The Offspring is an American punk rock band from Huntington Beach, California, formed in 1984. Formed under the name Manic Subsidal, the band consists of lead vocalist and rhythm guitarist Dexter Holland, bassist Greg K., lead guitarist Kevin "Noodles" Wasserman and drummer Pete Parada. The Offspring is often credited—alongside fellow California punk bands Green Day and Rancid—for reviving mainstream interest in punk rock in the 1990s. They have sold over 40 million records worldwide, being considered one of the best-selling punk rock bands of all time.
The Offspring has released nine studio albums so far. Their first three albums for the independent record labels Nemesis and Epitaph earned them a cult following. The band's third studio album, Smash (1994), became their first commercial success, and has sold over 11 million copies worldwide, setting a record for most albums sold on an independent label and becoming the first album on Epitaph to obtain gold and platinum status. After signing to Columbia Records in 1996, The Offspring continued their commercial success with its next four studio albums, Ixnay on the Hombre (1997), Americana (1998), Conspiracy of One (2000) and Splinter (2003), reaching platinum, multi-platinum, platinum and gold status respectively.Splinter was followed five years later by Rise and Fall, Rage and Grace (2008), and then four years later by Days Go By (2012). The Offspring is currently in production of their tenth studio album, which is due for release in 2016.
"The Offspring" is the 16th episode of the third season of the science fiction television series Star Trek: The Next Generation, and the 64th episode of the series overall.
The android Data creates a "child" of his own named Lal and tries to raise her, while Picard takes on Starfleet Research to keep them from taking her away.
Data invites Deanna Troi, Wesley Crusher, and Geordi La Forge to his lab and surprises them by introducing a featureless humanoid android, whom he created based on his own structural design and recent advances in Federation cybernetics technology, describing it as his child. He names the android Lal (after the Hindi word for "beloved") and encourages it to select a gender and appearance. With Troi's assistance and considering many of the on-board species as well as the databanks, Lal narrows down to four possibilities, including a Klingon male, which, as Troi points out, would make it "a friend for Worf", but in the end selects the appearance of a young female human.
From a Whisper to a Scream, also known as The Offspring, is a 1987 American anthology horror film directed by Jeff Burr and starring Vincent Price.
In a small Tennessee town called Oldfield, historian Julian White (Vincent Price) relates four horror stories to a reporter (Susan Tyrrell). The stories are connected to the past and present of Oldfield, which seems to be an epicenter for pure evil. White's narration serves as a wraparound story for four otherwise unconnected segments set during different periods in history ranging from the American Civil War to present day.
The first, set in modern times, involves awkward grocery clerk Stanley Burnside (Clu Gulager) who attempts to date his glamorous boss (Megan McFarland) with disastrous results (the film's video title The Offspring presumably refers to this segment).
The second segment, set in the 1950s, is the tale of a wounded man (Terry Kiser) on the run from murderous gangsters, who encounters a mysterious man (Harry Caesar) that may be guarding a powerful secret.
Maybe in another life
I could find you there
Pulled away before your time
I can't deal it's so unfair
And it feels
And it feels like
Heaven's so far away
And it feels
Yeah it feels like
The world has grown cold
Now that you've gone away
Leaving flowers on your grave
Show that I still care
But black roses and Hail Mary's
Can't bring back what's taken from me
I reach to the sky
And call out your name And if I could trade
I would
And it feels
And it feels like
Heaven's so far away
And it stings
Yeah it stings now
The world is so cold Now that you've gone away