Nu jazz, also known as jazztronica, is a genre of contemporary electronic music. The term was coined in the late 1990s to refer to music that blends jazz elements with other musical styles, such as funk, soul, electronic dance music, and free improvisation.
According to critic Tony Brewer,
Nu jazz ranges from combining live instrumentation with beats of jazz house, exemplified by St Germain, Jazzanova and Fila Brazillia, to more band-based improvised jazz with electronic elements, such as that of The Cinematic Orchestra, Kobol, and the "future jazz" style pioneered by Bugge Wesseltoft, Jaga Jazzist, Nils Petter Molvær, and others.
Nu jazz typically ventures farther into the electronic territory than does its close cousin, acid jazz, which is generally closer to earthier funk, soul, and rhythm and blues, although releases from noted groove & smooth jazz artists such as the Groove Collective, and Pamela Williams blur the distinction between the styles. Nu jazz can be very experimental in nature and can vary widely in sound and concept. The sound, unlike its cousin acid jazz, departs from its blues roots and instead explores electronic sounds and ethereal jazz sensualities. Nu jazz “is the music itself and not the individual dexterity of the musicians.”
Jazz is a music genre that originated from African American communities of New Orleans in the United States during the late 19th and early 20th centuries. It emerged in the form of independent traditional and popular musical styles, all linked by the common bonds of African American and European American musical parentage with a performance orientation. Jazz spans a period of over a hundred years, encompassing a very wide range of music, making it difficult to define. Jazz makes heavy use of improvisation, polyrhythms, syncopation and the swing note, as well as aspects of European harmony, American popular music, the brass band tradition, and African musical elements such as blue notes and African-American styles such as ragtime. Although the foundation of jazz is deeply rooted within the black experience of the United States, different cultures have contributed their own experience to the music as well. Intellectuals around the world have hailed jazz as "one of America's original art forms".
Jazz is an album by jazz artist Wallace Roney released in 2007.
Jazz (Kanso series) is a series of 20 paintings made by Nabil Kanso in 1978-79. The subjects of the works are based on the jazz music and the entertainments night life in New York and New Orleans. The paintings are done in oil and acrylic on canvas measuring 224 X 182 cm (88 X 72 inches) each. Their compositions reflect predominant red tonality built with broad brushstrokes. Works from the series were exhibited in Atlanta in 1985.
At close proximity, we fire mortar rounds of intellect,
Our spheres of influence are drowning in the subtext,
A spontaneity despite your education,
A new simplicity free from intimidation,
You are the specialist and I'm the antonym,
You don't need a PhD to see the state I'm in
No jazz, no jazz,
No jazz, no jazz tonight,
No jazz, no jazz,
No jazz, no jazz tonight
Better, better, better, you had better beware of accidental suicide,
Your formal musical education has become your Frankenstein,
Devices second-guess the impulse intuition,
Dazed and lost needlessly; it kills the secret mission
Disguised as some efficiency, they fought for the technology,
But even machines can't tolerate serving society
No jazz, no jazz,
No jazz, no jazz tonight,
No jazz, no jazz,
No jazz, no jazz tonight
And I just don't get it, thick as I am deep,
Living large in a little pond, the city's dead asleep,
Learning notes and parts and chords I've been thrust upon
Oh God, it's so very, not what I want
No jazz, no jazz,
No jazz, no jazz tonight,
No jazz, no jazz,