In music, the conclusion is the ending of a composition and may take the form of a coda or outro.

Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected digressions just as a work is drawing to its close, followed by a return...to a consequently more emphatic confirmation of the structural relations implied in the body of the work."[1]

For example:

  • The slow movement of Bach's Brandenburg Concerto No. 2, where a "diminished-7th chord progression interrupts the final cadence.[1]
  • The slow movement of Symphony No. 5 by Beethoven, where, "echoing afterthoughts," follow the initial statements of the first theme and only return expanded in the coda.[1]
  • Varèse's Density 21.5, where partitioning of the chromatic scale into (two) whole tone scales provides the missing tritone of b implied in the previously exclusive partitioning by (three) diminished seventh chords.[1]

Contents

Coda [link]

Coda (Italian for "tail", plural code) is a term used in music in a number of different senses, primarily to designate a passage which brings a piece (or one movement thereof) to a conclusion.

Outro [link]

An outro (sometimes "outtro", also "extro") is the opposite of an intro. "Outro" is a blend or portmanteau as it replaces the element "in" of the "intro" with its opposite, to create a new word. The word was used facetiously by The Bonzo Dog Doo-Dah Band for the 1967 track "The Intro and the Outro".[citation needed]

The term is typically used only in the realm of pop music. It can refer to the concluding track of an album (such as Snoop Doggy Dogg's Tha Doggfather) or to an outro-solo, an instrumental solo (usually a guitar solo) played as the song fades out or until it stops. For outro-solo examples see Led Zeppelin's "Black Dog",[citation needed] Vanessa Carlton's "Home" (piano solo),[citation needed] Eric Clapton's "Layla" (piano, guitar and slide guitar solos composed with Jim Gordon),[citation needed] Pink Floyd' "Comfortably Numb",[citation needed] Eagles' "Hotel California",[citation needed] Metallica's "Fade to Black" and "Astronomy" (Blue Öyster Cult cover),[citation needed] Tenacious D's "The Metal",[citation needed] Dire Straits' "Tunnel of Love",[citation needed] Rush's "Working Man",[citation needed] Blur's "To the End (La Comedie)",[citation needed] and T34's "Hbabi".[citation needed]

Repeat and fade [link]

Repeat and fade is a musical direction used in sheet music as a notational shortcut to more formal notations such as Dal Segno.[2] The direction is to be taken literally: while repeating the chord progression and/or leit motif indicated prior to the section annotated "repeat and fade", the player(s) should continue to play/repeat, and the mixer or player(s) should fade the volume while the player(s) repeat the appropriate musical segments, until the song has been faded out (usually by faders on the mixing board)

Examples [link]

Repeat and fade endings are rarely found in live performances, but are often used in studio recordings.[2] Examples include:

See also [link]

Sources [link]

  1. ^ a b c d Perle, George (1990). The Listening Composer. California: University of California Press. ISBN 0-520-06991-9.
  2. ^ a b Perricone, Jack (2000). Melody in Songwriting: Tools and Techniques for Writing Hit Songs. Berklee Press. pp. 6. ISBN 0-634-00638-X. 
  3. ^ {{cite book | title = Yes Yesterdays (Music score) | edition = Paperback | last = Anderson | first = Jon | coauthors = Foster, David | year = 1975 | publisher = Warner Music | id = ASIN: B000CS2YT0 | pages = 22}}

 This article incorporates text from a publication now in the public domainChisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. 


https://wn.com/Conclusion_(music)

Psyence Fiction

Psyence Fiction is the debut album by the group Unkle, released in 1998 for Mo'Wax.

Notes

"Unreal" is an instrumental version of the song "Be There" (featuring Ian Brown), which was released a year later as a single. On some early presses of the album, instrumental versions of "Guns Blazing" and "The Knock" were added as tracks 13 and 14. On some re-releases of this album, "Be There" was added as track 13. Some versions (mainly the Japanese release, but also the US promotional copy) contain the hidden track "Intro (optional)" as "track zero", which is actually the pre-gap (index 0) of track 1. This can be accessed by "rewinding" the first track on some CD players.

"Lonely Soul" was featured in an Assassin's Creed trailer for PS3, Xbox 360, and PC. It was also featured on the soundtrack to the film The Beach, in the first episode of Misfits and in the Person of Interest episode "Matsya Nyaya".

Psyence Fiction reached #4 on the UK album charts, and #107 on US Billboard 200. It also debuted at #15 in Australia.

Outro (video gaming)

In video gaming, the term "outro" refers to a sequence of graphics and music presented to the player as a reward for successful completion of the entire game. Outros are also commonly referred to as the game's ending. They can range from anywhere between a simple text message congratulating the player for beating the game, to a full cutscene that serves to bring the game's storyline to a conclusion (similar to the ending of a movie).

