In music, the conclusion is the ending of a composition and may take the form of a coda or outro.

Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected digressions just as a work is drawing to its close, followed by a return...to a consequently more emphatic confirmation of the structural relations implied in the body of the work."[1]

For example:

  • The slow movement of Bach's Brandenburg Concerto No. 2, where a "diminished-7th chord progression interrupts the final cadence.[1]
  • The slow movement of Symphony No. 5 by Beethoven, where, "echoing afterthoughts," follow the initial statements of the first theme and only return expanded in the coda.[1]
  • Varèse's Density 21.5, where partitioning of the chromatic scale into (two) whole tone scales provides the missing tritone of b implied in the previously exclusive partitioning by (three) diminished seventh chords.[1]

Contents

Coda [link]

Coda (Italian for "tail", plural code) is a term used in music in a number of different senses, primarily to designate a passage which brings a piece (or one movement thereof) to a conclusion.

Outro [link]

An outro (sometimes "outtro", also "extro") is the opposite of an intro. "Outro" is a blend or portmanteau as it replaces the element "in" of the "intro" with its opposite, to create a new word. The word was used facetiously by The Bonzo Dog Doo-Dah Band for the 1967 track "The Intro and the Outro".[citation needed]

The term is typically used only in the realm of pop music. It can refer to the concluding track of an album (such as Snoop Doggy Dogg's Tha Doggfather) or to an outro-solo, an instrumental solo (usually a guitar solo) played as the song fades out or until it stops. For outro-solo examples see Led Zeppelin's "Black Dog",[citation needed] Vanessa Carlton's "Home" (piano solo),[citation needed] Eric Clapton's "Layla" (piano, guitar and slide guitar solos composed with Jim Gordon),[citation needed] Pink Floyd' "Comfortably Numb",[citation needed] Eagles' "Hotel California",[citation needed] Metallica's "Fade to Black" and "Astronomy" (Blue Öyster Cult cover),[citation needed] Tenacious D's "The Metal",[citation needed] Dire Straits' "Tunnel of Love",[citation needed] Rush's "Working Man",[citation needed] Blur's "To the End (La Comedie)",[citation needed] and T34's "Hbabi".[citation needed]

Repeat and fade [link]

Repeat and fade is a musical direction used in sheet music as a notational shortcut to more formal notations such as Dal Segno.[2] The direction is to be taken literally: while repeating the chord progression and/or leit motif indicated prior to the section annotated "repeat and fade", the player(s) should continue to play/repeat, and the mixer or player(s) should fade the volume while the player(s) repeat the appropriate musical segments, until the song has been faded out (usually by faders on the mixing board)

Examples [link]

Repeat and fade endings are rarely found in live performances, but are often used in studio recordings.[2] Examples include:

See also [link]

Sources [link]

  1. ^ a b c d Perle, George (1990). The Listening Composer. California: University of California Press. ISBN 0-520-06991-9.
  2. ^ a b Perricone, Jack (2000). Melody in Songwriting: Tools and Techniques for Writing Hit Songs. Berklee Press. pp. 6. ISBN 0-634-00638-X. 
  3. ^ {{cite book | title = Yes Yesterdays (Music score) | edition = Paperback | last = Anderson | first = Jon | coauthors = Foster, David | year = 1975 | publisher = Warner Music | id = ASIN: B000CS2YT0 | pages = 22}}

 This article incorporates text from a publication now in the public domainChisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. 


https://wn.com/Conclusion_(music)

Outro (album)

Outro is a 2002 album by Jair Oliveira. Jair’s second album blends jazz, samba, soul and MPB. Most of Outro's songs were co-written by fellow Brazilian singer and composer Ed Motta.

Track listing

  • "Instrucoes" (Vinheta 1) - 03:36
  • "Bom Dia, Anjo" - 04:55
  • "Sou Teu Nego" (Todas as Letras)- 04:06
  • "Falso Amor" - 04:38
  • "Amor E Saudade" - 07:23 (duet with Ed Motta)
  • "Dor De Ressaca" - 04:07
  • "Frio Pra Bem Longe" - 05:23
  • "Minuto De Silencio" - 05:46
  • "Sorriso Pra Te Dar" - 05:52
  • "Vai E Volta" - 04:57
  • "São Paulo, Fim Do Dia" - 03:41
  • "Uma Outra Beleza" - 03:11
  • "Local Proibido" - 03:30
  • "Ficar No Escuro" - 12:28

  • Psyence Fiction

    Psyence Fiction is the debut album by the group Unkle, released in 1998 for Mo'Wax.

    Notes

    "Unreal" is an instrumental version of the song "Be There" (featuring Ian Brown), which was released a year later as a single. On some early presses of the album, instrumental versions of "Guns Blazing" and "The Knock" were added as tracks 13 and 14. On some re-releases of this album, "Be There" was added as track 13. Some versions (mainly the Japanese release, but also the US promotional copy) contain the hidden track "Intro (optional)" as "track zero", which is actually the pre-gap (index 0) of track 1. This can be accessed by "rewinding" the first track on some CD players.

