Outro may refer to:
In music, the conclusion is the ending of a composition and may take the form of a coda or outro.
Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected digressions just as a work is drawing to its close, followed by a return...to a consequently more emphatic confirmation of the structural relations implied in the body of the work."
For example:
Outro is a 2002 album by Jair Oliveira. Jair’s second album blends jazz, samba, soul and MPB. Most of Outro's songs were co-written by fellow Brazilian singer and composer Ed Motta.
Gabriela may refer to:
Gabriela is a 1983 Brazilian romance film directed by Bruno Barreto. It was shot in the cities of Paraty, in the state of Rio de Janeiro, and in Garopaba, Santa Catarina.
It is 1925. Nacib (Mastroianni) is the owner of bar in a small town. He meets Gabriela (Braga), a sensual girl, who he is immediately attracted to. Taken by her, he hires her on as a cook. However, Nacib soon grows annoyed by the attention she receives. He proposes to her in the hopes that the attention quells.
After their marriage, he insists that she dress and behave more prudishly so that men are not so enamored of her. Unfortunately, Gabriela cannot help but stray and Nacib is forced to annul the marriage when he finds her in bed with his friend Tonico (Cantafora). Later, as both Nacib and the town begin to undergo a transformation, Nacib takes in Gabriela as his mistress.
Gabriela is a 1950 West German musical drama film directed by Géza von Cziffra and starring Zarah Leander, Carl Raddatz and Vera Molnar. It was Leander's comeback film after a seven-year absence from filmmaking . In 1943 when the Nazi leadership had demanded she take German citizenship, she had broken her contract with UFA and returned to her native Sweden. In the immediate post-war era she was banned from appearing in German films because of her previous association with the Nazi hierarchy. From 1949 this was relaxed, and she was able to make films once more.
It was the third highest-grossing film at the West German box office in 1950.