One by One may refer to:
One by One is a traditionally animated short film directed by Pixote Hunt and released by Walt Disney Pictures on August 31, 2004, as an extra feature on the DVD release of The Lion King 2: Simba's Pride Special Edition. The short was intended to be one of the segments for the proposed but never completed Fantasia 2006.
The film shows a story of children from a South African town flying kites down a hill after one boy is inspired by a colourful feather floating from the sky. The children find materials from places all over the town and produce equally colourful kites. After a walk, they fly the kites and release them into the sky for the ending of the film.
The short film takes its title and inspiration from One by One, a "freedom song" written and performed by Lebo M for The Lion King. Although the song was cut from the final film, it did make it into the Disney Theatrical adaptation, before being used on this short.
One by One is the fourth studio album by alternative rock band Foo Fighters, released on October 22, 2002 by RCA. The album is the first to feature guitarist Chris Shiflett. Production on the album was troubled, with initial recording sessions considered unsatisfying and raising tensions between the band members. They eventually decided to redo the album from scratch during a two-week period at frontman Dave Grohl's home studio in Alexandria, Virginia. The songs on the album, which include the successful singles "All My Life" and "Times Like These", have been noted for their introspective lyrics and a heavier and more aggressive sound compared to the band's earlier work, which Grohl said was intended to translate the energy of the Foo Fighters' live performances into a recording.
The album was a commercial success, topping the charts in Australia, Ireland and the United Kingdom and sold over one million copies in the United States. One by One was positively received by critics, winning a Grammy Award for Best Rock Album in 2004—the second Grammy Award for Best Rock Album won by the band—and praised for its sound and production. However, some considered the work inferior to the band's previous albums, and the musicians themselves eventually grew distasteful of the record as a whole.
Jazz Messengers '70 is a live album by drummer Art Blakey's Jazz Messengers recorded in Tokyo in 1970 and originally released on the Catalyst label.
Scott Yanow of Allmusic stated, "the quintet casts new light on these tunes, making them sound fresh and flexible. This unusual set is recommended to longtime followers of Art Blakey".
The Jazz Messengers were an influential jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career.
The group evolved into a proving ground for young jazz talent. While veterans occasionally re-appeared in the group, by and large, each iteration of the Messengers included a lineup of new young players. Having the Messengers on one's resume was a rite of passage in the jazz world, and conveyed immediate bona fides.
Many Messenger alumni went on to become jazz stars in their own right, such as: Lee Morgan, Benny Golson, Wayne Shorter, Freddie Hubbard, Bobby Timmons, Curtis Fuller, Cedar Walton, Chuck Mangione, Keith Jarrett, Joanne Brackeen, Woody Shaw, Wynton Marsalis, Branford Marsalis, Terence Blanchard, Donald Harrison and Mulgrew Miller. A more complete list of alumni can be found on the right column. Some members such as bassist Clarence Seay and then 16-year-old trombonist Gregory Charles Royal are documented to have played in the Jazz Messengers but did not record with the group.
The Jazz Messengers is a 1956 album by the Jazz Messengers, released by Columbia Records. It was the last recording by the Jazz Messengers lineup featuring pianist Horace Silver.
In 1968 Columbia reissued the LP in their Jazz Odyssey Series with a new cover under the title Art Blakey with the Original Jazz Messengers. In 1997 the album was digitally remastered and released on CD, again with its original title and cover, featuring all the tracks from the original LP along with five additional tracks drawn from the same recording sessions but previously released only on foreign imports.
This is the track listing for the current Columbia CD release. Tracks 1−7 are from the original LP and in the same order. The adjacent tracks 8−10 and 12 were first released on Originally (Columbia CL 897, 1956). Track 11 was previously unreleased.
[Chorus: Hell Razah]
Hell Razah and the Tribe of Judah, man vs. computer
We be them young Israelite rulers
Black jews with them German lugers, we Da Last Future
It's gon' take a whole world to move us
[Lazarus:]
The biochemical equation, six points, the day of invasion
Blitz Beverly Hills, murder caucasions
I'm like Joshua and came in, I'm like Malcolm
Before the pilgrimage, my main men braindead
Psychotic, fiber optic
Sub-atomic, Israelite rockets
Raised by the peasants and the prophets, fathers of the black Arab Islamic
I drop jewels, they say it's non sense
Fuck the radio, they try deceive I
That's why I keep seven quotes, the son of Levi
Fucked up since I was knee high
So now my brain's ran over with Remy, Allah's deep mind
Fuck it, ask the pastor, where's the collection?
Before I put the Smith & Wessing, in his mid section
Wild like dirty bitches in the projects
Popping pills like old timers
Hair wrapped like I'm Osama, no conscience
I was born feet first
So many niggas crossed me, so I'm thinking bout me first
Fuck the world, I was blessed with two little girls
So ya'll niggas ain't gotta like me
But fucking with me is unlikely
I'm like the black Christ, until my last day strike me
It's the prophet, nigga
[Hell Razah:]
If God is intelligence, I'm Hannibal riding on elephants
Burn up the body parts, leave no evidence
We build the alter for the head of your presidents
We getting pharaoh's necks like it was Exodus
Warriors of Babylon, threats of atom bombs
Tatted my arms, like Aztecs, Mexican dons
King David wrote my favorite song, when I think of that song
They change faces like the hatred is gone
All the reviews in magazines rated me wrong
Take America to court without supporting Saddam
Shoot at the son of Hitler, while I'm saying Shalom
It's no peace without warfare, you getting my crosshairs
No fear, I wrote this inside your pope's chair
With a cold beer, all of my bars is sincere
Burn L's with the Eloheim's, young Idi Amin
We take money like we see through your jeans
You got a bank card, we'll walk you to the ATM machine
And talk him out his chain, and that watch, and them rings
Been a king since Joseph and modern Egypt
Condoleeza, got me on that silence heaters
Throw a mask on, and ride on ya congress leaders
Black Fenitians that speak English, bless the four regions
We came from continents with God's teachings
We used to trade guns, now we using 'em, the same ones
That was slaves in Jerusalem, I kick the truth for them killas