The The are an English musical and multimedia group that have been active in various forms since 1979, with singer/songwriter Matt Johnson being the only constant band member.
In November 1977, Matt Johnson placed an advertisement in the NME, asking for "Bass/lead guitarist into The Velvet Underground/Syd Barrett". Johnson later placed a second advertisement in the NME, stating his new influences as "The Residents/Throbbing Gristle".
While trying to get his band going, in 1978 Johnson had recorded a demo solo album (See Without Being Seen) which he continued to sell at various underground gigs on cassettes. In 1979, working with Colin Lloyd-Tucker (a friend and colleague at De Wolfe Music, the Soho music publisher/recording studio) Johnson recorded his first album proper, Spirits. This album remains unreleased, although the album track "What Stanley Saw" was later licensed to Cherry Red Records for their Perspectives & Distortion compilation album, which also featured Virgin Prunes, Lemon Kittens, Thomas Leer, Kevin Coyne and Mark Perry.
The Band was a Canadian-American roots rock group, originally consisting of Rick Danko (bass guitar, double bass, fiddle, trombone, vocals), Levon Helm (drums, mandolin, vocals), Garth Hudson (keyboards, saxophones, trumpet), Richard Manuel (piano, baritone, drums, vocals) and Robbie Robertson (guitar, percussion, vocals). The members of the Band first came together as they joined rockabilly singer Ronnie Hawkins's backing group, the Hawks, one by one between 1958 and 1963.
In 1964, they separated from Hawkins, after which they toured and released a few singles as Levon and the Hawks and the Canadian Squires. The next year, Bob Dylan hired them for his U.S. tour in 1965 and world tour in 1966. Following the 1966 tour, the group moved with Dylan to Saugerties, New York, where they made the informal 1967 recordings that became The Basement Tapes, which forged the basis for their 1968 debut album, Music from Big Pink. Because they were always "the band" to various frontmen, Helm said the name "The Band" worked well when the group came into its own. The group began performing as the Band in 1968 and went on to release ten studio albums. Dylan continued to collaborate with the Band over the course of their career, including a joint 1974 tour.
27 is an American rock band from Cambridge, Massachusetts. 27 was formed by Maria Christopher, formerly of Dirt Merchants, and Ayal Naor in 1997. 27 is commonly categorized as a rock or indie rock band, but the genres lo-fi and emo have occasionally been used to describe them.
27 has toured extensively throughout Europe, North America, and Japan. In the Czech Republic, 27 opened for Robert Plant.
27 shares a relatively close relationship with the band Isis. Bryant Clifford Meyer, of Isis, co-wrote the 27 song "1001 Gods," Aaron Turner, of Isis, contributed guitars and vocals to the song "April," and Jeff Caxide, of Isis, contributed to the song "Try." Maria Christopher and Ayal Naor, of 27, contributed to the songs "Weight," "Carry," and "The Beginning and the End" which appeared on the Isis album Oceanic. Of these, the song "Weight" was featured on the television show Friday Night Lights in 2007. 27 also released an album on Hydra Head Records, which is owned by Aaron Turner of Isis.
Ophelia is a fictional character in the play Hamlet by William Shakespeare. She is a young noblewoman of Denmark, the daughter of Polonius, sister of Laertes, and potential wife of Prince Hamlet. She is one of only two female characters in the play.
In Ophelia's first speaking appearance in the play, she is seen with her brother, Laertes, who is leaving for France. Laertes warns her that Hamlet, the heir to the throne of Denmark, does not have the freedom to marry whomever he wants. Ophelia's father, Polonius, enters while Laertes is leaving, and also forbids Ophelia to pursue Hamlet, who he fears is not earnest about her.
In Ophelia's next appearance, she tells Polonius that Hamlet rushed into her room with his clothing askew, and with a "hellish" expression on his face, and only stared at her and nodded three times, without speaking to her. Based on what Ophelia told him, Polonius concludes that he was wrong to forbid Ophelia to see Hamlet, and that Hamlet must be mad because of lovesickness for her. Polonius immediately decides to go to Claudius (the new King of Denmark, and also Hamlet's uncle and stepfather) about the situation. Polonius later suggests to Claudius that they hide behind an arras (a hanging tapestry) to overhear Hamlet speaking to Ophelia when Hamlet thinks the conversation is private. Since Polonius is now sure that Hamlet is lovesick for Ophelia, he thinks Hamlet will express love for her. Claudius agrees to try the eavesdropping plan later.
