On Top (Flume song)
"On Top" was released as the first single from Flume's debut studio album, Flume. It features American rapper T.Shirt. The track reached its peak of 57 in Australia on 4 March 2013 and was certified Gold.
Music video
The music video was directed by Angus Lee Forbes and released on 3 June 2012.
Track listing
Charts
Certifications
References
On Top
On Top may refer to:
See also
On Top (Twista song)
"On Top" is the second single by American rapper Twista of his seventh album Category F5. The song features R&B singer Akon and was produced by GoodWill & MGI, "On Top" was confirmed as the second official single of Twista's seventh album, after the lead single Wetter featuring singer Erika Shevon
The remix version of the song features Akon and two verses from Bulgarian R&B singer LiLana.
Samples
The song uses samples from the single “Sound of Arena” by Finnish DJ/Producer Kimmo Kauppinen.
The Heptones
The Heptones are a Jamaican rocksteady and reggae vocal trio most active in the 1960s and early 1970s. They were one of the more significant trios of that era, and played a major role in the gradual transition between ska and rocksteady into reggae with their three-part harmonies. The Heptones were contemporaries of the Wailers and the Maytals, and every bit their equal in the mid-60's.
History
Leroy Sibbles, Earl Morgan and Barry Llewellyn first came together as "The Hep Ones" in 1965 in Kingston but they soon changed their name to "The Heptones". The name was chosen by Morgan after seeing a Heptones Tonic bottle lying in a pile of refuse.
The Heptones recorded for major Jamaican record producers at the time. They began their career, after one unsuccessful single. for Ken Lack's "K Calnek" label, under the watchful eye of Coxsone Dodd of Studio One. The Heptones had a number of Jamaican hits for Studio One, beginning with "Fattie Fattie", their first Studio One single in 1966. This began a long run of success for Coxsone, including "Pretty Looks Isn't All", "Get In The Groove", "Be a Man", "Sea of Love" (a cover of the Phil Phillips and the Twilights doo-wop classic), "Ting a Ling", "Party Time" and "I Hold the Handle." They were the chief rivals to The Techniques, who recorded for Arthur "Duke" Reid, as the top vocal act of the rocksteady era.
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