Vital or Vitals may refer to:
Vital is the sixth studio album by American alternative rock band Anberlin which was released on October 16, 2012. In interviews, vocalist Stephen Christian has stated the album has a youthful, energetic energy and features new influences for the band. Upon release, the album was met with favorable reviews from critics and fans alike. The album was re-released in 2013 as Devotion, adding the deluxe tracks from various retailers, new remixes, and a full live album.
Vital garnered generally positive reception from music critics. The review aggregator website Metacritic gives a weighted average rating to an album based upon the selected independent mainstream reviews it utilizes, and the album has a Metascore of a 77 out of 100 based on five reviews.
At Alternative Press, Evan Lucy stating that "Vital [is] the most well-rounded Anberlin album to date." Matt Collar of AllMusic saying that "Ultimately, while Vital is Anberlin's most challenging album to date, as the title implies, it is perhaps the band's most rewarding album." At AbsolutePunk, Jack Appleby writing that "Calling Vital a career-defining record isn't a stretch in the least", which it "is the best record in Anberlin’s 10 year career, bar none." SowingSeason of Sputnikmusic remarking that "Even if it isn’t the best album they’ve ever made, Vital is perhaps the smartest", that contains some "otherworldly vocals." At Melodic, Johan Wippsson commenting that "the band has kept the energy that characterizes their sound and overall it’s an album that shows that the band is in the right direction."
Vital is the first live album by English progressive rock band Van der Graaf Generator. It was recorded 16 January 1978 at the Marquee Club in London and was released in July, one month after the band's 1978 break-up. The album (on vinyl and, later, on CD) was credited under the abbreviated name Van der Graaf, like the previous year's The Quiet Zone/The Pleasure Dome, and featured the same line-up plus newcomer cellist Charles Dickie, who had officially joined the band in August 1977, and original saxophonist and flautist David Jackson, who re-joined the band for this recording.
The album is noted for its sometimes radical reworking of the older material. Although Van der Graaf Generator were seldom less than intense on stage, the 1977 and 1978 tours were remarkable for their ferocity. The absence of Hugh Banton, whose organ work was a hallmark of the group's sound before his departure in 1976, as well as frontman Peter Hammill's increased duties as a rhythm guitarist, account for much of this.
Times New Roman is a serif typeface commissioned by the British newspaper The Times in 1931 and created by Victor Lardent in collaboration with the British branch of the printing equipment company Monotype. Although no longer used by The Times, Times New Roman is still very common in book and general printing. Through distribution with Microsoft products and as a standard computer font, it has become one of the most widely used typefaces in history.
Times New Roman's creation took place through the influence of Stanley Morison of Monotype. Morison was an artistic director at Monotype, historian of printing and informal adviser to the Times, who recommended that they change typeface from the spindly and somewhat dated nineteenth-century Didone typeface previously used to a more robust, solid design, returning to traditions of printing from the eighteenth century and before. This matched a common trend in printing of the period.
Morison proposed an older Monotype typeface named Plantin as a basis for the design, but revisions were made to increase legibility and economy of space. The new font was drawn by Victor Lardent, an artist from the advertising department of The Times, with Morison consulting, before refinement by the experienced Monotype drawing office team.The new design made its debut in the 3 October 1932 issue of The Times. After one year, the design was released for commercial sale. The Times stayed with Times New Roman for 40 years, but new production techniques and the format change from broadsheet to tabloid in 2004 have caused the newspaper to switch typeface five times since 1972. However, all the new fonts have been variants of the original New Roman typeface.
The multiplication sign or times sign is the symbol ×. The symbol is similar to the lowercase letter x but is a more symmetric saltire, and has different uses. It is also known as St. Andrew's Cross and dimension sign.
In mathematics, the symbol × (read as times or multiplied by) is primarily used to denote the
In biology, the multiplication sign is used in a botanical hybrid name, where it is read as "cross".
The multiplication sign is also used by historians for an event between two dates. When employed between two dates, for example 1225 and 1232, 1225×1232 means "no earlier than 1225 and no later than 1232". It can also be used in a date range: 1225×1232–1278.
The × symbol for multiplication was introduced by William Oughtred in 1631. It was chosen for religious reasons to represent the cross.
Terrace Martin is an American music producer from Los Angeles, California. He is perhaps best known for producing records for several prominent artists, such as Snoop Dogg, Busta Rhymes, Stevie Wonder, Charlie Wilson, Raphael Saadiq and Kendrick Lamar, among others. Martin is a multi-instrumentalist, who samples everything from funk and jazz to classical and soul, in his hip hop production. Martin works as an artist under his company, Terrace Martin Music, which is managed by Executive Director Monesia Hobbs.
Martin's father is a jazz drummer and his mother is a singer. He grew up listening to a broad range of music, including John Coltrane and Parliament and began playing the piano at age six. At 13, producing his first tracks on his Casio CZ101 Keyboard and an E-mu SP-1200, Martin was encouraged to take up the saxophone and learned to play it by himself before enrolling into Santa Monica High School, to sharpen his musical skills. He transferred to Locke High School, to study under Reggie Andrews, where he became first chair of the All-State Jazz Band. As a child prodigy, Martin gained the interest of talk show host Jay Leno, who presented him with a scholarship and later purchased his first professional horn. After high school, Martin attended CalArts but decided school wasn't for him, and began touring with Puff Daddy and the gospel choir God's Property.
Lusting for power, money and fame, what is it for?
Ignoring the tragedy in front of our face, while looking for more
Complacent thoughts are ruling our minds
We lack response, all feeling is lost... another sign of the times
We’ve got to change
The way we live in this world
We need to change
Change it
Obsessed with image, envy and greed, it isn’t true
Placing importance on things we don’t need, it’s running us through
Privilege begins where the mind wants to quit
We’ve started with more than we would like to admit
We’ve got to change
The way we live in this world
We need to change
Do it
Can you feel it?
Wonder why we feel so empty inside?
We need to change the way we live in this world
What’s become acceptable is absurd
Where do our priorities lie?
Well I’m disgusted
I need to look at how I walk through this life
I need to recognize that I’m tied to this strife
No more denial
Vital times
We need urgent minds