps included Laigh Row, Double Row and High Row. The population grew to 753 in 1861, and 1374 in 1871. By 1881 it had 1353 people and 1891 people, according to the Ordnance Survey.
Podcasts:
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by Detonautas
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by Detonautas Roque Clube
Outro Lugar
by: DetonautasDetonautas Roque Clube - Outro Lugar
Ainda vou te levar pra outro lugar além do sol do mar
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Ainda vou te levar pra outro lugar além do sol do mar
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Quero ter você mais perto, pra poder te amar
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O meu caminho me levava a acreditar
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Cara sinistro da zona sul, andando com um monte de santinha pra lá e para cá,
Mas com você foi diferente, foi de primeira
Quando eu te vi até me faltou ar
As oportunidades nessa vida me fazem crer,
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O tempo passa tudo é mais fácil
Difícil é esquecer o que eu passo quando você se vai
Eu fico aqui bolando planos mirabolantes,
Fico inconstante, pareço iniciante
Eu vou fazer de tudo pra trazer você pra perto de mim
Pode acreditar que sim
Ainda vou te levar pra outro lugar além do sol do mar
Onde eu possa te ter, te amar e o tempo vai ser maior
Não te quero assim tão longe, tanto quanto o céu do mar
Quero ter você mais perto, certo, pra poder te amar
Ainda vou te levar pra outro lugar além do sol do mar
Onde eu possa te ter, te amar e o tempo vai ser maior
Quero ter o seu encanto, tanto, pra me enfeitiçar