In Greek mythology, an Oread /ˈɔːriˌæd/ or /ˈɔːri.əd/ (Ancient Greek: Ὀρεάδες, Oreades, from ὄρος, "mountain") or Orestiad /ɔːˈrɛstiˌæd/ or /ɔːˈrɛsti.əd/ (Όρεστιάδες, Orestiades) was a type of nymph that lived in mountains, valleys, and ravines. They differ from each other according to their dwelling: the Idaeae were from Mount Ida, Peliades from Mount Pelion, etc. They were associated with Artemis, since the goddess, when she went out hunting, preferred mountains and rocky precipices.
The number of Oreads includes but is not limited to:
"Oread" is a poem by Hilda Doolittle. Doolittle published her first poems under the name H. D. Imagiste. (The 'e' in "Imagiste was meant to suggest the French poets to whom Imagism owed such a debt. She later dropped the artificial surname and wrote simply under the name 'H. D.')
"Oread", one of her earliest and best-known poems, which was first published in the 1915 anthology, serves to illustrate this early style well. The title Oread was added after the poem was first written, to suggest that a Nymph was ordering up the sea.
"Oread" may serve to illustrate some prominent features of Imagist poetry. Rejecting the rhetorics of Late Romanticism and Victorianism, the Imagists aimed at a renewal of language through extreme reduction. This reduction is what Ezra Pound had in mind, when he wrote, counseling future poets: "use no superfluous word, no adjective, which does not reveal something".
In this poem, the reduction is brought to such an extreme that two images are superimposed on each other, depriving the reader of the possibility to determine, which is the "primary" one. The two image domains relevant here are the sea and the forest. The Oread, apparently the speaker of the poem, expresses her wish that the sea unite with the land. But while from the first line it seems clear that the sea is addressed, the second line counters this impression with the "pointed pines" of a forest. The anaphoric link between the first two lines and the use of epistrophe in the second and third lines enhance the connection between the two domains and much the same might be said about the expression "pools of fir" in the last line.
In Dungeons & Dragons, Fey is a category of creatures (called a creature type in the game). The fey deities are associated with the Seelie Court and the Unseelie Court. Titania is the general fey deity, with individual races like the Killmoulis who worship Caoimhin. Fey are usually humanoid in form and generally have supernatural abilities and a connection to nature. The Sylph is one creature which has a Fae appearance, but is officially recognized as an outsider creature type.
The source material includes two templates for players who wish to have crossbred characters incorporating fey traits. The first is the Half Fey, a cross between a fey and a human or giant. The template was introduced in the Fiend Folio. Feytouched are one quarter fey, the result of a crossbreeding between a Half Fey and a human or giant. All feytouched have at least one feature or characteristic that is out of the norm, including vibrantly colored hair, feathered eyebrows, or a propensity for speaking in rhyme, for example, and are charismatic. The feytouched template appeared in the third edition Fiend Folio (2003).
Hold still
Don’t move I say
Wilt thou hear
My elegy
Head high
Preserve my pride
I shall defy the gallows
I and you and me
Well we just don’t know
What love can do
I pledge to you
That I won’t deceive
The heart that’s mine
As here I sit
I vow
Your history does not
Perish my love
The shame
Will be mine for a
Scarlet woman thou art
I and you and me
Well we just don’t know
What love can do
I pledge to you
That I won’t deceive
The heart that’s mine
Dead from the grave
We’re all slaves
To what we’ve got
Love
Is been through
The door