Allah-Rakha Rahman ( pronunciation , born A. S. Dileep Kumar on 6 January 1967) is an Indian composer, singer-songwriter, music producer, musician and philanthropist. Rahman's works are noted for integrating Eastern classical music with electronic music, world music and traditional orchestral arrangements. Among his awards are two Academy Awards, two Grammy Awards, a BAFTA Award, a Golden Globe, four National Film Awards, fifteen Filmfare Awards and thirteen Filmfare Awards South. Rahman's body of work for film and stage has given him the nickname of "the Mozart of Madras", and Tamil commentators and fans call him Isai Puyal (English: the Musical Storm).
In 2009, Time included Rahman on its list of the world's most influential people. The UK-based world-music magazine Songlines named him one of "Tomorrow's World Music Icons" in August 2011.
With an in-house studio (Panchathan Record Inn in Chennai) Rahman's film-scoring career began during the early 1990s with the Tamil film Roja. Working in India's film industries, international cinema and theatre, Rahman is one of the world's all-time best-selling recording artists. In a notable two-decade career, he has been acclaimed for redefining contemporary Indian film music and contributing to the success of several films. Rahman has become a notable humanitarian and philanthropist, donating and raising money for a number of causes and charities.
The Aër (Greek: Ἀήρ, lit. the "air"; modern Greek: Αέρας; Slavonic: Воздýхъ, Vozdúkh) is the largest and outermost of the veils covering the Chalice and Diskos (paten) in the Eastern Orthodox Church and the Eastern Catholic Churches which follow the Byzantine Rite. It is rectangular in shape and corresponds to the veil used to cover the chalice and paten in the Latin Rite, but is larger. It is often made of the same material and color as the vestments of the officiating priest, and often has a fringe going all the way around its edge. Tassels may also be sewn at each of the corners.
It takes its name either from the lightness of the material of which it is made, or from the fact that during the Nicene Creed in the Divine Liturgy, the priest holds it high in the air and waves it slowly over the Chalice and Diskos. Its original use was to cover the Chalice and prevent anything from falling into it before the consecration. It symbolizes the swaddling clothes with which Christ was wrapped at his Nativity, and also the grave clothes in which he was wrapped at his burial (both themes are found in the text of the Liturgy of Preparation).
Ağrı, formerly known as Karaköse (Kurdish: Qerekose) from the early Turkish republican period until 1946, and before that as Karakilisa (also rendered as Karakilise) (Ottoman: قرهکلیسا), is the capital of Ağrı Province at the eastern end of Turkey, near the border with Iran.
In the Ottoman Empire era the area was called Şorbulak. The current town centre was founded around 1860 by a group of Armenian merchants from Bitlis with the name Karakilise ("the black church") that became known to the local population as Karakise and this version was turned officially to Karaköse at the beginning of the Republican era. This name was changed to Ağrı by 1946.
In the medieval period, the district's administrative centre was located at Alashkert, once an important town. The "kara kilise" that gave the town its name was a medieval Armenian church. In 1895 Lynch stayed in Karakilise and wrote that it had between 1500-2000 inhabitants, was nearly two-thirds Armenian, and that a barracks for a locally-recruited Kurdish Hamidiyeh regiment had been recently located in the town.
Çağrı is a unisex Turkish given name. In Turkish, "Çağrı" means "The Call", "Appellation", and/or "Distinction". It also means "Falcon". Notable people with the name include:
Of O Jalata Hai Bujahata Hai Jalata Hai A A Kaise
Of O Mitata Hai Lutata Hai Mitata Hai A A Ham Pe
Phir Bhi Mushaqil Mushaqil Ye Dil Paana Sun Le
He Saharaaon Se Bhi Guzaroon
Dariyaaon Se Bhi Ubharoon
He Saharaaon Se Bhi Guzaroon
Dariyaaon Se Bhi Ubharoon
Tere Liye Main Gahari Vaadi Bhi Choom Loon
Sahara Men Gul Na Khilega
Dariya Men Diya Na Jalega
Deewaane Vaadiyon Men Dil Na Milega
Of O Jal Gaya
Ek Parachhaaeen Jaisi Hoon Main
Sooraj Dhalate Hi Chhup Jaaoon To
Andhera Chha Jaayega A A A
Shola Junoon Ka Aankhon Men
Roshan Dil Raaton Men
Phir Andhera Bhi Kya Kar Paayega
Zid Karana Hai Reet Teri
Naazuk Preet Meri
Rok Bhi Le Khud Ko
Jeene Bhi De Mujh Ko
Bas Ja Meri Saanson Men
Ji Le A Meri Baanhon Men
Haay Jal Gaya Jal Gaya Jal Gaya Jal Gaya
Of O Jalata Hai Bujahata Hai Jalata Hai A A Kaise
Of O Jal Gaya Mit Gaya Lut Gaya Of O Tum Pe
Sahara Men Gul Na Khilega
Dariya Men Diya Na Jalega
Deewaane Vaadiyon Men Dil Na Milega
Saanson Se Khushaboo Uthane Lagi
Baanhon Men Jab Too Sajane Lagi
To Dekhe Jahaan
Phir Zameen Aasamaan Kya
Sharam Se Aankhen Jhukane Lageen
Mujh Se Kuchh Ye Kahane Lageen
Ke Ye Kya Ho Gaya
Kaise Badala Iraada A A
Aakhir Dil Majaboor Hua
Mere Ishq Men Choor Hua
Mujhape Asar Tha Tera
Tujhape Hai Saaya Ab Mera
Door Agar Main Jaaoon To
Phir Ban Jaaye Too Sooraj Wo
Jo Jalata Hai Bujhata Hai Jalata Hai Bujhata Hai
Of O