"At Night" is a song by Swiss house music project Shakedown. It reached number six on the UK Singles Chart in 2002.
At Night (German: Nachts) is a very short story by Franz Kafka written in his notebooks.
As with many of the pieces in his notebooks, the tale is more of a segment then a story. The narrator reflects on the emptiness that can engulf one during nighttime. Yet, at the same time, where each person sleeps there has been a rich history. Someone, the story says, must watch others at night, either for protection or posterity.
Kafka suggested the tale was influenced both by his persistent insomnia and a desire to relate the potential dangers of people in society who are not watched when they should be.
Night is the period in which the sun is below the horizon.
Night or Nights may also refer to:
Nyx (English /ˈnɪks/;Ancient Greek: Νύξ, "Night";Latin: Nox) is the Greek goddess (or personification) of the night. A shadowy figure, Nyx stood at or near the beginning of creation, and mothered other personified deities such as Hypnos (Sleep) and Thanatos (Death), with Erebus (Darkness). Her appearances are sparse in surviving mythology, but reveal her as a figure of such exceptional power and beauty, that she is feared by Zeus himself.
In Hesiod's Theogony, Nyx is born of Chaos. With Erebus (Darkness), Nyx gives birth to Aether (Brightness) and Hemera (Day). Later, on her own, Nyx gives birth to Moros (Doom, Destiny), Ker (Destruction, Death), Thanatos (Death), Hypnos (Sleep), the Oneiroi (Dreams), Momus (Blame), Oizys (Pain, Distress), the Hesperides, the Moirai (Fates), the Keres, Nemesis (Indignation, Retribution), Apate (Deceit), Philotes (Friendship), Geras (Old Age), and Eris (Strife).
In his description of Tartarus, Hesiod locates there the home of Nyx, and the homes of her children Hypnos and Thanatos. Hesiod says further that Nyx's daughter Hemera (Day) left Tartarus just as Nyx (Night) entered it; continuing cyclicly, when Hemera returned, Nyx left. This mirrors the portrayal of Ratri (night) in the Rigveda, where she works in close cooperation but also tension with her sister Ushas (dawn).
Night (1960) is a work by Elie Wiesel about his experience with his father in the Nazi German concentration camps at Auschwitz and Buchenwald in 1944–45, at the height of the Holocaust toward the end of the Second World War. In just over 100 pages of sparse and fragmented narrative, Wiesel writes about the death of God and his own increasing disgust with humanity, reflected in the inversion of the parent–child relationship as his father declines to a helpless state and Wiesel becomes his resentful teenage caregiver. "If only I could get rid of this dead weight ... Immediately I felt ashamed of myself, ashamed forever." In Night everything is inverted, every value destroyed. "Here there are no fathers, no brothers, no friends," a Kapo tells him. "Everyone lives and dies for himself alone."
Wiesel was 16 when Buchenwald was liberated by the United States Army in April 1945, too late for his father, who died after a beating while Wiesel lay silently on the bunk above for fear of being beaten too. He moved to Paris after the war, and in 1954 completed an 862-page manuscript in Yiddish about his experiences, published in Argentina as the 245-page Un di velt hot geshvign ("And the World Remained Silent"). The novelist François Mauriac helped him find a French publisher. Les Éditions de Minuit published 178 pages as La Nuit in 1958, and in 1960 Hill & Wang in New York published a 116-page translation as Night.
In Lakota mythology, Čhápa (often misspelled as Capa) is the beaver spirit and lord of domesticity, labor and preparation.
You can hear the word as pronounced by a native speaker here.
The Columbus Association for the Performing Arts (CAPA) is non-profit arts and theater management organization based in Columbus, Ohio.
CAPA was formed in 1969 by Robert Karlsberger, Lawrence L. Fisher, Scott Whitlock and other community leaders to raise money to save the Ohio Theatre, a 1928 movie palace, from demolition and revive it for use as a performing arts center.
CAPA's initial success in restoring and operating the Ohio has led over the years to a great expansion of its activities. It took over ownership and operations of the Palace Theatre in the early 1990s. In 1998 it purchased and completely rebuilt and restored the historic 1890s Southern Theatre. Later CAPA took over management of Columbus's Capitol Theater complex for the State of Ohio.
Outside of Columbus, CAPA managed the historic Chicago Theatre from 1998 to 2003, and took over operations of the Shubert Theatre in New Haven, Connecticut in 2001.
CAPA was responsible for overseeing the 2009 $13.5 million renovation of the Lincoln Theatre in Columbus's historic King-Lincoln neighborhood. CAPA will also operate that theater, combining with ten local arts organizations to provide a varied slate of events for the new community arts center.