Number 17 | |
---|---|
Directed by | Géza von Bolváry |
Produced by | Hermann Fellner Josef Somlo |
Written by | Joseph Jefferson Farjeon (play) Adolf Lantz Benno Vigny |
Starring | Guy Newall Lien Deyers Carl de Vogt Fritz Greiner |
Cinematography | Eduard Hoesch |
Studio | Felsom Film Gainsborough Pictures |
Distributed by | Woolf & Freedman (UK) Deutsche Fox (Germany) |
Release date(s) | 1928 |
Country | Germany |
Language | Silent English intertitles German intertitles |
Number 17 (German: Haus Nummer 17) is a 1928 German-British silent crime film directed by Géza von Bolváry and starring Guy Newall, Lien Deyers and Carl de Vogt. It was based on the play Number 17 by Joseph Jefferson Farjeon. The film was one of several co-productions made in the 1920s between Britain's Gainsborough Pictures and Germany's Felsom Film.[1]
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A number describes and assesses quantity.
Number and numbers may also refer to:
In linguistics, grammatical number is a grammatical category of nouns, pronouns, and adjective and verb agreement that expresses count distinctions (such as "one", "two", or "three or more"). In many languages, including English, the number categories are singular and plural. Some languages also have a dual number or other arrangements.
The count distinctions typically, but not always, correspond to the actual count of the referents of the marked noun or pronoun.
The word "number" is also used in linguistics to describe the distinction between certain grammatical aspects that indicate the number of times an event occurs, such as the semelfactive aspect, the iterative aspect, etc. For that use of the term, see "Grammatical aspect".
Most languages of the world have formal means to express differences of number. One widespread distinction, found in English and many other languages, involves a simple two-way number contrast between singular and plural (car/cars, child/children, etc.). Discussion of other more elaborate systems of number appears below.
Area codes 500, 533, 544, 566 and 577 are non-geographic area codes reserved for personal communications services. The 500 code was authorized by the United States Federal Communications Commission, and introduced into the North American Numbering Plan in 1995.
In 1995 AT&T introduced a "follow-me" service under the brand name of AT&T True Connections using the 500 area code. It was designed to replace the AT&T EasyReach 700 service. Other local exchange carriers and interexchange carriers introduced similar competitive services.
AT&T True Connections service was not well received. Companies, hotels, and others with PBX equipment continued to block the dialing of 500 because it was a caller-paid number. Phone-sex services also began using the 500 prefix and forwarding the calls to various foreign countries.
The 500 prefix is still registered to a variety of phone companies, and is being used for non-geographic services including dial-up modem access.
? (also written Tanda Tanya, meaning Question Mark) is a 2011 Indonesian drama film directed by Hanung Bramantyo. It stars Revalina Sayuthi Temat, Reza Rahadian, Agus Kuncoro, Endhita, Rio Dewanto, and Hengky Sulaeman. The theme is Indonesia's religious pluralism, which often results in conflict between religious beliefs, represented in a plot that revolves around the interactions of three families, one Buddhist, one Muslim, and one Catholic. After undergoing numerous hardships and the deaths of several family members in religious violence, they are reconciled.
Based on Bramantyo's experiences as a mixed-race child, ? was meant to counter the portrayal of Islam as a "radical religion". Owing to the film's theme of religious pluralism and controversial subject matter, Bramantyo had difficulty finding backing. Eventually, Mahaka Pictures put forth Rp 5 billion to fund the production. Filming began on 5 January 2011 in Semarang.
Released on 7 April 2011, ? was a critical and commercial success: it received favourable reviews and was viewed by more than 550,000 people. Also screened internationally, it was nominated for nine Citra Awards at the 2011 Indonesian Film Festival, winning one. However, several Indonesian Muslim groups, including the Indonesian Ulema Council and Islamic Defenders Front, protested against the film because of its pluralist message.
A television film (also known as a TV film; television movie; TV movie; telefilm; telemovie; made-for-television film; direct-to-TV film; movie of the week (MOTW or MOW); feature-length drama; single drama and original movie) is a feature-length motion picture that is produced for, and originally distributed by or to, a television network, in contrast to theatrical films, which are made explicitly for initial showing in movie theaters.
Though not exactly labelled as such, there were early precedents for "television movies", such as Talk Faster, Mister, which aired on WABD (now WNYW) in New York City on December 18, 1944, and was produced by RKO Pictures, or the 1957 The Pied Piper of Hamelin, based on the poem by Robert Browning, and starring Van Johnson, one of the first filmed "family musicals" made directly for television. That film was made in Technicolor, a first for television, which ordinarily used color processes originated by specific networks (most "family musicals" of the time, such as Peter Pan, were not filmed but broadcast live and preserved on kinescope, a recording of a television program made by filming the picture from a video monitor – and the only method of recording a television program until the invention of videotape).
The year 1967 in film involved some significant events. It is widely considered as one of the most ground-breaking years in film.