Amour (musical)

Amour is a musical fantasy with an English book by Jeremy Sams, music by Michel Legrand, and lyrics by Didier Van Cauwelaert, who wrote the original French libretto.

The musical is adapted from the 1943 short story Le Passe-Muraille by Marcel Aymé and set in Paris shortly after World War II. It centers on a shy, unassuming clerk who develops the ability to walk through walls, and who challenges himself to stick to his moral center and change others' lives, and his own, as a result.

Production

In 1997, Legrand, a noted film composer and jazz musician, and a newcomer to stage musicals at age 65, brought the musical (under its original title, Le Passe Muraille) to Paris where it won the Prix Molière for Best Musical.

The Broadway production, directed by James Lapine and presented without intermission, opened on October 20, 2002 at the Music Box Theatre. The show closed after 17 performances and 31 previews. The cast included Malcolm Gets and Melissa Errico.

The musical received mostly negative reviews in America, although Errico, Gets and the score were praised. Ben Brantley, in his review for The New York Times, wrote: "Even charming is too weighty a word to describe the wispy appeal of Amour" The Talkin' Broadway reviewer, however, wrote: "Broadway's Music Box Theatre may have found its most ideal tenant in quite a while. The delightful little jewel box of a musical, Amour, ...deserves a lengthy stay there, where it may enchant audiences for a long time to come." Cary Wong in filmscoremonthly wrote: "The lyrics are mostly pedestrian and uninvolving, and they make the already stock characters even more one-dimensional."

Amour (1970 film)

Amour (also known as Ways of Women) is a 1970 Danish drama film directed by Gabriel Axel.

Cast

Musique

Musique is the French word for music.

Musique may also refer to:

See also

Musique (album)

Musique is the fourth studio album by the Norwegian metal band Theatre of Tragedy, released in 2000. The title on the album's cover, [ˈmjuːzɪk], is the pronunciation of the English word "music" transcribed in the International Phonetic Alphabet.

Musique is the album that marked for the band the change from gothic metal with Early Modern English lyrics to a more electronic style, using Modern English. The change in musical direction for Theatre of Tragedy was associated with a change from traditional gothic and supernatural themes to lyrics based on modern life, including technology ("Machine", "Radio"), nightlife ("Image", "The New Man") and streetfighting ("Crash/Concrete"). The song "Commute" has the line "It's more fun to commute" in its lyrics, possibly a reference to Kraftwerk's "It's more fun to compute" from their Computer World album, which in turn is a reference to "It's more fun to compete" found on old pinball machines.

Metal Mind Productions reissued the album after it had been digitally remastered using a 24-bit process on a golden disc. It includes three bonus tracks, "Quirk" (Original Version) - also known as the original version of "Image" - , "Radio" (Unreleased Mix) and "Reverie" (Unreleased Mix). The reissue is limited to 2,000 copies and was released in Europe on 27 July 2009.

Musique (Patrick Adams)

Musique was a studio project by Patrick Adams, best known for the song "In the Bush." It consisted of five singers, Christine Wiltshire, Angela Howell, Gina Taylor Pickens, Mary Seymour Williams and Jocelyn Brown.

Career

Recorded originally as a "low budget" project at Bob Blank's Blank Tape Studios in New York City (the tracking session was completed in four hours), the album Keep on Jumpin' contained only four cuts: "Keep on Jumpin'," "Summer Love," "In the Bush" and "Summer Love Theme." Adams, known for his arranging, wrote the horn section parts as the studio musicians sat waiting. Those musicians included Skip McDonald and Doug Wimbish who were among the musicians later responsible for much of the backing work at Sugar Hill Records before teaming up to become known as Tackhead in the 1980s, collaborating with Adrian Sherwood on numerous works on his label ON-U Sound in England.

Due to the overtly sexual lyrics of "In the Bush" many radio stations banned it when it was released during 1978. Because of limited airplay it only scored #58 on the U.S. Billboard Hot 100 and #21 on the Black Singles Chart, although it did top the Hot Dance Club Play chart along with the second single "Keep on Jumpin'". It also reached #16 on the UK Singles Chart in December 1978.Their second big hit, "Keep on Jumpin'" was another club success peaking at #1 on the Disco and Hot Dance Club Play chart. The song crossed over to the urban market and peaked at #81 on the Black Singles chart. Musique's debut album peaked at #62 on the Billboard 200 chart. The vocalists on the first LP Keep on Jumpin' were a pre-solo career Jocelyn Brown, Angela Howell, Gina Tharps and Christine Wiltshire. On the second LP Musique II, released in 1979, Mary Seymour, Denise Edwards and Gina Taylor took the lead vocals. Both albums were released on the Prelude Records label. "Love Massage" became another successful club hit, but failed to crossover to either the R&B or pop markets.

Online and offline

The terms "online" and "offline" have specific meanings in regard to computer technology and telecommunications in which "online" indicates a state of connectivity, while "offline" indicates a disconnected state. Common vernacular extended from their computing and telecommunication meanings and refers specifically to an Internet connection. Lastly, in the area of human interaction and conversation, discussions taking place during a business meeting are "online", while issues that do not concern all participants of the meeting should be "taken offline" — continued outside of the meeting.

Definitions

In computer technology and telecommunication, online and offline are defined by Federal Standard 1037C. They are states or conditions of a "device or equipment" or of a "functional unit". To be considered online, one of the following may apply to a system: it is under the direct control of another device; it is under the direct control of the system with which it is associated; or it is available for immediate use on demand by the system without human intervention.