Bleu or BLEU may refer to:
William James McAuley III (born July 18, 1975), best known by his performing name, Bleu, is an American pop artist (singer-songwriter), professional songwriter and producer currently living in Los Angeles. Bleu graduated from the Berklee College of Music in Boston, Massachusetts. Along with his solo work, he is the lead singer and songwriter of the Electric Light Orchestra-style power pop band L.E.O., as well as a founding member of the power pop trio The Major Labels with Mike Viola and Ducky Carlisle, and is also a founding member of the Mutt Lange homage super-group LoudLion (featuring Taylor Locke of Rooney, Allison Robertson of The Donnas, Maclaine Diemer formerly of Bang Camaro, etc.). Bleu has toured the United States and internationally with bands such as John Mayer, Puffy AmiYumi, Hanson, Guster, Rooney, Mike Viola, Switchfoot, and Toad the Wet Sprocket.
Bleu was known in the local Boston music scene for his live shows and work with other musicians, and received some local notoriety for his debut effort A Bing Bang Holidang, which was a charity benefit for the Boston Institute for Arts Therapy. A single from that record, "Boston All Star 12 Dayz," received some local airplay, featuring famous local musicians and acts from Guster and The Mighty Mighty Bosstones as well as Kay Hanley of Letters to Cleo and Bill Janovitz.
Three Colors: Blue (French: Trois couleurs: Bleu) is a 1993 French drama film written, produced, and directed by the acclaimed Polish director Krzysztof Kieślowski. Blue is the first of three films that comprise The Three Colors Trilogy, themed on the French Revolutionary ideals of liberty, equality, and fraternity; it is followed by White and Red. According to Kieślowski, the subject of the film is liberty, specifically emotional liberty, rather than its social or political meaning.
Set in Paris, the film is about a woman whose husband and child are killed in a car accident. Suddenly set free from her familial bonds, she attempts to cut herself off from everything and live in isolation from her former ties, but finds that she can't free herself from human connections.
Julie (Juliette Binoche), wife of the famous composer Patrice de Courcy, must cope with the death of her husband and daughter in an automobile accident she herself survives. While recovering in hospital, Julie attempts suicide by overdose, but cannot swallow the pills. After being released from hospital, Julie, who it is suggested wrote (or helped to write) much of her husband's famous pieces, destroys what is left behind of them. Calling Olivier (Benoît Régent), an unmarried collaborator of her husband's who has always admired her, she spends a night with him and says goodbye. Emptying the family house and putting it up for sale, she takes an apartment in Paris without telling anyone, her only memento being a mobile of blue beads that the viewer assumes belonged to her daughter.
Birdy or Birdie may refer to:
The Birdy is a folding bicycle designed by Riese und Müller in Germany and produced by Pacific Cycles in Taiwan. As of 2010 over 100,000 had been sold. Three distinct models have been marketed, the third (Mk3) sold from July 2015.
First released in 1995, it was the first fully suspended folding bike. The ride is regarded by some as more sporty than the Brompton, thanks in part to a stiff single-piece aluminium frame with road bike rider geometry and no hinge. Some prefer its stiff suspended ride and rapid acceleration to that of a full-sized bike.
Markus Riese had the basic idea for the Birdy in 1992. The first prototype was quickly welded together from two old bicycles in his parent's garage (photos and German article here). After a year, Markus Riese and Heiko Muller built a prototype out of aluminium and won the “Hessian Innovation Prize”. The prototype was shown at two trade shows, Intercycle in Cologne and Eurobike in Friedrichshafen, and caused a stir. The first Birdy bikes were sold in 1995 as a 'de luxe' folder, the first with full suspension. It had a high price tag, usually over US$1,000.
In golf, par is the pre-determined number of strokes that a scratch (or 0 handicap) golfer should require to complete a hole, a round (the sum of the pars of the played holes), or a tournament (the sum of the pars of each round). Pars are the central component of stroke play, the most common kind of play in professional golf tournaments. The term is also used in golf-like sports such as disc golf with the same meaning.
The length of each hole from the tee placement to the pin determines par values for each hole primarily but not exclusively. Almost invariably, holes are assigned par values between three and five strokes. For a casual player from the middle tees, a par-three hole will be 100–250 yards (90–230 m) from the tee to the pin. Par-four holes are 250–470 yards (230–430 m), although tournament players will often encounter par-four holes 500 yards (460 m) or more, as it is not uncommon for short par-five holes for normal play to be turned into par-four holes in championship play. Par-five holes are typically 470–600 yards (430–550 m), but in the modern game holes of over 600 yards are becoming more common in championship play. Other relevant factors in setting the par for the hole include the terrain and obstacles (such as trees, water hazards, hills, or buildings) that may require a golfer to take more (or fewer) shots. Some golf courses feature par-sixes and, very rarely, par-sevens, although the latter are not recognised by the United States Golf Association.
Voir la rivière gelée, vouloir être un printemps.
Voir la terre brûlée et semer en chantant.
Voir que l'on a vingt ans, vouloir les consumer.
Voir passer un croquant et tenter de l'aimer.
Voir une barricade et la vouloir défendre.
Voir périr l'embuscade et puis ne pas se rendre.
Voir le gris des faubourgs, vouloir être Renoir.
Voir l'ennemi de toujours et fermer sa mémoire.
Voir que l'on va vieillir et vouloir commencer.
Voir un amour fleurir et s'y vouloir brûler.
Voir la peur inutile, la laisser aux crapauds.
Voir que l'on est fragile et chanter à nouveau.
Voilà ce que je vois, voilà ce que je veux