One-to-one or one to one may refer to:
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1+1 is a mathematical expression that evaluates to:
The terms 1+1, One Plus One, or One and One may refer to:
"One and One" is a song written by Billy Steinberg, Rick Nowels and Marie-Claire D'Ubaldo. The song was performed by Robert Miles (feat. Maria Nayler) and by Edyta Górniak.
"One and One" was the third single of Italian electronic dance musician Robert Miles, released on 4 November 1996 from his debut album Dreamland and his second hit, it features English singer Maria Nayler on vocals. "One and One" was Robert Miles second number one on the US dance charts.
Miles is known by some collectors of CD singles for the quotes he includes on his jewel case inserts, succinct expressions of what he was attempting to communicate in writing and producing the song. Of One and One Miles wrote:
...Sometimes, you don't even have the time to realize
what is happening to your life,
that it has already happened...
the world moves too fast...
let's recapture the essence of time."
The song was first recorded in 1996 by Polish singer Edyta Górniak. However, her version of the song was not released until 1997 when it appeared on her first international album, Edyta Górniak. The song was released as a single in Japan in 1997 and internationally in 1999.
Sly and Robbie are a prolific Jamaican rhythm section and production duo, associated primarily with the reggae and dub genres. Drummer Sly Dunbar and bassist Robbie Shakespeare teamed up in the mid-1970s after establishing themselves separately in Jamaica as professional musicians. Sly and Robbie are estimated to have played on or produced 200,000 recordings, many of them on their own label, Taxi Records.
Sly Dunbar, then drumming for Skin Flesh and Bones, and Robbie Shakespeare, playing bass and guitar with the Aggrovators, discovered they had the same ideas about music in general (both are huge fans of Motown, Stax Records, the Philly Sound, and country music, in addition to Jamaican legendary labels Studio One and Treasure Isle), and reggae production in particular. They first worked together with The Revolutionaries for the newly created Channel One studio and label, operated by the Hoo Kim brothers.
According to The Independent, their breakthrough album was The Mighty Diamonds' 1976 release Right Time, which helped to establish them as the "masters of groove and propulsion." The drum beat on the title song was particularly tricky; in 2001 Dunbar recalled, "When that tune first come out, because of that double tap on the rim nobody believe it was me on the drums, they thought it was some sort of sound effect we was using. Then when it go to number 1 and stay there, everybody started trying for that style and it soon become establish."
[ CHORUS ]
KRS, Latifah, don't forget
Mash up any male or female artist on the set
Mi comin with mi style, mi take your title and your
The BDP Posse and Flavor Unit in effect
[ VERSE 1 ]
It's Queen Latifah with the R.E. Posse, Flavor Unit
sound
Broken down by the Boogie Down (Productions)
Slip and slide to a Sly & Robbie instrumental
And also as an indicental
The music to which vocals you know I have done
Produced by (KRS-One)
One tribe, one guide, and one destiny
You want the best of me?
Death to those who testin me
Cause to test is to try to conquer
But me, I catch em (1-2-3) and do an encore
Get paid by music, no money to the mob
Cause I'm the woman for the job
[ CHORUS ]
[ KRS-One: ]
Flavor Unit - assemble!
BDP Crew - assemble!
Sly & Robbie - wheel up!
[ VERSE 2 ]
Once again, it's time for Queen Latifah to return
Because to live is to learn
I learn a lotta suckers out there thought we slept
Now they give us (nuff respect!)
I'ma get loose inside this queendom
Suckers tried to duck, it didn't work, cause I seen
them
I'm not out to shoot anybody out the box, but it's my
scene
(I know just what you mean)
Woman called Latifah is a wise one
There are no others like me, I'm a prized one
Although they try to measure up, I outsize them slobs
Cause I'm the woman for the job
[ CHORUS ]
[ VERSE 3 ]
Intelligence captivates your mind
While the sound of my voice detains and occupies your
ears
The thought and the message speak clearly through the
vocals
Your heart is breathtaken, and it's bringin you to
tears
The t-i-p (tip) That is what you are on the m-u-s-i-c
(Music) That is what you want to own, but you could
never be
The one to take my off the throne
Your mind's like a child's, my dear, and I am grown
So just forget it, cause while you wanna do it, I did
Also admit it, if you can hit it, you're with it
Show me your chest, you musta flown over a coockoo's
nest
No buts about it, my life you wanna out it? I doubt it
Suckers don't play me, cause suckers I do vamp
Last time you challenged me, you cancelled due to
cramps
Allegedly, really you weren't readily
Able to rock a rhyme so smooth, so steadily
But next time you better be
Cause these appointments ain't for nothin
They're only for coolin, crushin, and solo-bumrushin
KRS-One's creatin music like an Einstein
Rollin up the rhythm to keep the pace of my rhyme
Me chosen by super musicians, Sly and Rob
Cause I'm the woman for the job