Heliopolis (/ˌhiːliˈɒpəlɪs/;Greek: Ἡλιούπολις, Hēlioúpolis, "City of the Sun" or "City of Helios"; Egyptian: ỉwnw) was one of the oldest cities of ancient Egypt, the capital of the 13th or Heliopolite Nome of Lower Egypt. It is now found in the suburb of Ayn Shams (Arabic: عين شمس, lit. "Well of the Sun") at the north-east edge of Cairo.
The ancient Egyptian cult center Iunu, named "On" in the Hebrew bible, was renamed Heliopolis by the Greeks in recognition of the fact that the sun god Ra (Helios in Greek) presided there. Iunu is mentioned in the Pyramid Text as the "House of Ra".
Heliopolis has been occupied since the Predynastic Period, with extensive building campaigns during the Old and Middle Kingdoms. Today it is mostly destroyed; its temples and other buildings were used for the construction of medieval Cairo. Most information about the ancient city comes from textual sources.
The only surviving remnant of Heliopolis is the Temple of Re-Atum obelisk located in Al-Masalla in Al-Matariyyah, Cairo. It was erected by Senusret I of the Twelfth dynasty, and still stands in its original position. The 68 ft (20.73 m) high red granite obelisk weighs 120 tons (240,000 lbs).
The spotted flycatcher (Muscicapa striata) is a small passerine bird in the Old World flycatcher family. It breeds in most of Europe and western Asia, and is migratory, wintering in Africa and south western Asia. It is declining in parts of its range.
This is an undistinguished looking bird with long wings and tail. The adults have grey-brown upperparts and whitish underparts, with a streaked crown and breast, giving rise to the bird's common name. The legs are short and black, and the bill is black and has the broad but pointed shape typical of aerial insectivores. Juveniles are browner than adults and have spots on the upperparts.
Spotted flycatchers hunt from conspicuous perches, making sallies after passing flying insects, and often returning to the same perch. Their upright posture is characteristic.
Spotted flycatchers exhibit an atypical molt strategy, that is they molt their primaries and some of their secondaries in the reverse order from what is seen in most passerines.
There is/has been more than one band called Egypt over the years. This can cause confusion with albums & tracks from different 'Egypts' often listed together as if they were one band. This Egypt (1987 to the present) is best known for its close connections to 1960s/70s band The Groundhogs and, just to add to the confusion, had a very different style and line-up in the early days, making many people believe they were two different bands.
Egypt's original line-up first got together in a squat in Shepherds Bush, London in late 1987, but the story really begins a few weeks before when ex-Groundhogs bass player Alan Fish and ex-Jethro Tull drummer Clive Bunker were asked to record the very first album release (literally serial number 001) for the then fledgling record label HTD Records (HTD are now Talking Elephant Records and deal with Wishbone Ash, Fairport Convention, Ritchie Blackmore, Steven Stills, etc.). Also included was guitarist Don Greer (ex-Bachman Turner Overdrive and others).
Egypt is a BBC television docudrama serial portraying events in the history of Egyptology from the 18th through early 20th centuries. It originally aired on Sunday nights at 9 pm on BBC1 in 2005. The first two episodes explored the work of Howard Carter and his archaeological quest in Egypt in the early part of the twentieth century. The next two episodes focused on the eccentric explorer "The Great Belzoni". played here by ]Matthew Kelly. The final two episodes dramatise the discovery and deciphering of the Rosetta Stone by Jean-François Champollion (Elliot Cowan).
The music was recorded by the Warsaw Radio Orchestra and is featured on the CD Timeless Histories by Chappell music, produced by Clare Isaacs.
The series was a major new docudrama series produced by the BBC for the Autumn 2005 schedule.
In order to create a sense of "seeing the treasures of Ancient Egypt for the first time", Dolling and Bradshaw felt it essential to film at the actual archaeological sites referenced in the series.