Salvia

Salvia is the largest genus of plants in the mint family, Lamiaceae, with nearly 1000 species of shrubs, herbaceous perennials, and annuals. Within the Lamiaceae, Salvia is part of the tribe Mentheae within the subfamily Nepetoideae. It is one of several genera commonly referred to as sage.

The genus is distributed throughout the Old World and the Americas, with three distinct regions of diversity: Central and South America (approx. 500 species); Central Asia and Mediterranean (250 species); Eastern Asia (90 species).

Description

Salvia species include annual, biennial, or perennial herbs, along with woody subshrubs. The stems are typically angled like other members in Lamiaceae. The leaves are typically entire, but sometimes toothed or pinnately divided. The flowering stems bear small bracts, dissimilar to the basal leaves—in some species the bracts are ornamental and showy.

The flowers are produced in racemes, or panicles, and generally produce a showy display with flower colors ranging from blue to red, with white and yellow less common. The calyx is normally tubular or bell shaped, without bearded throats, and divided into two parts or lips, the upper lip entire or three-toothed, the lower two-cleft. The corollas are often claw shaped and are two-lipped. The upper lip is usually entire or three-toothed. The lower lip typically has two lobes. The stamens are reduced to two short structures with anthers two-celled, the upper cell fertile, and the lower imperfect. The flower styles are two-cleft. The fruits are smooth ovoid or oblong nutlets and in many species they have a mucilaginous coating.

Savoia di Lucania

Savoia di Lucania is a town and comune in the province of Potenza, in the Southern Italian region of Basilicata. As of 2011 its population was of 1,148.

History

The original name of the village was Salvia di Lucania (also simply Salvia), referring to the sage plant (Salvia officinalis). It was altered at the end of the 19th century to Savoia di Lucania after a local resident and anarchist, Giovanni Passannante, attempted to kill King Umberto I of Italy on November 17, 1878.

In the early 2000s it was proposed to return to the original toponym, removing the references to the House of Savoy. They have constituted two committees, one for the return to the toponym of Salvia, and another for the maintenance of the current name.

Geography

Located near the borders with Campania, Savoia is bounded by the comuni of Caggiano (SA), Picerno, Sant'Angelo Le Fratte, Satriano di Lucania, Tito, and Vietri di Potenza. It counts the hamlets (frazioni) of Castellaro, Fossati, and Perolla.

People

Salvia (disambiguation)

Salvia can refer to:

See also

Organism

In biology, an organism is any contiguous living system, such as an animal, plant or bacterium. All known types of organisms are capable of some degree of response to stimuli, reproduction, growth and development and homeostasis. An organism consists of one or more cells; when it has one cell it is known as a unicellular organism; and when it has more than one it is known as a multicellular organism. Most unicellular organisms are of microscopic size and are thus classified as microorganisms. Humans are multicellular organisms composed of many trillions of cells grouped into specialized tissues and organs.

An organism may be either a prokaryote or a eukaryote. Prokaryotes are represented by two separate domains, the Bacteria and Archaea. Eukaryotic organisms are characterized by the presence of a membrane-bound cell nucleus and contain additional membrane-bound compartments called organelles (such as mitochondria in animals and plants and plastids in plants and algae, all generally considered to be derived from endosymbiotic bacteria).Fungi, animals and plants are examples of kingdoms of organisms within the eukaryotes.

Process philosophy

Process philosophy (or ontology of becoming) identifies metaphysical reality with change and development. Since the time of Plato and Aristotle, philosophers have posited true reality as "timeless", based on permanent substances, while processes are denied or subordinated to timeless substances. If Socrates changes, becoming sick, Socrates is still the same (the substance of Socrates being the same), and change (his sickness) only glides over his substance: change is accidental, whereas the substance is essential. Therefore, classic ontology denies any full reality to change, which is conceived as only accidental and not essential. This classical ontology is what made knowledge and a theory of knowledge possible, as it was thought that a science of something in becoming was an impossible feat to achieve.

In opposition to the classical model of change as accidental (as argued by Aristotle) or illusory, process philosophy regards change as the cornerstone of reality — the cornerstone of Being thought of as Becoming. Modern philosophers who appeal to process rather than substance include Nietzsche, Heidegger, Charles Peirce, Alfred North Whitehead, Alan Watts, Robert M. Pirsig, Charles Hartshorne, Arran Gare, Nicholas Rescher, Colin Wilson, and Gilles Deleuze. In physics Ilya Prigogine distinguishes between the "physics of being" and the "physics of becoming". Process philosophy covers not just scientific intuitions and experiences, but can be used as a conceptual bridge to facilitate discussions among religion, philosophy, and science.

Jeff Jahn

Jeff Jahn (born 1970) is a curator, art critic, artist, historian, blogger and composer based in Portland, Oregon, United States. He coined the phrase declaring Portland, "the capital of conscience for the United States," in a Portland Tribune op-ed piece, which was then reiterated in The Wall Street Journal.

Jahn's cultural activities in Portland frequently receive attention outside the region from media outlets such as CNN, Art in America,The Art Newspaper, The Wall Street Journal, and ARTnews. Described in the press as "outspoken and provocative", and curatorially as, "a clarion call for Portland's new guard of serious artists—the ones creating a dialog that exceeds the bounds of so-called regional art." He originally took up art criticism when then-Modern Painters editor Karen Wright asked him to contribute to the then-London based magazine in the late 1990s. In 2005, he co-founded PORT, a noted visual art blog.

Also, he lectures on art history or critiques at Portland Art Museum,University of Oregon, Pacific Northwest College of Art, Portland State University, Oregon College of Art and Craft and Lewis & Clark College. In 2010 he was a juror for the Andy Warhol Art Writing Grants. From 2002-2008 Jahn served as a board member of the Portland Art Museum's Contemporary Art Council and was elected to the vice president's post for a three-year term from 2005 to 2008. In 2006, he launched the visual arts non-profit Organism, which has hosted the work of artists Jarrett MitchellPipilotti Rist, Yoram Wolberger, Weppler & Mahovsky and Hank Willis Thomas. In 2008, he shut down Organism as the scope of his projects fell increasingly outside of its more narrow mission of living artists. One of Jahn's more recent curatorial project was a scholarly conference and exhibition dedicated to the work of Donald Judd with Robert Storr as keynote speaker at the University of Oregon's Portland campus.