Style is a manner of doing or presenting things.
Style may refer to:
"Style" is a 1999 single by the electronica duo Orbital. It was their fourth consecutive single, and fifth overall, to reach the top 20 of the UK singles chart, peaking at number 13.
The track takes its name from the analogue electronic musical instrument, the stylophone, which is used extensively on the track. The main version includes a sample of "Oh L'amour" performed by Dollar, while the "Bigpipe Style" version (which features the main riff played on bagpipes) samples Suzi Quatro's hit "Devil Gate Drive". Orbital's request to use a sample from a Rolf Harris stylophone demonstration disc was turned down. The other versions are "Old Style", a more club-oriented dance mix; and "New Style", a retro-styled version with live bass by Andy James.
All of the mixes are by Orbital themselves; the duo had wanted Stereolab to remix the track, but the latter group were on tour at the time and unavailable, so the "New Style" mix is Orbital's own version of a Stereolab-type mix.
Style is a Telugu film produced by Lagadapati Sirisha Sridhar on Larsco Entertainment banner, directed by Raghava Lawrence. Starring Prabhu Deva, Raghava Lawrence, Raja, Kamalinee Mukherjee, Charmme Kaur in lead roles, Chiranjeevi & Nagarjuna Akkineni given cameo appearance and music is composed by Mani Sharma. This is Lawrence's second directorial venture after the blockbuster Mass with Nagarjuna Akkineni. Megastar Chiranjeevi also made a came appearance in this film. The film recorded as 'Super Hit' at box-office. Raghava Lawrence won Filmfare Award for Best Dance Choreographer - South
Ganesh (Prabhu Deva) is a good dancer. He beats Anthony in one dance competition to head into the international arena. Anthony gets Ganesh beaten up, and Ganesh loses his legs in a car accident. He is depressed, but he wants to give his dance talent to someone and make him his heir. On a different line, Raghava (Raghava Lawrence) works as a boy at a dance school in Vizag. He and four of his friends are good dancers, but they are never recognized until one folk dance at a hotel. Ganesh finds his prospective heir in Raghava. The rest of the film is how Raghava prepares and defeats Anthony in the final dance competition.
Marah may refer to:
Marah (Hebrew: מָרָה meaning 'bitter') is one of the locations which the Torah identifies as having been travelled through by the Israelites, during the Exodus .
The liberated Israelites set out on their journey in the desert, somewhere in the Sinai Peninsula. And it becomes clear that they are not spiritually free. Reaching Marah, the place of a well of bitter water, bitterness and murmuring, Israel receives a first set of divine ordinances and the foundation of the Shabbat. The shortage of water there is followed by a shortness of food. Moses throws a log into the bitter water, making it sweet. Later God sends manna and quail. The desert is the ground where God acquires his people. The 'murmuring motif' will - from here on - be a recurring perspective of the wandering Jewish people.
The narrative concerning Marah in the Book of Exodus states that the Israelites had been wandering in the desert for three days without water; according to the narrative, Marah had water, but it was undrinkably bitter, hence the name, which means bitterness. In the text, when the Israelites reach Marah they complain about the undrinkability, so Moses complains to Yahweh, and Yahweh responds by showing Moses a certain piece of wood, which Moses then throws into the water, making it sweet and fit to drink. Some biblical scholars see the narrative about Marah as having originated as an aetiological myth seeking to justify its name.
You don't have to justify
Anything you say or do
And you don't have to testify to
Anything I hold as true
And you don't have to mystify me
Oh but, darlin' you do
And if, you won't be here anymore
Then I won't be around at all
You don't have to be like anyone I've ever known before
You just have to come in here and
Darlin' please, shut the door
I said, I can't stand it anymore
Justine come in and shut the door
You don't have to realize
Anything I'm trying to do
And I don't wanna criticize
Anything you hold as true
And I don't have to idolize you
Oh but, darlin' I do
And if, you won't be here anymore
Then I won't be alive at all
So you don't have to justify
Anything you say or do
And you don't have to mystify me
Oh but, darlin' you do
Justine ya do