Orans, a loanword from Medieval Latin translated as one who is praying or pleading, also Orant or Orante, is a posture or bodily attitude of prayer, usually standing, with the elbows close to the sides of the body and with the hands outstretched sideways, palms up. It was common in early Christianity and can frequently be seen in early Christian art. In modern times, the orans position is still preserved within parts of the Orthodox, Lutheran and Catholic liturgies, Pentecostal and charismatic worship, and the ascetical practices of some religious groups.
The orans posture was practiced by both pagans and Jews before it was adopted by the earliest Christians. Christians saw the position as representing the posture of Christ on the Cross; therefore, it was the favorite one of early Christians. Until the 9th century, the posture was sometimes adopted by entire congregations while celebrating the Eucharist. By the 12th century, however, the joining of hands began to replace the orans posture as the preferred position for prayer. It continued to be used at certain points in the liturgies of the Catholic and Orthodox Churches. In the Catholic Mass, it occurs at the orations, the Canon, and the Lord's Prayer.
Jaane Kaun Saa Rastaa Usake Ghar Ko Jaataa
Jaane Kaun Saa Rang Hai Usake Mann Ko Bhaataa
Aisi Kai Hai Paheliyaa Man Mein Kare Jo Athkheliyaan 2
Jaane Kaun Saa Vaadaa Usako Lubhaata
Jaane Kaun Saa Rastaa Usake Ghar Ko Jata
Kahi Door Se Main Hoon Gungunata Hua Uske Liye Naye Geet Gaataa
Jaaane Kaun Saa Nagmaa Uske Mann Ko Bhaata
Aisi Kai Hai Paheliyaa Man Mein Kare Jo Athkheliyaan 2
Jaane Kaun Saa Rastaa Usake Ghar Ko Jaataa
Jaane Kaun Saa Rang Hai Usake Man Ko Bhaataa
(Kabhi Dhoop Hai Kabhi Chhaanv Bhi Hai
Kabhi Sard Hai Barsaat Bhi Hai) 2
Jaane Kaunsaa Mausam Usako Suhaataa
Aisi Kai Hai Paheliyaa Man Mein Kare Jo Athkheliyaan 2
Jaane Kaun Saa Rastaa Usake Ghar Ko Jaataa
Jaane Kaun Saa Rang Hai Usake Man Ko Bhaataa