"Ophelia" is a song written by Robbie Robertson that was first released by The Band on their 1975 album Northern Lights – Southern Cross. It was the lead single from the album. It has also appeared on several of the group's live and compilation albums, and has been covered by such artists as Vince Gill and My Morning Jacket.
The lyrics tell of the singer's attempt to find the heroine Ophelia. The relationship between the singer and Ophelia is never made explicit. Author Craig Harris refers to her as the singer's old friend, while music critic Nick DeRiso considers her his lover. But he finds out that Ophelia has left town, apparently in a hurry. According to Band biographer Barney Hoskyns, the name Ophelia for the song did not come from Shakespeare's Hamlet but rather from Minnie Pearl's real name. But Shakespeare scholar Stephen M. Buhler sees some Shakespearean echoes in "Ophelia," particularly related to Othello. In particular, Buhler sees hints that perhaps Ophelia is a black woman in a Southern town who was forced to flee because of Southern attitudes at the time towards interracial relationships with the white singer. Lyrics Buhler uses to support this view include the following, suggesting that the relationship between Ophelia and the singer was illegal:
Ophelia Marie is a popular singer of cadence-lypso from Dominica in the 1980s. She is sometimes referred to as "Dominica's Lady of Song", the "First Lady of Creole", and "la grande dame de la musique Antillaise".
Ophelia emerged and became Dominica's first kadans female singer to achieve international star status. She is considered to be the "Godmother of Cadence", and has toured widely in France and had concerts broadcast over much of the Francophone world. Her signature tune is "Ay Dominique", which was also her first recording, and became an iconic anthem for Dominicans. Ophelia's musical idol is the South African singer Miriam Makeba
Ophelia performed as a young girl in a group called the "Five O's", which performed at church functions. Her husband and manager, McCarthy Marie, encouraged her to start her solo career. Her first recording was "Ay Dominique," a "lament for Dominica as the country underwent political problems in the 1970s". The song became a popular anthem among Dominicans, and she began recording with Gordon Henderson, placing herself at the forefront of cadence-lypso.
If you say you're the ring finger on my stone
Well I say I'm a kite with a key
If you say that you are unsure of things
Well I'm not accepting defeat
Are we strong enough
Is it good enough
Am I brave enough
For the both of us
I will sing you songs
Even though you can't put 'em on your finger
I'll never be a diamond mine, I'm just a singer
I will sing you songs
Wishing my words carried on as long as a stone
On a band of gold
You're sleepwalking through the daylight
How else am I supposed to follow a dream
And now you say I can't wait on you to connect these hands
But I'm still trying to reach
So are we strong enough
Is it good enough
You pray hard enough
For the both of us
I will sing you songs
Even though you can't put 'em on your finger
I'll never be a diamond mine, I'm just a singer
I will sing you songs
Wishing my words carried on as long as a stone
On a band of gold
'Cause I'm just a rolling stone in a band on the road
I know words don't mean
Much on their own
But what I sing to you
Is worth more than a stone
I will sing you songs
Even though you can't put 'em on your finger
I'll never be a diamond mine, I'm just a singer
I will sing you songs
Wishing my words carried on as long as a stone
On a band of gold
'Cause I'm just a rolling stone in a band on the road
You said you want a stone
On a band of gold
What you got is a rolling stone
In a band on the road
Yeah I'm just a rolling stone in a band on the road
I haven't seen the sun in days
Man, it's getting to me
Well that's our industry
I lost my happy thoughts
Caught up in a tree
Flying's harder for me now
And kiss my ass you dream
I hope you're hearing me
No one's bet on you quite like I did
It's taken everything I've got
To keep myself on the road
I don't wanna drive no more
I am a stubborn bull
I am a caveman
A cheap tattoo
Gone from black to blue
So I don't wanna hear it from you
Never gonna be a spaceman
Sitting on my tin can
Never come back
I spend my afternoons
Making masterpieces
People would later understand
Well damn you wishing well
You should've told me
I bought dreams you wouldn't sell
It's taken everything I've god
To keep my hands from my face
I don't wanna cry no more
I found dangers in
Acting out
Dreams never meant
To be carried out
Oh, but I am the stubborn bull
Yeah, I am a caveman
A cheap tattoo
Fading from black to blue
So I don't wanna hear it from you