In music, the conclusion is the ending of a composition and may take the form of a coda or outro.
Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected digressions just as a work is drawing to its close, followed by a return...to a consequently more emphatic confirmation of the structural relations implied in the body of the work."
For example:
Psyence Fiction is the debut album by the group Unkle, released in 1998 for Mo'Wax.
"Unreal" is an instrumental version of the song "Be There" (featuring Ian Brown), which was released a year later as a single. On some early presses of the album, instrumental versions of "Guns Blazing" and "The Knock" were added as tracks 13 and 14. On some re-releases of this album, "Be There" was added as track 13. Some versions (mainly the Japanese release, but also the US promotional copy) contain the hidden track "Intro (optional)" as "track zero", which is actually the pre-gap (index 0) of track 1. This can be accessed by "rewinding" the first track on some CD players.
"Lonely Soul" was featured in an Assassin's Creed trailer for PS3, Xbox 360, and PC. It was also featured on the soundtrack to the film The Beach, in the first episode of Misfits and in the Person of Interest episode "Matsya Nyaya".
Psyence Fiction reached #4 on the UK album charts, and #107 on US Billboard 200. It also debuted at #15 in Australia.
Closing credits or end credits are added at the very ending of a motion picture, television program, or video game to list the cast and crew involved in the production. They usually appear as a list of names in small type, which either flip very quickly from page to page, or move smoothly across the background or a black screen. Credits may crawl either right-to-left (which is common in U.K. and some Latin American television programs) or bottom-to-top (which is common in films and U.S. television). The term credit roll comes from the early production days when the names were literally printed on a roll of paper and wound past the camera lens. Sometimes, post-credits scenes or bloopers are added to the end of films along with the closing credits.
The use of closing credits in film to list complete production crew and cast was not firmly established in American film until the 1970s. Before this decade, most movies were released with no closing credits at all. Films generally had opening credits only, which consisted of just major cast and crew, although sometimes the names of the cast and the characters they played would be shown at the end, as in The Wizard of Oz, Citizen Kane, Mary Poppins, Oliver! and the 1964 Fail Safe. Two of the first major films to contain extensive closing credits – but almost no opening credits – were the blockbusters Around the World in 80 Days (1956) and West Side Story (1961). West Side Story showed only the title at the beginning of the film, and Around the World in 80 Days, like many films today, had no opening credits at all.
Lobo may refer to:
"Lobo the King of Currumpaw" is the first story of author Ernest Thompson Seton's 1898 book Wild Animals I Have Known. Seton based the book on his experience hunting wolves in the Southwestern United States.
Lobo was an American wolf who lived in the Currumpaw valley in New Mexico. During the 1890s, Lobo and his pack, having been deprived of their natural prey by settlers, turned to the settlers' livestock. The ranchers tried to kill Lobo and his pack by poisoning carcasses, but the wolves removed the poisoned pieces and threw them aside. They tried to kill the wolves with traps and by hunting parties but these efforts also failed. Ernest Thompson Seton was tempted by the challenge and the alleged $1,000 bounty for capturing Lobo, the leader of the pack. Seton tried poisoning five baits, carefully covering traces of human scent, and setting them out in Lobo's territory. The following day all the baits were gone, and Seton assumed Lobo would be dead. Later, however, he found the five baits all in a pile covered in other "evidence" for which Lobo was responsible.
Zambo (Spanish: [ˈθambo] or [ˈsambo]) or cafuzo (Portuguese: [kɐˈfuzu]) are racial terms used in the Spanish and Portuguese Empires and occasionally today to identify individuals in the Americas who are of mixed African and Amerindian ancestry (the analogous English term, considered a slur, is sambo). Historically, the racial cross between African slaves and Amerindians was referred to as a "zambaggoa", then "zambo", then "sambo". In the United States, the word "sambo" is thought to refer to the racial cross between a black slave and a white person.
The meaning of the term "sambo" however is contested in North America, where other etymologies have been proposed. The word most likely originated from one of the Romance languages, or Latin and its direct descendants. The feminine word is zamba (not to be confused with the Argentine Zamba folk dance, although there is some relationship in the concept).
Under the casta system of Spanish colonial America, the term originally applied to the children of one African and one Amerindian parent, or the children of two zambo parents. During this period, a myriad of other terms denoted individuals of African/Amerindian ancestry in ratios smaller or greater than the 50:50 of zambos: cambujo (zambo/Amerindian mixture) for example. Today, zambo refers to all people with significant amounts of both African and Amerindian ancestry, though it is frequently considered pejorative.
My my, at Waterloo Napoleon did surrender
Oh yeah, and I have met my destiny in quite a similar way
The history book on the shelf
Is always repeating itself
Waterloo
I was defeated, you won the war
Waterloo
Promise to love you forever more
Waterloo
Couldn't escape if I wanted to
Waterloo
Knowing my fate is to be with you
Waterloo
Finally facing my Waterloo
My my, I tried to hold you back but you were stronger
Oh yeah, and now it seems my only chance is giving up the fight
And how could I ever refuse?
I feel like I win when I lose
Waterloo
I was defeated, you won the war
Waterloo
Promise you'll love me forever more
Waterloo
Couldn't escape if I wanted to
Waterloo
Knowing my fate is to be with you
Waterloo
Finally facing my Waterloo
So how could I ever refuse?
I feel like I win when I lose
Waterloo
Couldn't escape if I wanted to
Waterloo
Knowing my fate is to be with you
Waterloo
Finally facing my Waterloo
Waterloo
Knowing my fate is to be with you
Waterloo
Finally facing my Waterloo