Oblique is an album by jazz vibraphonist Bobby Hutcherson featuring performances by Herbie Hancock, Albert Stinson and Hutcherson's regular drummer Joe Chambers. The album was originally recorded in 1967 and first issued as catalog number GXF-3061 in Japan, in 1980. It was remastered and re-released on CD as a part of the Rudy Van Gelder Edition in 2005 with a different cover artwork. Oblique marks Hutcherson's second release in a quartet setting, his previous being Happenings from 1966. The personnel on Happenings are identical, save the replacement of Bob Cranshaw with Albert Stinson.
Oblique is different to his previous sessions, because there is less emphasis on Hutcherson's compositions. He contributes three tunes to the date, all of which are of a more lyrical, subdued style. The one Hancock composition is of a more funky jazz-rock style, yet very laid back, likely due to the lack of horns. The set closes with two of Chambers' compositions, in his typically ominous and avant-garde manner.
Oblique (2008) is a film by the Norwegian artist Knut Åsdam (1968).
The 13 minute film Oblique (2008) is an articulation of identity in transition. The entire film was shot on a train moving through a continuous mass built from cities and their adjoining regions. The characters are traveling in the suspended generic space of the train through regions composite of old and new economies and old and new social realities: Newly built outer areæ around the cities, construction sites, institutional and office buildings, transitory places, between growth and collapse, marked by quasi-contradictory processes of economic progress and development of slums. On the train coach itself, a targeted but sometimes absurd narrative plays itself out as a linguistic reaction to the time and place.
Urban environments, and their heterotopic sites, are locations for Knut Åsdam's investigations into social design, patterns of behavior and modes of subjectivity, with a particular focus on spatial identity's disorder and pathologies. Åsdam perceives a city as a machine of desire, its geography as a system of desire and its architecture as a generator of desiring practices. Usage and perception of public urban spaces, their structures of political power and authority occupy a central place in the artist's studies of identities.
Zen+ is the codename for an AMD microarchitecture that will eventually succeed Zen. According to AMD, Zen+ is expected to bring a slight increase in instructions per clock over Zen, but not nearly as large as the jump from Excavator to Zen.
Özen is a Turkish name, it may refer to:
The ZEN is a portable media player designed and manufactured by Creative Technology. This flash memory-based player is the de facto successor of the ZEN Vision:M and was announced on August 29, 2007, to be available in capacities of 2, 4, 8, and 16 GB, as of September 14. A 32 GB model was announced on December 4, 2007, setting a record for storage capacity among flash players.
The player has a width of 83 mm (3.3 in), a height of 55 mm (2.2 in) and is 11.3 mm (0.44 in) thick, making it the slimmest Creative portable media player and the second slimmest Creative player of any type (other than the discontinued MuVo Slim) at the time of its release. Because of its dimensions, the ZEN is advertised to be the "size of a credit card". This is the first Creative player to have a SD card slot (enabling the support of SD and SDHC cards; an optional adapter is needed for microSD and miniSD cards), support for DRM free iTunes-encoded AAC (in a ".m4a" extension), as well as a truecolor TFT LCD display.