Ende may refer to
Places:
People:
Other uses:
Ende (or En) was a female manuscript illuminator who worked on a 10th-century group of manuscripts, of which there are 24 known copies with illustrations. These manuscripts contain the Commentary on the Apocalypse compiled by the Spanish monk Beatus of Liébana in 786. Her signature appears in the Beatus located now at the Girona cathedral, known as Girona Beatus but maybe she worked in some other codex.
The manuscripts were created in a monastery in the mountains of Leon in northwest Spain. There are a number of hands discernible in the manuscripts. The chief painter was likely a priest called Senior. Historians have also attributed elements of the manuscripts to Emetrius, whose style is attributable in comparison to an earlier signed work. The third attributable hand is that of Ende. She signed the work as DEPINTRIX (painter) and DIE AIUTRIX (helper of god). She was probably a nun.
The illuminations illustrate the Apocalyptic Vision of St. John the Divine in the Book of Revelation in the Mozarabic style. This style developed in Spain after the Muslim invasions, blending elements of Islamic art and decorative traditions, particularly the emphasis on geometry, rich colors, ornamented grounds, and stylized figures.
A camera raw image file contains minimally processed data from the image sensor of either a digital camera, image scanner, or motion picture film scanner. Raw files are named so because they are not yet processed and therefore are not ready to be printed or edited with a bitmap graphics editor. Normally, the image is processed by a raw converter in a wide-gamut internal colorspace where precise adjustments can be made before conversion to a "positive" file format such as TIFF or JPEG for storage, printing, or further manipulation, which often encodes the image in a device-dependent colorspace. There are dozens, if not hundreds, of raw formats in use by different models of digital equipment (like cameras or film scanners).
Raw image files are sometimes called digital negatives, as they fulfill the same role as negatives in film photography: that is, the negative is not directly usable as an image, but has all of the information needed to create an image. Likewise, the process of converting a raw image file into a viewable format is sometimes called developing a raw image, by analogy with the film development process used to convert photographic film into viewable prints. The selection of the final choice of image rendering is part of the process of white balancing and color grading.
DCS may refer to:
GSM frequency bands or frequency ranges are the cellular frequencies designated by the ITU for the operation of GSM mobile phones.
There are fourteen bands defined in 3GPP TS 45.005, which succeeded 3GPP TS 05.05:
A dual-band 900/1800 phone is required to be compatible with most networks apart from deployments in ITU-Region 2.
GSM-900 and GSM-1800 are used in most parts of the world (ITU-Regions 1 and 3): Africa, Europe, Middle East, Asia (apart from Japan and South Korea where GSM has never been introduced) and Oceania.
Ich kam nach Hause und ich spürte schon
Kein Briefchen und nichts wie sonst beim Telefon
Irgendwas war los das war ja klar
Du warst einfach nicht mehr da
Soll ich dich irgenwann wiedersehn
Und wie wird es dir bis dahin ohne uns gehn
Dieser Winter hielt sich kalt und lang
Wie fängt man einfach so von vorne an
So lange her unsere schöne Zeit
Die Zeit der Liebe und Ewigkeit
Es ist vorbei und hört niemals auf
Es tut noch weh doch es geht immer bergauf
Ohne Ende, und nicht soweit von Dir
Ohne Ende, ich wünsch mir du wärst hier
Ich wünsch mir das ich stark und schwach bin
Daß ich mich nicht verlier
Manchmal fehlt mir die Erinnerung
Sehnsucht läßt nie nach sowas bleibt ewig jung
Und es tut mir heute immer noch weh