    "Lonely Soul" was featured in an Assassin's Creed trailer for PS3, Xbox 360, and PC. It was also featured on the soundtrack to the film The Beach, in the first episode of Misfits and in the Person of Interest episode "Matsya Nyaya".

    Psyence Fiction reached #4 on the UK album charts, and #107 on US Billboard 200. It also debuted at #15 in Australia.

    Dance Dance Revolution

    Dance Dance Revolution (ダンスダンスレボリューション Dansu Dansu Reboryūshon), abbreviated DDR and also known as Dancing Stage in earlier games in Europe and Australasia, and some other games in Japan, is a music video game series produced by Konami. Introduced in Japan in 1998 as part of the Bemani series, and released in North America and Europe in 1999, Dance Dance Revolution is the pioneering series of the rhythm and dance genre in video games. Players stand on a "dance platform" or stage and hit colored arrows laid out in a cross with their feet to musical and visual cues. Players are judged by how well they time their dance to the patterns presented to them and are allowed to choose more music to play to if they receive a passing score.

    Dance Dance Revolution has been given much critical acclaim for its originality and stamina in the video game market. There have been dozens of arcade-based releases across several countries and hundreds of home video game console releases, promoting a music library of original songs produced by Konami's in-house artists and an eclectic set of licensed music from many different genres. The DDR series has inspired similar games such as Pump It Up by Andamiro and In the Groove by Roxor.

    USS Higbee (DD-806)

    USS Higbee (DD/DDR-806) was a Gearing-class destroyer in the United States Navy during World War II. She was the first US warship named for a female member of the U.S. Navy, being named for Chief Nurse Lenah S. Higbee (1874–1941), a pioneering Navy nurse who served as Superintendent of the U.S. Navy Nurse Corps during World War I.

    Higbee was launched 13 November 1944 by the Bath Iron Works, Bath, Maine; sponsored by Mrs. A. M. Wheaton, sister of the late Mrs. Higbee; and commissioned on 27 January 1945, Commander Lindsay Williamson in command.

    World War II

    Higbee immediately sailed to Boston, where she was converted to a radar picket destroyer. After shakedown in the Caribbean, she sailed for the Pacific on 24 May, joining Carrier Task Force 38 less than 400 miles from Tokyo Bay on 19 July. "Leaping Lenah", as she had been dubbed by her crew, screened the carriers as their planes launched heavy air attacks against the Japanese mainland until the end of hostilities on 15 August. She helped clear Japanese mine fields and supported the occupation forces for the following seven months, finally returning to San Diego on 11 April 1946. The post-war years saw Higbee make two peacetime Western Pacific cruises as well as participate in fleet exercises and tactical training maneuvers during both these cruises and off the West Coast. On her second WestPac cruise, Higbee escorted the heavy cruiser Toledo (CA-133) as they paid official visits to the recently constituted governments of India and Pakistan in the summer of 1948.

    USS Fiske (DD-842)

    USS Fiske (DD/DDR-842) was a Gearing-class destroyer of the United States Navy, the second Navy ship named for Rear Admiral Bradley A. Fiske (1854–1942), inventor of the Stadimeter and the aerial torpedo.

    Fiske was launched on 8 September 1945 by Bath Iron Works, Bath, Maine; sponsored by Mrs. F. E. Ribbentrop; and commissioned on 28 November 1945, Commander C. H. Smith in command.

    Service history

    19451952

    Joining the Atlantic Fleet, Fiske served as an engineering school ship for Destroyer Force, Atlantic, out of Portland, Maine, and made three cruises to the Mediterranean for duty with the 6th Fleet from her home port at Newport, Rhode Island, prior to the outbreak of the Korean War. In addition, she took part in the regular schedule of training operations along the east coast and in the Caribbean where in 1948 she rescued 10 men from a small coastal freighter sinking in the Windward Passage.

    On 3 January 1951, Fiske sailed from Newport for the Panama Canal and the Far East, reporting on 12 February to the 7th Fleet at Sasebo, Japan for duty in the Korean War. Along with screening carrier task forces, she patrolled off Korea, joined in bombarding shore targets, and escorted shipping from Japan to the action areas. Sailing westward for home, she arrived at Newport from her round-the-world cruise on 8 August 1951. Fiske was decommissioned on 1 April 1952 for conversion to a radar picket destroyer, and accordingly reclassified DDR-842 on 18 July 1952.

    Podcasts:

    PLAYLIST TIME:

    Footsteps Fall

    by: Eddi Reader

    I'm in a new place now
    They don't know me next door
    But I can hear their footsteps fall
    Every night about this time
    Does he take her in his arms
    They''ll be django playing as they waltz across the floor
    And the loneliest sound of all
    Is the sound of love through a stranger's wall
    And when their laughter fades
    And there are no more words
    The silence breaks me most of all
    And the loneliest sound of all
    Is the sound of love through a stranger's wall
    I'm in a new place now
    They don't know me next door
    I wonder where your footsteps fall
    I wonder where your footsteps fall




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