A Rocket to the Moon

A Rocket to the Moon (commonly abbreviated as ARTTM) was an American rock band formed during 2006 in Braintree, Massachusetts, by Nick Santino, lead vocalist and rhythm guitarist. Guitarist and backup vocalist Justin Richards (also of Brighten), bassist and backup vocalist Eric Halvorsen, and drummer Andrew Cook eventually joined the band, forming the final member lineup. The band has two albums through Fueled by Ramen. Their debut, On Your Side, was released on October 13, 2009. Wild & Free was released on March 26, 2013.

History

Nick Santino started A Rocket to the Moon in the summer of 2006 as a musical experiment. He formerly fronted the local bands The Bad Year and The Midway Class.

Santino assembled a band of musicians in early 2008 with the help of The Maine prior to A Rocket to the Moon's first major festival appearance, at The Bamboozle. They then appeared on the July 10, 2008 episode of Total Request Live, performing the song "Dakota". This performance received notoriety from a lot of people, Pete Wentz in particular. Contrary to popular belief, A Rocket to the Moon was never signed to Decaydance Records by Pete Wentz, bassist of Fall Out Boy. Wentz had shown interest in signing the band and wanted to do a Fueled by Ramen/Decaydance split but the Decaydance side of the deal never worked out for unknown reasons. An official announcement of the signing to Fueled by Ramen was made in August 2008. Separate tours supporting both The Cab and A Cursive Memory followed in the fall of 2008. They also toured with Cute Is What We Aim For, Secondhand Serenade, and Automatic Loveletter. On October 14, 2008 the band released their EP Greetings From..., produced by Matt Grabe, featuring the singles "Dakota" and "If Only They Knew". The record reached No. 21 on the Billboard Top Heatseekers chart.

On Your Side

On Your Side may refer to:

See also

On Your Side (Magnet album)

On Your Side is Magnet's second album, first released in Norway in June 2003. It contains a cover of Bob Dylan's Lay Lady Lay featuring Gemma Hayes, which was featured in the 2005 film Mr. & Mrs. Smith.

Track listing

Singles

Side

Side (Greek: Σίδη) is an ancient Greek city on the southern Mediterranean coast of Turkey, a resort town and one of the best-known classical sites in the country. It lies near Manavgat and the village of Selimiye, 78 km from Antalya in the province of Antalya.

It is located on the eastern part of the Pamphylian coast, which lies about 20 km east of the mouth of the Eurymedon River. Today, as in antiquity, the ancient city is situated on a small north-south peninsula about 1 km long and 400 m across.

History

Strabo and Arrian both record that Side was founded by Greek settlers from Cyme in Aeolis, a region of western Anatolia. This most likely occurred in the 7th century BC. Its tutelary deity was Athena, whose head adorned its coinage.

Dating from the tenth century B.C., its coinage bore the head of Athena (Minerva), the patroness of the city, with a legend. Its people, a piratical horde, quickly forgot their own language to adopt that of the aborigines.

Possessing a good harbour for small-craft boats, Side's natural geography made it one of the most important places in Pamphylia and one of the most important trade centres in the region. According to Arrian, when settlers from Cyme came to Side, they could not understand the dialect. After a short while, the influence of this indigenous tongue was so great that the newcomers forgot their native Greek and started using the language of Side. Excavations have revealed several inscriptions written in this language. The inscriptions, dating from the 3rd and 2nd centuries BC, remain undeciphered, but testify that the local language was still in use several centuries after colonisation. Another object found in the excavations at Side, a basalt column base from the 7th century BC and attributable to the Neo-Hittites, provides further evidence of the site's early history. The name Side may be Anatolian in origin, meaning pomegranate.

Cue sports techniques

Cue sports techniques (usually more specific, e.g., billiards techniques, snooker techniques) are a vital important aspect of game play in the various cue sports such as carom billiards, pool, snooker and other games. Such techniques are used on each shot in an attempt to achieve an immediate aim such as scoring or playing a safety, while at the same time exercising control over the positioning of the cue ball and often the object balls for the next shot or inning.

In carom games, an advanced player's aim on most shots is to leave the cue ball and the object balls in position such that the next shot is of a less difficult variety to make the requisite carom, and so that the next shot is in position to be manipulated in turn for yet another shot; ad infinitum.

Similarly, in many pocket billiards games, an advanced player's aim is to manipulate the cue ball so that it is in position to pocket (pot) a chosen next object ball and so that that next shot can also be manipulated for the next shot, and so on. Whereas in the carom games, manipulation of the object ball's position is crucial as well on every shot, in some pool games this is not as large a factor because on a successful shot the object ball is pocketed. However, many shots in one-pocket, for example, have this same added object ball control factor for most shots.

A-side and B-side

The terms A-side and B-side refer to the two sides of 78 and 45 rpm phonograph records, whether singles or extended plays (EPs). The A-side usually featured the recording that the artist, record producer, or the record company intended to receive the initial promotional effort and then receive radio airplay, hopefully, to become a "hit" record. The B-side (or "flip-side") is a secondary recording that has a history of its own: some artists, notably Elvis Presley, Little Richard, the Beatles, Chuck Berry, and Oasis, released B-sides that were considered as strong as the A-side and became hits in their own right. Creedence Clearwater Revival had hits, usually unintentionally, with both the B-sides of their A-side releases. Others took the opposite track: producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side.