Outro

Outro may refer to:

  • Outro (album) (2002), second album by Brazilian composer, singer and producer Jair Oliveira
  • Outro (closing credits), added at the end of a motion picture, television program, or video game to list the cast and crew involved in the production
  • Outro (literary), the conclusion or epilogue of a work of literature or journalism
  • Outro (music), ending of a composition and may take the form of a coda
  • Outro (video gaming), a sequence of graphics and music presented to a player as a reward for successful completion of a game
  • "Outro", a song by Breaking Benjamin from Phobia
  • See also

  • Extro (disambiguation)
  • Outroduction, a collection of B-Sides by The New Amsterdams
  • Outros Lugares, an album by the Portuguese music composer António Pinho Vargas
  • Outrospective, an album by Faithless
  • Outrospective / Reperspective
  • The Intro and the Outro, a recording by The Bonzo Dog Doo-Dah Band
  • Conclusion (music)

    In music, the conclusion is the ending of a composition and may take the form of a coda or outro.

    Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected digressions just as a work is drawing to its close, followed by a return...to a consequently more emphatic confirmation of the structural relations implied in the body of the work."

    For example:

  • The slow movement of Bach's Brandenburg Concerto No. 2, where a "diminished-7th chord progression interrupts the final cadence."
  • The slow movement of Symphony No. 5 by Beethoven, where, "echoing afterthoughts", follow the initial statements of the first theme and only return expanded in the coda.
  • Varèse's Density 21.5, where partitioning of the chromatic scale into (two) whole tone scales provides the missing tritone of b implied in the previously exclusive partitioning by (three) diminished seventh chords.
  • Outro (album)

    Outro is a 2002 album by Jair Oliveira. Jair’s second album blends jazz, samba, soul and MPB. Most of Outro's songs were co-written by fellow Brazilian singer and composer Ed Motta.

    Track listing

  • "Instrucoes" (Vinheta 1) - 03:36
  • "Bom Dia, Anjo" - 04:55
  • "Sou Teu Nego" (Todas as Letras)- 04:06
  • "Falso Amor" - 04:38
  • "Amor E Saudade" - 07:23 (duet with Ed Motta)
  • "Dor De Ressaca" - 04:07
  • "Frio Pra Bem Longe" - 05:23
  • "Minuto De Silencio" - 05:46
  • "Sorriso Pra Te Dar" - 05:52
  • "Vai E Volta" - 04:57
  • "São Paulo, Fim Do Dia" - 03:41
  • "Uma Outra Beleza" - 03:11
  • "Local Proibido" - 03:30
  • "Ficar No Escuro" - 12:28

  • Licht

    Licht (Light), subtitled "The Seven Days of the Week," is a cycle of seven operas composed by Karlheinz Stockhausen between 1977 and 2003. The composer described the work as an "eternal spiral" because "there is neither end nor beginning to the week." Licht consists of 29 hours of music.

    Origin

    The Licht opera project, originally titled Hikari (光 , Japanese for "light"), originated with a piece for dancers and Gagaku orchestra commissioned by the National Theatre in Tokyo. Titled Jahreslauf (Course of the Years), this piece became the first act of Dienstag. Another important Japanese influence is from Noh theater, which the composer cites in connection with his conception of stage action (Stockhausen, Conen, and Hennlich 1989, 282). The cycle also draws on elements from the Judeo-Christian and Vedic traditions (Bruno 1999, 134). The title of Licht owes something to Sri Aurobindo's theory of "Agni" (the Hindu and Vedic fire deity), developed from two basic premises of nuclear physics, and Stockhausen's conception of the Licht superformula also owes a great deal to Sri Aurobindo's category of the "supramental" (Peters 2003, 227). It is centered on three main characters, Michael, Eve, and Lucifer.

    Licht (surname)

    Licht is a German surname meaning "light". The surname is also an ornamental surname within Jewish communities (Yiddish: ליכט) with the same meaning. Notable people with the surname include:

  • Alan Licht (born 1968), American guitarist
  • Aleksandar Licht (1884–1948), Croatian Zionist leader
  • Frank Licht (1916–1987), 67th Governor of Rhode Island from 1969 to 1973
  • Hugo Licht (1841–1923), German architect
  • Jason Licht (born 1971), American football director of pro personnel for the New England Patriots of the National Football League
  • Judy Licht, American television and print journalist
  • Lucas Licht (born 1981), Argentinian football player
  • Roger Licht, former chairman of the California Horse Racing Board and horse racing legal expert
  • Sascha Licht (born 1974), German former footballer
  • Sonja Licht (born 1947), Serbian sociologist and political activist
  • Faun (band)

    Faun is a German band formed in 2002 who play pagan folk, darkwave and medieval music. The originality of their music style is that they fall back to "old" instruments, and the singing is always the center of attention. The vocals are performed in a variety of languages, including German, Latin, Greek, and Scandinavian languages. Their instruments include Celtic harp, Swedish nyckelharpa, hurdy-gurdy, bagpipes, cittern, flutes and many others.

    History

    The band was founded in 2002 by Oliver "SaTyr" Pade, Elisabeth Pawelke, Fiona Rüggeberg and Birgit Muggenthaler. Two years later, Rüdiger Maul got into the band as percussionist. At the same time, Birgit left the band, to continue her musical life with the folk-rock band Schandmaul. In 2002, they released their first album Zaubersprüche. Niel Mitra was a guest musician on this album, and he later became a full-time member of the band, the only one playing only electronic instruments.

    In 2003 the band released their second album, Licht, and performed at several festivals in support of this music.

    Podcasts:

    PLAYLIST TIME:

    Waterlogged

    by: Broken Hope

    In the deep underwater I am sinking,
    Water, H2O, soaking my pores,
    Lungs filling with fluid, impairing,
    Struggling beneath the surface for oxygen,
    I cannot, for my life swim to save myself,
    Plunging beyond the surface into an aqueous tomb,
    Submerged I spiral down to the darkest fathom,
    Screams are merely bubbles from my lips,
    Skin and organs swell from saturation,
    Bursting vessels in my body,
    Saturated, disfigured and swollen,
    Caught by the current there is no escaping,
    Lodged under a log entangled in seaweed,
    Sand encrusts every orifice,
    Covered with silt in an unmarked watery grave,
    Settling upon the bottom I lay upon the sand,
    Fish gnaw away at my lips,
    Crustaceans dine upon my swollen flesh,
    Within this underwater world,
    Surrounding me, smothering thee,
    I suffocate, ocean my fate,
    Beneath each wave, I've found my grave,




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