The word "outro" is a portmanteau of the words "out" and "intro", short for introductory sequence. The term is also sometimes used in the demoscene to refer to the final part of a demo (the opposite of an intro).

Generally, the complexity of the outro correlates with the type of game. Games with in-depth storylines and characters, such as RPGs or adventure games, often have relatively long and complicated outros, which action-oriented games such as platforming games or first person shooters generally have shorter outros, sometimes being nothing more than a simple "congratulations, you win!" message. This is not always true, of course. Some heavily action-focused role-playing video games, such as the Diablo series, have a relatively short and straightforward ending, while some story-driven action games, such as No One Lives Forever, have a relatively long and complex ending.

Man (Middle-earth)

In J. R. R. Tolkien's Middle-earth books, such as The Hobbit and The Lord of the Rings, the terms Man and Men refer to humankind – in contrast to Elves, Dwarves, Orcs and other humanoid races – and does not denote gender.

The Elves call the race of Men Atani in Quenya, literally meaning "Second People" (the Elves being the First), but also Hildor (Followers), Apanónar (After-born), and Fírimar or Firyar (Mortals). Less charitably they were called Engwar (The Sickly), owing to their susceptibility to disease and old age, and their generally unlovely appearance in the Elves' eyes. The name Atani becomes Edain in Sindarin, but this term is later applied only to those tribes of Men who are friendly to the Elves. Other names appear in Sindarin as Aphadrim, Eboennin, and Firebrim or Firiath.

Origins

The race of Men is the second race of beings created by the One God, Ilúvatar. Because they awoke at the start of the Years of the Sun, while the Elves awoke at the start of the First Age during the Years of the Trees, they are called the Afterborn by the Elves.

Man (Francis Dunnery album)

Man is an album from British musician Francis Dunnery, released in 2001. It saw Francis experimenting with new sounds, most notably programmed drum beats - a departure from what had been the norm in his studio work up to this point. Vocalist/keyboardist Erin Moran (of A Girl Called Eddy) features heavily on the album.

Track listing

  • "I'm in Love"
  • "Flower Girl"
  • "Me and Franciene"
  • "Yonder Mountain"
  • "Hold Out Your Heart"
  • "Blinded by the Memory"
  • "In the Garden of Mystic Lovers"
  • "Wounding and Healing"
  • "The Ava Song"
  • "The Only Thing"
  • "Hometown"
  • "Close my Door"
  • References

    Manú (footballer)

    Emanuel Jesus Bonfim Evaristo (born 28 August 1982), known as Manú, is a Portuguese professional footballer who plays mainly as a right winger.

    Club career

    Born in Setúbal, Manú started his professional career in the 2001–02 season playing for F.C. Alverca, before signing for S.L. Benfica in 2004 on a four-year contract. He was immediately loaned after arriving, serving stints in Italian sides Modena F.C. and A.C. Carpenedolo to gain experience, and returned to Portugal in the 2005–06 campaign for another temporary spell with C.F. Estrela da Amadora, where he played in 31 league games and scored seven goals, contributing to the preservation of the side's first division status.

    In June 2006 Manú was given a new four-year deal and made his official debut for the Eagles by playing in both legs of the UEFA Champions League third qualifying round win against FK Austria Wien, also making a substitute appearance for Benfica in the group stages against F.C. Copenhagen, on 13 September 2006 (0–0 away draw).

    Podcasts:

    PLAYLIST TIME:

    We Dreemin'

    by: Blazin' Squad

    Close my eyes n im there again
    girls, weed, smoke i the air again We dreamin We jus be dreemin
    N' now we're livin in the sunshine
    Close my eyes and I dream for a minute
    The place I had dreamt had us all in it
    Hittin girls up two at a time and we'll be livin in the sunshine
    This girl was lookin at me
    She had long brown hair
    about 6 - 3
    Girl - you're too tall for me
    So baby - go try your luck with Kenzie
    Sippin' on gin n juice in the shade
    Girls around my side cuz I just got paid
    I got a right to blaze it
    Bumped by the caseload
    Eating strawberries off of her navel
    Let me tell you about a dream of mine
    We were all laid back in the sunshine
    We dreamin - girls just be screamin
    I dont think its my time to leave and
    I aint coming down for days
    I'm feeling so good in so many ways
    Feeling so crazy - chilling with the beautiful ladies
    Yo - me n the boys are here
    What you know about us?
    How we roll in the summer
    How we blaze bunnin it up
    runnin the beats, sunnin the streets
    winnin the cup luvin the heat
    comin from me- its picking me up
    It's the holidays
    Girls in the park - it's a lovely day
    Baby mommas chillin with their friends
    watch their babies play, past summers flash bk
    like they were yesterday,betta dayz
    blud chill blaze the day away
    summertime hot girls theres a lot a lot to play
    in these dayz the summer, if ur a buuner its funner
    coz u jus sit there and wonder




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