Atrox

Atrox is an avant-garde metal band from Trondheim, Norway. The group originally formed under the name "Suffocation" but soon changed it because of numerous other bands with the same name. Formed in 1988, the band released its first material only in 1997, and followed it with two releases on notable French metal label, Season of Mist. While their early releases are firmly rooted in death metal, later releases incorporate more progressive elements.

Members

Current

-viNd- - Guitars
Rune Sørgård - guitars, Programming
Tor Arne Helgesen - Drums
Erik Paulsen - Bass
Rune Folgerø - lead vocals
Per Spjøtvold - Keyboard, backing vocals

Former

Ole Marius Larmerud - Guitars (2002–2005)
Monika Edvardsen - Vocals, Keyboard (1996–2004)
Pete Beck - Vocals, Bass (2002–2004)
Daniel Stavsøyen - Bass (2001–2002)
Tom Wahl - Bass (1999)
Dag Rune Øyan - Guitars (1995–1999)
Lars Halvard Søndrol - Drums (1994–1999)
Tommy Sebastian Halseth - Bass (1995–1999)
Geir Tore Johansen - Vocals (1988–1997)
Svenn Tore Mauseth Bass (1988–1995)
Tor-Helge Skei - Guitars (1988–1994)
Tomas Smagersjø - Drums (1993)
Geir Knarrbakk - Drums (1988–1992)
Gunder Audun Dragsten - Guitars (1988–1990)

Orgasm (song)

"Orgasm" (Japanese: オルガスム Hepburn: Orugasumu) is the second single by Japanese heavy metal band X Japan, then named X, released on April 10, 1986.

Background and release

"Orgasm" was the first release by drummer Yoshiki's own record label Extasy Records. Unusually, the band's name, X, is written on the cover in Japanese as エックス. All 1,500 copies sold out, and in his biography Yoshiki says an additional pressing of 2,500 copies was scheduled, but was cancelled as guitarist Jun and bassist Hikaru had left the band.

The song is notoriously known for the obvious sexual themes presented within the lyrics. Of particular notice is the fact that the track begins with heavy panting and ends with explosions, seemingly to emulate sexual climax. The title track as well as the self-titled "X" would later be re-recorded for the band's second album Blue Blood.

Legacy

"X" has become a signature song of X Japan, being performed at nearly all of their concerts. Numerous times during a pause in a performance of the track a band member, usually vocalist Toshi, will yell "We are..." and the audience responds with "X!" before the musicians start the last leg of the song. This was used as the title to the 2016 documentary film about the group, We Are X.

Orgasm (Alan Shorter album)

Orgasm is an album by jazz hornist Alan Shorter recorded in 1968 and released on the Verve label.

Reception

AllMusic rated the album 4½ stars and its review by Scott Yanow states, "Shorter, although not a virtuoso, comes up with consistently inventive ideas. The style is sometimes slightly reminiscent of Ornette Coleman (partly due to the presence of Haden), but Shorter had apparently not heard Ornette's band before recording this music. Well worth several listens".

Track listing

All compositions by Alan Shorter

  • "Parabola"- 13:07
  • "Joseph" - 3:07
  • "Straits of Blagellan" - 7:27
  • "Rapids" - 9:30
  • "Outeroids"- 4:15
  • "Orgasm" - 11:20
  • Personnel

  • Alan Shorter - flugelhorn
  • Gato Barbieri - tenor saxophone
  • Charlie Haden (tracks 1 & 6) Reggie Johnson (tracks 3 & 4) - bass
  • Muhammad Ali (tracks 1 & 6), Rashied Ali (tracks 2-5) - drums
  • References

    Contrary (logic)

    Contrary is the relationship between two propositions when they cannot both be true (although both may be false). Thus, we can make an immediate inference that if one is true, the other must be false.

    The law holds for the A and E propositions of the Aristotelian square of opposition. For example, the A proposition 'every man is honest' and the E proposition 'no man is honest' cannot both be true at the same time, since no one can be honest and not honest at the same time. But both can be false, if some men are honest, and some men are not. For if some men are honest, the proposition 'no man is honest' is false. And if some men are not honest, the proposition 'every man is honest' is false also.

    See also

  • Contradiction
  • External links

  • Article on contradiction in the Stanford Encyclopedia of Philosophy
  • Anthem

    An anthem is a musical composition of celebration, usually used as a symbol for a distinct group, particularly the national anthems of countries. Originally, and in music theory and religious contexts, it also refers more particularly to short sacred choral work and still more particularly to a specific form of Anglican church music.

    Etymology

    Anthem is derived from the Greek ἀντίφωνα (antíphōna) via Old English antefn. Both words originally referred to antiphons, a call-and-response style of singing. The adjectival form is "anthemic".

    History

    Anthems were originally a form of liturgical music. In the Church of England, the rubric appoints them to follow the third collect at morning and evening prayer. Several anthems are included in the British coronation service. The words are selected from Holy Scripture or in some cases from the Liturgy and the music is generally more elaborate and varied than that of psalm or hymn tunes. Being written for a trained choir rather than the congregation, the Anglican anthem is analogous to the motet of the Roman Catholic and Lutheran Churches but represents an essentially English musical form. Anthems may be described as "verse", "full", or "full with verse", depending on whether they are intended for soloists, the full choir, or both.

    Anthem (Chess song)

    "Anthem" is a song from the concept album and subsequent musical Chess by Tim Rice, Benny Andersson and Björn Ulvaeus. The song describes the feelings of Soviet Russian challenger, Anatoly Sergievsky, when he defects. The song was originally sung by Tommy Körberg on the original concept album]] and as Anatoly in the original West End cast. It was later covered by various artists including Josh Groban on his album Stages and Kerry Ellis.

    Plot

    Distracted by the loss of Florence's love, Freddie flounders in the chess tournament, leaving himself just one more loss away from losing his title. Florence leaves Freddie, who sends The Arbiter a letter of resignation, resulting in Anatoly's becoming the new world champion. Anatoly immediately defects from the Soviet Union and seeks asylum at the British embassy. Florence, accompanies Anatoly, reflecting on their newfound romance. Walter tips off the press about this scandal. When the mob of reporters ambush Anatoly to ask why he is deserting his country, he tells them in this song that he will never truly leave his country because his land's only borders lie around his heart.

    Anthem (N-Joi song)

    "Anthem," is a song by the British electronic music group N-Joi. The piano-heavy driven single, which also serves as their debut track, has gone on to become one of their most famous signature songs in the act's career, as well as seeing it chart numerous times since its 1990 release.

    Background

    The track, which was originally released in 1990, has charted on both the UK and US charts. In its first release, it peaked at number 8 on the UK Pop Chart, but in the United States it had better success on Billboard's Hot Dance Club Play Chart, where it made two trips to the top 5, reaching number 4 in 1991 with the original mixes, and again in 1996, where it was rereleased with new remixes as "The New Anthem" (under the expanded credited "N-Joi featuring Mark Franklin and Nigel Champion"). The updated version would be their second number one in the US, following "Mindflux."

    Although the single and the video also features Nigerian singer/actress Saffron, who did the live performances for the act (and whose career would take off after this track), "Anthem" actually features samples of three songs: "Peanut Butter" by Gwen Guthrie (using the lyrics "I'm In Love With You, Want You to Love Me, Too"; Saffron performs the same lyrics in the act's live shows), "I Found Love" by Darlene Davis (using the lyrics "True Love Can Be Hard To Find") and "Back to Life (However Do You Want Me)" by Soul II Soul. Because of this, the artists (and their writers) also receive credits on the single.

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