In music, the conclusion is the ending of a composition and may take the form of a coda or outro.
Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected digressions just as a work is drawing to its close, followed by a return...to a consequently more emphatic confirmation of the structural relations implied in the body of the work."
For example:
Psyence Fiction is the debut album by the group Unkle, released in 1998 for Mo'Wax.
"Unreal" is an instrumental version of the song "Be There" (featuring Ian Brown), which was released a year later as a single. On some early presses of the album, instrumental versions of "Guns Blazing" and "The Knock" were added as tracks 13 and 14. On some re-releases of this album, "Be There" was added as track 13. Some versions (mainly the Japanese release, but also the US promotional copy) contain the hidden track "Intro (optional)" as "track zero", which is actually the pre-gap (index 0) of track 1. This can be accessed by "rewinding" the first track on some CD players.
"Lonely Soul" was featured in an Assassin's Creed trailer for PS3, Xbox 360, and PC. It was also featured on the soundtrack to the film The Beach, in the first episode of Misfits and in the Person of Interest episode "Matsya Nyaya".
Psyence Fiction reached #4 on the UK album charts, and #107 on US Billboard 200. It also debuted at #15 in Australia.
In video gaming, the term "outro" refers to a sequence of graphics and music presented to the player as a reward for successful completion of the entire game. Outros are also commonly referred to as the game's ending. They can range from anywhere between a simple text message congratulating the player for beating the game, to a full cutscene that serves to bring the game's storyline to a conclusion (similar to the ending of a movie).
The word "outro" is a portmanteau of the words "out" and "intro", short for introductory sequence. The term is also sometimes used in the demoscene to refer to the final part of a demo (the opposite of an intro).
Generally, the complexity of the outro correlates with the type of game. Games with in-depth storylines and characters, such as RPGs or adventure games, often have relatively long and complicated outros, which action-oriented games such as platforming games or first person shooters generally have shorter outros, sometimes being nothing more than a simple "congratulations, you win!" message. This is not always true, of course. Some heavily action-focused role-playing video games, such as the Diablo series, have a relatively short and straightforward ending, while some story-driven action games, such as No One Lives Forever, have a relatively long and complex ending.
Black Vulcan is a fictional African-American superhero on the animated series Super Friends created by Hanna-Barbera. He was voiced by Buster Jones.
Unlike most of the Super Friends, Black Vulcan was not a pre-existing DC Comics character. This is particularly notable since DC Comics' roster did include an African American superhero with electricity-based powers, Black Lightning, who could not be used on the show due to disputes between DC and Black Lightning's creator Tony Isabella.
Black Vulcan appeared in The All-New Super Friends Hour cartoon series (episode "The Whirlpool").
His powers include the ability to emit electricity from his hands. He can also fly by charging his lower body with energy. On a few occasions, he has exhibited powers he had not shown before, such as the ability to assume a form of pure energy and travel at the speed of light (in an unsuccessful attempt to escape a black hole.) He was able to travel back in time by fluctuating his body's energy to open a rift in space-time. Black Vulcan is able to spot-weld microelectronics.
Juice is the multi-Platinum 1981 breakthrough album by American country-rock singer Juice Newton. The album was Newton's third solo album and her first major international success.
The album features two #1 hits "Angel of the Morning" and "The Sweetest Thing (I've Ever Known)". It also contains "Queen of Hearts," the biggest-selling single of Juice Newton's career, which peaked at #2 on both Billboard's Hot 100 and Adult Contemporary charts ("Endless Love" by Diana Ross and Lionel Richie prevented the song from reaching #1). "Queen of Hearts" was a popular music video during the summer of MTV's debut. Newton would go on to have more hit songs and albums, but this remains the album for which she is best known.
Juice garnered Juice Newton two "Best Female Vocalist" Grammy Award nominations (in the Pop and Country categories, respectively) neither of which she won. But she did win her first Grammy for her follow-up album Quiet Lies.
In 1984, a fourth track from Juice titled "Ride 'Em Cowboy" was released in support of Newton's first "Greatest Hits" album. The single reached #32 on the U.S. Billboard Country charts.
In professional wrestling, blading is the practice of intentionally cutting oneself to provoke bleeding. It is also known as juicing, gigging, or getting color. Similarly, a blade is an object used for blading, and a bladejob is a specific act of blading. The act is usually done a good length into the match as the blood will mix with the flowing sweat to make the wound look like much more blood is flowing from it than there actually is. The preferred area for blading is usually the forehead, as scalp wounds bleed profusely and heal easily. Legitimate, unplanned bleeding which occurs outside the storyline is called juicing the hard way.
Prior to the advent of blading, most storyline blood in wrestling came from one wrestler deliberately splitting the flesh over their opponent's eyebrow bone with a well placed and forceful punch. In his third autobiography, The Hardcore Diaries, Mick Foley cites Terry Funk as one of the few remaining active wrestlers who knows how to "bust an eyebrow open" in this way. The forehead has always been the preferred blading surface, due to the abundance of blood vessels. A cut in this area will bleed freely for quite some time and will heal quickly. A cut in this location will allow the blood to mix in with the sweat on the wrestler's face, giving them the proverbial "crimson mask" effect.
Outrageous, when I move my body
Outrageous, when I'm at a party
Outrageous, in my sexy jeans
Outrageous, when I'm on the scene
Outrageous, my sex drive
Outrageous, my shoppin' spree
Outrageous, we on a world tour
Outrageous, must be a girl
I'm sexy as, as I wanna be
Got these fellas chasin' me
It's about time I hit the streets
All my girls still feelin' me
B girl ain't lost the beat
Jumped over drama and I landed on my feet
Gotta keep goin' no stoppin' me
And if you don't like it then
La la la
Media over here
Come through like a world premiere
Trench coat and my underwear
Let's go with this freak show it's
Outrageous, when I move my body
Outrageous, when I'm at a party
Outrageous, in my sexy jeans
Outrageous, when I'm on the scene
Outrageous, my sex drive
Outrageous, my shoppin' spree
Outrageous, we on a world tour
Outrageous, must be a girl
I'm about to bring the heat
Lockin' down the industry
I'm dress up a glamorous
Red carpet and cameras
Take trips around the globe
Tints on the jeep so nobody knows
It's so hot that you're comin' out your clothes
Now I'm about to give it to ya
La la la
Media over here
Come through like a world premiere
Trench coat and my underwear
Let's go with this freak show it's
Outrageous, when I move my body
Outrageous, when I'm at a party
Outrageous, in my sexy jeans
Outrageous, when I'm on the scene
Outrageous, my sex drive
Outrageous, my shoppin' spree
Outrageous, we on a world tour
Outrageous, must be a girl
I just wanna be happy
In a place where love is free
Can you take me there?
Somebody, ooh
And when you mention my name
Make sure you know the truth, yea
Until I vow to keep it forever
Outrageous, when I move my body
Outrageous, when I'm at a party
Outrageous, in my sexy jeans
Outrageous, when I'm on the scene
Outrageous, my sex drive
Outrageous, my shoppin' spree
Outrageous, we on a world tour
Outrageous, must be a girl
Outrageous, when I move my body
Outrageous, when I'm at a party
Outrageous, in my sexy jeans
Outrageous, when I'm on the scene
Outrageous, my sex drive
Outrageous, my shoppin' spree
Outrageous, we on a world tour