IAM may refer to:
IAM (pronounced as English "I am") is a French hip hop band from Marseille, created in 1989, and composed of Akhenaton (Philippe Fragione), Shurik'n (Geoffroy Mussard), Khéops (Eric Mazel), Imhotep (Pascal Perez), and Kephren (François Mendy). 'IAM' has several meanings, including 'Invasion Arrivée de Mars' ('Invasion from Mars', 'Mars' is frequently used as a metaphor for Marseille in IAM's songs). Another meaning is Imperial Asiatic Man, while AKH often refers to L'homme Impérial Asiatique.
One of IAM’s central themes in its songs is Africa. The group is one of the pioneer French rap groups and draws heavily on allusions to Africa, and particularly to ancient Egypt, in its music. Their 1991 song "Les tam-tam de l'Afrique" was one of the first French rap hits and the first song to deal expressly with the issue of slavery [needs citation]. Using a sample of a Stevie Wonder song, "Les tam-tam de l'Afrique" focuses on the “abduction of its inhabitants, the Middle Passage, and the plantation system in the Americas.”
Jason D. Harrow (born May 12, 1976), better known by his stage name Kardinal Offishall /kɑːrdᵻˈnæl oʊfᵻˈʃæl/, is a Canadian rapper, record producer, and record executive. Often credited as Canada's "hip hop ambassador", he is regarded as one of the country's best hip hop producers, and is best known for his distinctive reggae and dancehall-influenced style of hip hop.
A native of Toronto, Offishall began his career in the city's mid-1990s underground hip hop scene, as a member of The Circle. He released several independent 12" singles, a debut album (Eye & I), and an EP (Husslin'), before signing with major label MCA Records in 2000. The following year, Offishall released his second album, Quest for Fire: Firestarter, Vol. 1, spawning the Billboard hit "BaKardi Slang", which popularized Toronto's nickname "T-dot", and the minor hit "Ol' Time Killin'"; both singles became his signature songs. After failing to release the Firestarter Vol. 2 album in 2003, on MCA, and later Geffen Records (which absorbed MCA), Offishall briefly returned to the underground scene, releasing several more independent 12" singles.