Orthodox Celts is a Serbian band which plays Irish folk music combined with rock elements. Despite their uncharacteristic genre in their home country, the band is one of the top acts of the Serbian rock scene and has influenced several younger Serbian bands, most notably Tir na n'Og and Irish Stew of Sindidun.
The band started their career performing traditional Irish songs and, gradually, introduced more and more of their own material (lyrics mostly written by the band's frontman Aleksandar "Aca Celtic" Petrović, music mostly written by band's female violinist Ana Đokić). All their songs are in English, but the group has composed some purely instrumental songs as well. The band traditionally celebrates St. Patrick's Day with a large concert in Belgrade. The band also traditionally performs on the Belgrade Beer Fest, and is the only act that has appeared on every Belgrade Beer Fest so far (except Belgrade Beer Fest 2004, when a part of the program was cancelled due to technical problems).
Orthodox Celts is the debut album by the Serbian Irish folk/Celtic rock band Orthodox Celts released in 1994. It is the only Orthodox Celts album which features only covers of Irish traditional songs.
The album was reissued in 1999.
The Celts (/ˈkɛlts/, occasionally /ˈsɛlts/, see pronunciation of Celtic) were people in Iron Age and Medieval Europe who spoke Celtic languages and had cultural similarities, although the relationship between ethnic, linguistic and cultural factors in the Celtic world remains uncertain and controversial. The exact geographic spread of the ancient Celts is also disputed; in particular, the ways in which the Iron Age inhabitants of Great Britain and Ireland should be regarded as Celts has become a subject of controversy.
The history of pre-Celtic Europe remains very uncertain. According to one theory, the common root of the Celtic languages, a language known as Proto-Celtic, arose in the Late Bronze Age Urnfield culture of Central Europe, which flourished from around 1200 BC. In addition, according to a theory proposed in the 19th century, the first people to adopt cultural characteristics regarded as Celtic were the people of the Iron Age Hallstatt culture in central Europe (c. 800–450 BC), named for the rich grave finds in Hallstatt, Austria. Thus this area is sometimes called the 'Celtic homeland'. By or during the later La Tène period (c. 450 BC up to the Roman conquest), this Celtic culture was supposed to have expanded by diffusion or migration to the British Isles (Insular Celts), France and The Low Countries (Gauls), Bohemia, Poland and much of Central Europe, the Iberian Peninsula (Celtiberians, Celtici, Lusitanians and Gallaeci) and northern Italy (Golaseccans and Cisalpine Gauls) and, following the Gallic invasion of the Balkans in 279 BC, as far east as central Anatolia (Galatians).
The various names used since classical times for the people known today as the Celts are of disparate origins.
The name Κελτοί Keltoi and Celtae is used in Greek and Latin, respectively, as the name of a people of the La Tène horizon in the region of the upper Rhine and Danube during the 6th to 1st centuries BC in Greco-Roman ethnography. The etymology of this name and that of the Gauls Γαλάται Galatai / Galli is of uncertain etymology. The name of the Welsh, on the other hand, is taken from the designator used by the Germanic peoples for Celtic- and Latin-speaking peoples, *walha-, meaning foreign.
The linguistic sense of the name Celts, grouping all speakers of Celtic languages, is modern. In particular, aside from a 1st-century literary genealogy of Celtus the grandson of Bretannos by Heracles, there is no record of the term "Celt" being used in connection with the Insular Celts, the inhabitants of the British Isles during the Iron Age, prior to the 17th century.
A modern Celtic identity emerged in Western Europe following the identification of the native peoples of the Atlantic fringe as Celts by Edward Lhuyd in the 18th century. Lhuyd and others equated the Celts described by Greco-Roman writers with the ancestors of the pre-Roman peoples of France, Great Britain and Ireland. The Irish and ancient British languages were thus Celtic languages. The descendants of these languages were the Brittonic (Breton, Cornish and Welsh variants) and Gaelic (Irish, Manx and Scottish variants) languages. These peoples were therefore modern Celts. Attempts were made to link their distinctive cultures to those of the ancient Celtic peoples.
The concept of modern Celtic identity evolved during the course of the 19th-century into the Celtic Revival. By the late 19th century it often took the form of ethnic nationalism, particularly within the United Kingdom of Great Britain and Ireland, where the Irish Home Rule Movement resulted in the secession of the Irish Free State in 1922. There were also significant Welsh, Scottish and Breton nationalist movements, giving rise to the concept of Celtic nations. After World War II, the focus of the Celticity movement shifted to linguistic revival and protectionism, e.g. with the foundation of the Celtic League in 1961, dedicated to preserving the surviving Celtic languages.
I've travelled way to hell and back, the blood of orange made my bill
With heavy cross upon my neck I ran from hands of hangman's will
Yes I've killed I must admit, bombs and guns my friends have been
That's the bid I have to pay, that's my heavy portion of sin
My brother at the age of nine, made first steps alone that night
He was killed for what he saw, in flash his book of life was closed
Sister, she was ten and half, moved from sleep to eternal life
Mum and Dad were burnt to death without a prayer for the dyin' man
In Sindidun I found new life
Found me soul and found new love
In sindidun I found me faith
That gave new hope and gave new strength
Found the way to God
Midlife found me far from home, on the shores of hell in desert of hope
With million other victims of death, hunger, pain and killer's breath
In foggy view I see my home crashed to ground by richman's boots
But torchlight in my soul still shines, we'll rise again from seed and roots
In drunken dreams I see the banks, the streams, the valleys and mounts of god
The land of green, the land of free, where I belong, where I have been
In vengeance for what they did took I play the role I didn't choose
Quiet as a shadow, unseen as a ghost, precise as death I'm doin' my toast
In Sindidun I found new life
Found me soul and found new love
In sindidun I found me faith
That gave new hope and gave new strength