OP Eiga (オーピー映画), also known as Ōkura Eiga (大蔵映画) is the largest and one of the oldest independent Japanese studios which produce and distribute pink films. Along with Shintōhō Eiga, Kantō, Million Film, and Kōji Wakamatsu's production studio, Ōkura was one of the most influential studios on the pink film genre. Among the many notable pink films released by the studio are Satoru Kobayashi's Flesh Market (1962), the first film in the pink film genre.
Mitsuru Ōkura was the president of the major film studio, Shintōhō, from 1955 until the studio's bankruptcy in May 1961. In keeping with his carnival barker roots, Ōkura had moved Shintōhō into exploitation film genres during his time at the studio. Among the genres in which the studio specialized under Ōkura were horror, science-fiction, war, crime and sex films. The same year of Shintōhō's demise, Ōkura founded the Ōkura Eiga studio. Ōkura established his new studio by setting up production in Shintōhō's facilities in Setagaya, Tokyo which he had purchased with his own company. Shintōhō employee Kouichi Gotō bought the studio's Kansai studio as well as the use of the studio name to start up a new enterprise, Shintōhō Eiga. After Ōkura, Shintōhō Eiga is currently the second largest pink film studio.
The cinema of Japan (日本映画, Nihon eiga, also known domestically as 邦画 hōga, "domestic cinema") has a history that spans more than 100 years. Japan has one of the oldest and largest film industries in the world; as of 2010, it was the fourth largest by number of feature films produced. In 2011 Japan produced 411 feature films that earned 54.9% of a box office total of US$2.338 billion. Movies have been produced in Japan since 1897, when the first foreign cameramen arrived. In a Sight & Sound list of the best films produced in Asia, Japanese works made up eight of the top 12, with Tokyo Story (1953) ranked number one. Japan has won the Academy Award for the Best Foreign Language Film four times, once again more than any other Asian country.
The kinetoscope, first shown commercially by Thomas Edison in the United States in 1894, was first shown in Japan in November 1896. The Vitascope and the Lumière Brothers' Cinematograph were first presented in Japan in early 1897, by businessmen such as Inabata Katsutaro. Lumière cameramen were the first to shoot films in Japan. Moving pictures, however, were not an entirely new experience for the Japanese because of their rich tradition of pre-cinematic devices such as gentō (utsushi-e) or the magic lantern. The first successful Japanese film in late 1897 showed sights in Tokyo.
Yeah
Hey yo trick
How you gonna come up wit something like this, man?
Yeah, when this come on
They'll be like, "Uh huh", ha ha
Red zone
Yo, B2K
Yo, where you at?
Girl, you messed up when you let me in
Told your best friend, you wantin' me
Then she called me up and hipped me to your steez
Told me that you were lookin' for a guy like me
So I said hold on, I don't want
Unless Shorty really wanna have some fun
Then she said that you told her I was what you want
When I call you don't try to front, uh huh
I'm the guy in your dreams
That you had last night
I'm the Benz wit the twenties
That you wanna drive
I'm the thug in your life
That'll treat you right
Got ya hooked 'coz I'm bringing everything you like
Uh huh
I know that you wantin' this
Uh huh
Tell me, can you handle it?
Uh huh
Show me how you work them hips
Uh huh
And maybe you can roll wit it
Uh huh
I know that you wantin' this
Uh huh
Tell me, can you handle it?
Uh huh
Show me how you work them hips
Uh huh
And maybe you can roll wit it
Now we're all out in the open
Everybody knows about you and me
Ain't no more need for you and me to creep
I want you so bad I don't care who sees
So girl, hold on, got what you want
I know you ain't scared to go an' have some fun
So let your girlfriends know you found someone
Who'll be keepin' you tight and crunk, uh huh
I'm the guy in your dreams
That you had last night
I'm Benz wit the twenties
That you wanna drive
I'm the thug in your life
That'll treat you right
Got ya hooked 'coz I'm bringing everything you like
Uh huh
I know that you wantin' this
Uh huh
Tell me, can you handle it?
Uh huh
Show me how you work them hips
Uh huh
And maybe you can roll wit it
Uh huh
I know that you wantin' this
Uh huh
Tell me, can you handle it?
Uh huh
Show me how you work them hips
Uh huh
And maybe you can roll wit it
Two months of conversation
Man, this is a major
Spit tha game undercover
I'm lethal like Danny Glover
Got you runnin' to your mother
Makin' plans for life
Yo, I'm only fifteen, what I need wit a wife?
We can walk through tha mall while I hold ya hips
Or you can hang out tha drop while I'm pushin' tha whip
Take you on a ride you will never forget
Runnin' home, tellin' your friends, "Lil' Fizz is it"
Got ya hooked by tha way that I lick my lips
Then I got many dimes, I ain't sweatin' it chick
Yo, I run these girls from coast to coast
Drop the game so sick I got 'em doin' tha most, come on
Uh huh
I know that you wantin' this
Uh huh
Tell me, can you handle it?
Uh huh
Show me how you work them hips
Uh huh
And maybe you can roll wit it
Uh huh
I know that you wantin' this
Uh huh
Tell me, can you handle it?
Uh huh
Show me how you work them hips
Uh huh
And maybe you can roll wit it
Uh huh
I know that you wantin' this
Uh huh
Tell me, can you handle it?
Uh huh
Show me how you work them hips
Uh huh
And maybe you can roll wit it
Uh huh
I know that you wantin' this
Uh huh
Tell me, can you handle it?
Uh huh
Show me how you work them hips
Uh huh
And maybe you can roll wit it
What? 2001
What? Don't shrib, wiz on
Y'all from U.K., you're smart kids, I know that
I guess the wiz on me, your heart, no offence
Whan y'all be comin' everybody gonn' be in the rig
'Iz is gonna be ringing, girls are gonna be shakin' their butts
Fellows gonna be lookin' for a girl, two eyes are gonna be beamin'
You know what I'm saying'