A pattern, apart from the term's use to mean "Template", is a discernible regularity in the world or in a manmade design. As such, the elements of a pattern repeat in a predictable manner. A geometric pattern is a kind of pattern formed of geometric shapes and typically repeating like a wallpaper.
Any of the five senses may directly observe patterns. Conversely, abstract patterns in science, mathematics, or language may be observable only by analysis. Direct observation in practice means seeing visual patterns, which are widespread in nature and in art. Visual patterns in nature are often chaotic, never exactly repeating, and often involve fractals. Natural patterns include spirals, meanders, waves, foams, tilings, cracks, and those created by symmetries of rotation and reflection. Patterns have an underlying mathematical structure; indeed, mathematics can be seen as the search for regularities, and the output of any function is a mathematical pattern. Similarly in the sciences, theories explain and predict regularities in the world.
"Patterns" is a song written by Paul Simon and included on his 1965 album The Paul Simon Songbook, and later recorded by Simon and Garfunkel on their third album, Parsley, Sage, Rosemary and Thyme. The lyrics are about how life is a labyrinthine maze, following patterns that are difficult to unravel or control although we are trapped in them.
Warrel Dane included a heavy metal cover of the song on his 2008 album Praises to the War Machine.
Patterns is a 3-song EP by Long Beach, California band, Repeater. This EP was produced and mixed by Ross Robinson (At The Drive-In, Korn, The Cure) and mastered by Alan Douches. It has been well-received by reviewers.
Produced, engineered and mixed By Ross Robinson
Mastered by Alan Douches
Ego the Living Planet is a fictional character appearing in American comic books published by Marvel Comics. The character first appeared in Thor #132 (Sept. 1966) and was created by writer Stan Lee and artist Jack Kirby.
Ego the Living Planet was initially introduced in the title Thor issue #132 (Sept. 1966), and was created by writer Stan Lee and artist Jack Kirby.
Ego was created by Kirby during a phase in which he was fascinated with the universe. Ego, the alien Kree, and The Colonizers immediately followed the creation of Galactus, thus establishing Marvel Comics' own "space age mythology." As Kirby recalled in 1969, shortly after the character's debut, Ego's genesis came when:
Ego returned as a protagonist in Thor #160–161 (Jan.–Feb. 1969), and made a guest appearance in #201. His origin is explored in Thor #228.
Following appearances in Fantastic Four #234–235 (Sept.–Oct. 1981) and Rom #69 (Aug. 1985), Ego had a recurring role in Silver Surfer vol, 3 #4–22 (1987–1989). The character returned in the 1991 Thor annual and issues #448–450 (June–Aug 1992).
Select is the second studio album by Kim Wilde, released on May 10, 1982 via RAK label.
The first single from this album, "Cambodia", was released in November 1981 and signalled a different sound from the Wilde camp, with an electronic and synth sound different from The Enid sound of her last album. The songs were again written by Marty and Ricky Wilde and produced by Ricky Wilde. The lyrics of the songs were similar to the first album: the second single "View from a Bridge" and the album track "Wendy Sadd" seemed to be about suicide, "Chaos at the Airport" described a nightmare about flying and "Ego" was quite the opposite of a lovesong. "Can You Come Over" was recorded at the Wilde's home. The cover image was a photograph from Gered Mankowitz.
This sequel to the debut album topped the charts in a host of European countries and hit #8 in Australia — although it did not surpass the success of its predecessor. The album was certified Silver in the UK.
Id, ego, and super-ego are the three parts of the psychic apparatus defined in Sigmund Freud's structural model of the psyche; they are the three theoretical constructs in terms of whose activity and interaction our mental life is described. According to this model of the psyche, the id is the set of uncoordinated instinctual trends; the super-ego plays the critical and moralizing role; and the ego is the organized, realistic part that mediates between the desires of the id and the super-ego. The super-ego can stop one from doing certain things that one's id may want to do.
Although the model is structural and makes reference to an apparatus, the id, ego and super-ego are purely psychological concepts and do not correspond to (somatic) structures of the brain such as the kind dealt with by neuroscience. The super-ego is observable in how someone can view themself as guilty, bad, pathetic, shameful, weak, and feel compelled to do certain things. Freud (1923) in The Ego and the Id discusses "the general character of harshness and cruelty exhibited by the [ego] ideal – its dictatorial 'Thou shalt.'"