Harold Elwin "Bo" Bice, Jr. (born November 1, 1975) is an American singer and musician who was the runner-up against Carrie Underwood in the fourth season of American Idol. Prior to auditioning for American Idol, Bice released a solo album as well as a few albums with his bands while performing in the night club circuit. In 2005, Bice charted at number two on the Billboard Hot 100 with a rendition of "Inside Your Heaven" from American Idol. He released the album The Real Thing after American Idol to minor success before being dropped by RCA Records. He started his own record label Sugar Money and subsequently released two more albums, See the Light and 3. As of 2014, he is also the lead singer of the touring version of Blood, Sweat & Tears.
Bice was born in Huntsville, Alabama to Nancy and Harold Elwin Bice. His mother was a gospel singer as were his grandmother, great-grandmother, and aunts. Bice was nicknamed "Bogart" as a newborn by his grandmother, "Granny Madge", because she thought he had "Humphrey Bogart eyes". His family continued to call him Bogart, but when Bice was in kindergarten he shortened it to "Bo" because he did not think Bogart was cool. Bice's parents divorced when he was very young, and his mother remarried years later. Bice grew up with his mother and step-father, Earle Downes, a Coca-Cola manager, step-sisters Jenny and Sharan Downes, and half-brother John Cohran. Bice has two other half-siblings, Candace and Matthew, on his biological father's side. The Downes family moved around the South frequently. They lived in Georgia, Alabama, and Florida, including the metro area of Atlanta. In 1990 when Bice was 14 years old they moved to England, as part of his step-father's European assignment with Coca-Cola in London.
Deborah (Espiritu LP 9602) is the sixth original album by American singer Debbie Gibson. Released December 1996 on Espiritu Records, this was the first release where the singer was credited with her full name.
All songs written and composed by Deborah Gibson except "Moonchild" and "Cry Tonight" composed by Gibson and Joy Swinea, and "People" and "Don't Rain On My Parade" by Bob Merrill & Jule Styne.
The above tracks were released as a limited edition release to NRG up fan club members, while the tracks below were part of the standard release.
Only Words is a 1993 book by Catharine MacKinnon. In this work of feminist legal theory, MacKinnon contends that the U.S. legal system has used a First Amendment basis to protect intimidation, subordination, terrorism, and discrimination as enacted through pornography, violating the equal protection guarantee of the Fourteenth Amendment.
Only Words was originally presented as the Christian Gauss Memorial Lectures in Criticism in April 1992 at Princeton University, and were later developed and clarified at the Columbia Legal Theory workshop and at the Owen Fiss Feminist Legal Theory class at Yale University.
It is divided into three discussions: (1) Defamation and Discrimination, (2) Racial and Sexual Harassment, and (3) Equality and Speech.
MacKinnon argues that women's reality of systemic subordination is just that: real, not an abstract representation mediated through pornography or academic deconstruction. In support of this contention, she points out, "Thirty-eight percent of women are sexually molested as girls; twenty-four percent of women are raped in their marriages. Nearly half of women are raped or are the victims of attempted rape at some time during their lives. Eighty-five percent of women who work outside the home are sexually harassed by their employers." According to MacKinnon, however, pornography was categorized as protected speech "before its production before required the use of real women's bodies." As a consequence, the law erases harm and renames it speech, an approach, she continues, which "relies centrally on putting it back into the context of the silenced and violated women: from real abuse back to an idea."." The effect is to treat pornography as defamation rather than discrimination; pornography becomes merely "offensive speech," only words that express something "metaphorical or magical, rhetorical or unreal, a literary hyperbole or propaganda device."
Every word I say, I mean it
Every single day, I feel it
But sometimes when you talk
It's obvious you want to show it
So don't blow it
Tell me what we got, tell me it's a lot tell me it's the real thing
Tell me not to change and always be the same, tell me that's a good thing
It's a good thing
Tell me not to lie, tell me not to wait
Tell me that you want the same things as me
Tell me that it's fate driving me insane
Tell me it's the real thing
That keeps me hangin on
I can read the signs between us
I feel it inside when you come nearer
There's a stillness in the air like no one else is there
And every moment stays in the moment
Yeah
Tell me what we got, tell me it's a lot tell me it's the real thing
Tell me not to change and always be the same, tell me that's a good thing
It's a good thing
Tell me not to lie, tell me not to wait
Tell me that you want the same things as me
Tell me that it's fate, driving me insane
Tell me it's the real thing
That keeps me hangin on
Sometimes it hurts to watch you leave
It feels like you're taking a part of me with you
I never know how it'll be
I guess it's just a mystery
But is it the real thing (that keeps me hangin on)
Tell me what we got, tell me it's a lot, tell me it's the real thing
Tell me not to change and always be the same, tell me that's a good thing
It's a good thing
Tell me not to lie, tell me not to wait
Tell me that you want the same things as me
Tell me that it's fate, driving me insane
Tell me it's the real thing
That keeps me hangin on
Tell me what we got, tell me it's a lot, tell me it's the real thing
Tell me not to change and always be the same, tell me that's a good thing
It's a good thing
Tell me not to lie, tell me not to wait
Tell me that you want the same things as me
Tell me that it's fate, driving me insane
Tell me it's the real thing