An obelisk (UK: /ˈɒbəlɪsk/; US: /ˈɑːbəlɪsk/, from Ancient Greek: ὀβελίσκος obeliskos; diminutive of ὀβελός obelos, "spit, nail, pointed pillar") is a tall, four-sided, narrow tapering monument which ends in a pyramid-like shape or pyramidion at the top. These were originally called "tekhenu" by the builders, the Ancient Egyptians. The Greeks who saw them used the Greek 'obeliskos' to describe them, and this word passed into Latin and then English. Ancient obelisks were often monolithic (that is, built with a single stone), whereas most modern obelisks are made of several stones and can have interior spaces.
The term stele is generally used for other monumental, upright, inscribed, sculpted stones.
Obelisks were prominent in the architecture of the ancient Egyptians, who placed them in pairs at the entrance of temples. The word "obelisk" as used in English today is of Greek rather than Egyptian origin because Herodotus, the Greek traveller, was one of the first classical writers to describe the objects. A number of ancient Egyptian obelisks are known to have survived, plus the "Unfinished Obelisk" found partly hewn from its quarry at Aswan. These obelisks are now dispersed around the world, and fewer than half of them remain in Egypt.
The ancient Egyptian Obelisk hieroglyph, Gardiner sign listed no. O25 is a portrayal of the obelisk. The hieroglyph is commonly used on erected Egyptian obelisks, as there is often a discussion of the event of its erection: a historical event, as well as an accomplishment of the pharaoh, and the Egyptian Kingdom.
Nectanebo II obelisk
(at a courtyard of the British Museum)
Nectanebo II obelisk
(at a courtyard of the British Museum)
The Obelisk entrance (German Obeliskportal) constitutes the eastern limit of Sanssouci Park in Potsdam, Germany. Following plans by Georg Wenzeslaus von Knobelsdorff, Frederick the Great ordered in 1747 that this exit from the park be built.
The New Palace, built at a later date, stands in the line of sight of the entrance; the two are connected by the roughly 2 km long main alley.
Two sandstone statues from the workshop of the sculptor Friedrich Christian Glume stand next to the pillars positioned in a square, right and left from the lower gateway to the park. Flora, the goddess of flowers, and Pomona, the goddess of fruit, draw attention to the fusion of the ornamental and kitchen garden styles in the park.
The obelisk entrance was used in Frederick's time solely as an exit from the park. This is the reason that the figures look into the interior of the park, so that they can say farewell to the guests.
The name of the palace is written a few steps beyond the obelisk. Likewise sketched by von Knobelsdorff, it indicates the boundary of Sanssouci Park.