Masa (Spanish pronunciation: [ˈmasa]) is Spanish for dough. Although the word is mostly used to refer to any kind of dough, in some regions (Mexico, parts of Central America and the American South West) it is often short for masa de maíz, a maize (corn) dough made from freshly prepared hominy. It is used for making corn tortillas, tamales, pupusas, and many other Latin American dishes. The dried and powdered form is called masa harina, masa de harina, and sometimes Maseca, the name of a leading commercial brand. It is reconstituted with water before use. Masa is not to be confused with masarepa, masa de arepa, or masa al instante, a type of unnixtamalized, soaked, and cooked cornmeal used to make arepas.Masa de trigo is Spanish for wheat flour dough. It is also used for making wheat tortillas and other breads and pastries.
To make hominy, field corn (maize) grain is dried and then treated by soaking and cooking the mature (hard) grain in a diluted solution of slaked lime (calcium hydroxide) or wood ash, a process termed nixtamalization. Lime and ash are highly alkaline: the alkalinity helps the dissolution of hemicellulose, the major glue-like component of the maize cell walls, and loosens the hulls from the kernels and softens the corn. Some of the corn oil is broken down into emulsifying agents (monoglycerides and diglycerides), while bonding of the corn proteins to each other is also facilitated. The divalent calcium in lime acts as a cross-linking agent for protein and polysaccharide acidic side chains. As a result, while cornmeal made from untreated ground corn is unable by itself to form a dough on addition of water, the chemical changes in masa allow dough formation, which is essential to the ability to fashion dough into tortillas.
Masa is the stage name of a Japanese musician. While he is not very prominent in the Japanese music scene, he was member of GacktJOB, Gackt's band. He has also been in the disbanded Spiky, Dizzy Drive and マァマァサ☆ムゥ.
Masa was born on the 30th of September in Kyoto, year unknown. After graduating from a vocational school (専門学校), he went to the U.S.A. alone and took the TOEFL after one year. He then studied music at a university for three years. He learned the English language while living in New York for four years. A day after he graduated from the university, he returned home.
Being raised in a rather strict family and never really having watched TV in his childhood except for educational programs, he came a long way from the boy listening to Bon Jovi on borrowed cassette tapes and singing covers of Kurt Cobain songs to being the accomplished international musician he was later. After buying his first CD, Metallica's "...Justice For All", it was basically the song "One" which inspired him to play the guitar. He started to learn it with getting lessons from an older friend in the neighbourhood who had a band. He paid for the lessons with working as a roadie for them. In junior high and high school years he formed various bands, playing in sessions at first and later in live houses around the area. Feeling restricted by the rules and regulations of the Japanese school system he decided to go to America.
Arzawa in the second half of the 2nd millennium BCE (roughly from late 15th century BCE until the beginning of the 12th century BCE) was the name of a region and a political entity (a "kingdom" or a federation of local powers) in Western Anatolia. The core of Arzawa is believed to have been located along the Kestros River (Küçük Menderes), with its capital at Apasa, later known as Ephesus. When the Hittites conquered Arzawa it was divided into three Hittite provinces: a southern province called Mira along the Maeander River, which would later become known as Caria; a northern province called the Seha River Land, along the Gediz River, which would later become known as Lydia; and an eastern province called Hapalla.
It was the successor state of the Assuwa league, which also included parts of western Anatolia, but was conquered by the Hittites in c. 1400. Arzawa was the western neighbour and rival of the Middle and New Hittite Kingdoms. On the other hand it was in close contact with the Ahhiyawa of the Hittite texts, which corresponds to the Achaeans of Mycenaean Greece. Moreover, Achaeans and Arzawa formed a coalition against the Hittites, in various periods.
Opening may refer to:
A chess opening is the group of initial moves of a chess game. Recognized sequences of initial moves are referred to as openings by White, or defenses by Black, but opening is also used as the general term. There are many dozens of different openings, and hundreds of named variants. The Oxford Companion to Chess lists 1,327 named openings and variants. These vary widely in character from quiet positional play to wild tactical play. In addition to referring to specific move sequences, the opening is the first phase of a chess game, the other phases being the middlegame and the endgame.
A sequence of opening moves that is considered standard (often catalogued in a reference work such as the Encyclopaedia of Chess Openings) is referred to as "the book moves", or simply "book". These reference works often present these move sequences in simple algebraic notation, opening trees, or theory tables. When a game begins to deviate from known opening theory, the players are said to be "out of book". In some opening lines, the moves considered best for both sides have been worked out for twenty to twenty-five moves or more. Some analysis goes to thirty or thirty-five moves, as in the classical King's Indian Defense and in the Sveshnikov and Najdorf variations of the Sicilian Defense. Professional chess players spend years studying openings, and continue doing so throughout their careers, as opening theory continues to evolve. Players at the club level also study openings but the importance of the opening phase is smaller there since games are rarely decided in the opening. The study of openings can become unbalanced if it is to the exclusion of tactical training and middlegame and endgame strategy.
Balance of Power is the twelfth studio album by the Electric Light Orchestra (ELO) released in 1986.
Balance of Power was the last studio album by the Electric Light Orchestra before their disbanding (the band would later reform in 2000). By this time Kelly Groucutt had departed and the group was pared down to a trio of Jeff Lynne, Richard Tandy, and Bev Bevan. Recording for the album began in 1984, with a planned release in spring 1985. The addition of several synthesizer tracks to the album caused its release to be pushed back to early 1986. ELO played some live concerts in the UK and Europe (their last for fifteen years), and for one UK show George Harrison performed as guest guitarist.
The video for the single "Calling America" was shot in Paris, and contains shots of the band playing in front of Centre Georges Pompidou. A video was also made for the single "So Serious." The track "Endless Lies" was intended as an homage to Roy Orbison, and was originally recorded for the never-released double LP version of Secret Messages; it reappeared on this album in a slightly reworked and more compact form. The album was ELO's first to not feature any strings, the first to feature a saxophone solo, and the first released on CD. The original release has the shortest running time of any ELO album.
I crash into your world,
Something new I can feel...
Without knowing what to expect,
And not looking back on what I left...
For you...
Surrounded by poverty,
But rich with everything that matters...
Rich with faith, and hope, and love,
These reasons why you are truly above it all...
Opening my heart to a world anew,
Realizing now that I owe everything to you...
I want to free you from this pain,
Give you everything I can...
Afterall that's what you have done for me,
Opening my eyes to this world was blind,
But now I see...
You've given me your hand and I understand,
That we will never be alone,
We will always find our way back home...
Opening my eyes has never hurt this much before,
And I won't close my eyes,
Opening to what has been ignored,
Opening my eyes has never hurt this much before,
And I won't close my eyes...