The Birds II: Land's End is a 1994 made-for-cable-television film sequel to Alfred Hitchcock's 1963 classic The Birds starring Brad Johnson, Chelsea Field, James Naughton and Tippi Hedren in a minor role different from the one she played in the original Hitchcock film. The original music score was composed by Ron Ramin. The Birds II: Land's End word premiered on the Showtime cable network on March 14, 1994.
The plot of the sequel is very similar to the original. Biology teacher and Somali Civil War veteran, Ted, his wife, and children move to a summer house on an island after the death of their son. While there, flocks of birds start attacking individuals for no apparent reason. The town mayor denies the birds' role in the injuries, but is forced to believe after further incidents of violence by the birds.
Ted and Mary Hocken (Brad Johnson and Chelsea Field) move to a remote, windswept, tiny East Coast island with their two young daughters; the Hockens are determined to forget their painful past of losing their son and spend a quiet, uneventful summer.
Birds are a feathered, winged, bipedal, warm-blooded, egg-laying, vertebrate animals.
Birds or the birds may also refer to:
A bird is a feathered, winged, bipedal, warm-blooded, egg-laying, vertebrate animal.
Bird or the bird may also refer to:
The Conference of the Birds is a 12th-century classic of Persian poetry written by Farid ud-Din Attar.
Conference of the Birds may also refer to:
The Conference of the Birds or Speech of the Birds (Arabic: منطق الطیر, Manṭiq-uṭ-Ṭayr, also known as مقامات الطیور Maqāmāt-uṭ-Ṭuyūr; 1177), is a long poem of approximately 4500 lines written in Persian by the poet Farid ud-Din Attar, who is commonly known as Attar of Nishapur.
In the poem, the birds of the world gather to decide who is to be their king, as they have none. The hoopoe, the wisest of them all, suggests that they should find the legendary Simorgh, a mythical Persian bird roughly equivalent to the western phoenix. The hoopoe leads the birds, each of whom represent a human fault which prevents man from attaining enlightenment. When the group of thirty birds finally reach the dwelling place of the Simorgh, all they find is a lake in which they see their own reflection.
Besides being one of the most celebrated examples of Persian poetry, this book relies on a clever word play between the words Simorgh – a mysterious bird in Iranian mythology which is a symbol often found in sufi literature, and similar to the phoenix bird – and "si morgh" – meaning "thirty birds" in Persian.
Conference of the Birds: The Story of Peter Brook in Africa is a biographical book by John Heilpern, in which he describes a journey by theatre director Peter Brook and a group of actors, including Helen Mirren, across the Sahara in Northwest Africa.
The journey was part of Brook's attempt to develop a form of theatre which did not depend on the cultural assumptions of the audience.
The company tested some forms of theatre they had devised the Centre International de Recherche Théâtrale, by performing them for peoples with whom the actors shared neither common language nor culture. One of the pieces they performed was La Conférence des oiseaux, Brook's stage adaptation of the 12th-century Persian poem The Conference of the Birds by Attar of Nishapur.
Rise aviator - sun will follow.
Aperture on door the wave form school.
Sentient ground of the light shrine shining.
Aperture on door the lind-hymn stone.
Sentient ground of the light shrine shining.
Aperture of door the lind-hymn stone.
The orbits arms oscillate to freedom.
Params the shore of celestial sea.
Rise aviator - sun will follow.
On aperture on door the wave form school.
Sentient ground of the light shrine shining.
Semblates the finite - to autumnate seen.
Electron sea - now set free - takes into the sky above on sentinel stream.
And grant to me - a light to see - and pilgrimage to mountain of the votaric form.
And lighten pon day - the solarics raise - falls upon the ziggurat electron school.
And reap upon field - the host moon fade away - glides the aeronaut toward the object form.
And lighten pon day - as scintillate rays - augurate arrival of a seraphic form.
From Lebanon reels - the obelisk seen - called now inverse upon the currenter-sign.
The matter form wanes - the host moon fades - takes into the sky ascends the freedomward dove.
The rite of fall sealed - descendant orb hails her - down to the ground of electron form.
And travel under twin suns rays - the host-moon fades - takes into the clesiast at oracle school.
An epison raise - the pole star fades - wakes into availed light of aurican form.
To reach a suns rays - through glowing bronze grace - leaves the lake and rises toward empyrean sun.
The swans array - the crane stands veiled grace - tunnement to the omen of the object form.
And travel on toward the lighten pon day - on through a spine's gates - climbs the silken thread to cross a silvering sun.
The Orphic glow seen - as aural sounds ring - climbant to throne within on spine's attuned prow.
Empyrean rays - engulf the nine gates - dove ascends to freedom through a lantern filled sky.
Awakens from field - availed light's salving grace heralds arrival of the solar-object form.
Reemerge to breathe - the outform seen - vivified by illumined glow through auric-clad sheath.
An epison raise - the pole star fades - wakes into availed light of aurican form.
To reach a suns rays - of glowing bronze grace - leaves the lake and rises toward empyrean sun.
The swans array - the crane stands veiled grace - tunnement to the omen of the object form.
And lighten pon day - as scintillate rays - augurate arrival of a seraphic form.
From Lebanon reels - the obelisk seen - called now inverse upon the currenter-sign.
The matter form wanes - the host moon fades - takes into the sky ascends the freedomward dove.
The of fall sealed - cremation now reclaims - bows toward the sun and sheds the object form.